{"title":"Drum Loops \u0026 Tracks","description":"\u003cp\u003eDrumdrops has over 400 drum tracks for you to purchase in multiple formats. All of the drum tracks can be purchased as unmixed live drum multi-tracks. These feature full length takes with all the separate drum mics recorded as 24 bit 44.1 WAVs and come with the Pro Tools session file, an OMF file to import into other DAW and a beat tempo map for syncing up external drum machines. The multi-tracks are perfect for people who want to experiment with setting up their own drum mix and have total control over the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA large selection of the drum tracks are available to purchase as drum stem packs which contain the main stereo mix and sections of the drums mixed down. These packs are better for those who don't want to spend time setting up the mix. We have done the hard work for you, mixing them in commercial studios on vintage gear. \u003cbr\u003eFinally a smaller selection of the drum tracks can be purchased as drum loops. Each mixed drum track has been cut down to about seven 2-4 bar loops and provided in the different drum components - full mix, full kit, kick and snare. The drum loops have been provided as WAVs, Apple Loops and Rex2 files meaning they will import into any sampler or DAW.\u003c\/p\u003e","products":[{"product_id":"60s-motown-drops","title":"60s Motown Drops","description":"\u003cp count=\"1\"\u003e60s Motown Drops features 30 drum tracks inspired by the legendary Motown Records sound, engineered, performed and produced by Timmy Rickard. This album takes its inspiration from the sound of the 1960's Detroit era of Motown Records, when the 'Funk Brothers' were the main musicians behind this pioneering sound and style. \u003c\/p\u003e\n\u003cp count=\"2\"\u003eThis release is influenced by artists such as The Four Tops, The Temptations, Marvin Gaye and Gladys Knight And The Pips. Motown Drops delves deep into the catalogue of this revered record label, and includes not only the Funk Brothers signature grooves, but also a wide variety of lesser known tracks, making this release as varied as it is classic. \u003c\/p\u003e\n\u003cp count=\"3\"\u003eTo recreate the 60s Motown Sound is almost impossible. Kits varied from session to session but Timmy studied the sound and we think we have created a great representation of the sound. Recorded in a large live room at Livingston 1 studio in London, the room was mic’d up as if there was a full Motown band in the room – brass section, vocal mic, talkback mic and then two mics on the kit – a kick, and a kit mic placed above the bass drum, between the rack toms and below the ride. Mix these mics into a 60s kit and voila the Motown sound is created. For customers that purchase the multi-tracks you will have the audio from each microphone in the room so you can mix the sound exactly as you want it.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eFor the kit we used Timmy’s 1960s Ludwig club date kit with a 20” x 14” kick drum one 12” x 8” rack tom and a 14” floor tom. Four snares were used – two Ludwig Pioneer Snares, a Ludwig Hollywood Snare and a Slingerland Shelbyville Snare. We used two cymbals a Zildjian Trans Stamp and a Zildjian Constantinople Hammered cymbal (both doubled up as rides and crashes) and some Zildjian vintage hi-hats. Across the tracks there is tambourine, claps and congas. All the drums used Remo Ambassador heads.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eMic wise we used Neumann Valve U47’s \u0026amp; 67s, Coles ribbon mics, a Sony C38b and an AKG Valve C28. Mic pre’s used were UA2-610’s, Telefunken V76s and a Neve 1073. All of the mics were recorded without EQ or compression except the overhead microphone which used an EAR valve EQ and compressor. All of the tracks were recorded on to a 16 track Studer A80 2” tape machine and then transferred to Pro Tools for mixing and editing. The drum tracks were mixed in Livingston 2 on a Custom Series CS75 console powered by Neve which is a modern desk based on vintage Neve technology. Included in the stems is an EMT plate reverb stem used on some of the drum tracks.\u003cbr\u003e \u003cbr\u003eIn case you were wondering, here’s a little bit more about the man behind this release. Timmy Rickard is a South London based drummer, composer, engineer and producer, and the founder of Monosole Music. Timmy has toured all over the world as a live drummer, but his heart is in the recording studio. He is often found working on various projects with different producers in studios across the UK and Europe, and also at his own studio in South London. This is where Timmy spends his time producing and mixing tracks for various artists, but mainly recording drum tracks, championing his less is more approach to engineering.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003cstrong\u003eMP3 Previews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cwidgetic-embed id=\"5e81e4a4ecb2a1ef5f8b456a\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1: \u003cstrong\u003eDDMT 200 SOUL 17\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the fastest track on this Motown Drops release. Based around the song 'Leaving Here' by Eddie Holland. This groove is played on the ride cymbal, and has a no nonsense punk quality to it. Claps on beats 2 and 4 help to support the backbeat, whilst the occasional drum fill helps to add variation. Towards the end of the track the 8th note groove changes to a 1\/4 note ride groove, which gives the track a calmer vibe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 200\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2: \u003cstrong\u003eDDMT 180 SOUL 27\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track is based on Kim Weston's 'Take Me In Your Arms'. The groove is a funky up tempo shuffle, and features that classic Motown tambourine. This track swings from beginning till end, and starts with the main rhythm being played between the bass drum and a pedalled hi hat. The track then bursts into a full groove, with additions from a swung tambourine pattern, and claps on the backbeat. The drum groove progresses with a more complex shuffle pattern on the hi hats, before breaking back down to the intro section. The cycle repeats, and the drums elevate to the ride cymbal before the final drum fill and crash to end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 180\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e3: \u003cstrong\u003eDDMT 178 SOUL 21\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7 Rooms Of Gloom' by The Four Tops inspired this track. This is an up tempo groove featuring two different sections, various drum fills and a tambourine track. The main groove is a solid 8th note hi hat pattern, supported by an 8th note tambourine part. The second section is a break down section, which drops down to the hi hat and kick drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 178\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e4: \u003cstrong\u003eDDMT 174 SOUL 16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMotown were always ahead of the game, especially with this drum and bass style groove which was inspired by the song 'This Old Heart Of Mine' by Tammi Terell. A classic Motown sounding tambourine powers through the track with a relenting, metronomic 8th note pattern. The drum groove is solid and unashamedly repetitive in its nature, but some fast two beat drum fills sporadically pop up, adding dynamically intrigue.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 174\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e5: \u003cstrong\u003eDDMT 170 SOUL 09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track was a tip of the hat to the legend Marvin Gaye and his song 'Baby Don't do it'. This is a high tempo playful groove, that in the original song plays a kind of counter rhythm to Marvin Gaye's vocal. This groove bounces along at a fast tempo joined by a sparse syncopated conga pattern. Claps on beats 2 and 4 give the groove its foundation to be able to dance around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 170\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e6: \u003cstrong\u003eDDMT 170 SOUL 09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track was a tip of the hat to the legend Marvin Gaye and his song 'Baby Don't do it'. This is a high tempo playful groove, that in the original song plays a kind of counter rhythm to Marvin Gaye's vocal. This groove bounces along at a fast tempo joined by a sparse syncopated conga pattern. Claps on beats 2 and 4 give the groove its foundation to be able to dance around\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 170\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e7: \u003cstrong\u003eDDMT 168 SOUL 05\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShuffles are great, but the shuffle groove on 'Heatwave' by Martha Reeves And The Vandellas is truly iconic. The shuffle is played on the hi hats, but the greatness comes from the supporting snare pattern, played on a tight, crisp sounding snare. Drum fills add dynamics as the groove skips along with a tambourine and claps on the 2 and 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 168\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e8: \u003cstrong\u003eDDMT 152 SOUL 15\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis fast tempo groove was based around Kim Weston's song 'You Hit Where It Hurt'. The track starts with a long, dynamic tom build which crashes into a minimal 8th note drum groove. A few simple classic Motown style drum fills help to break up the groove and add interest. A tambourine is playing 1\/4 notes throughout, providing a solid rhythmical foundation. The main grooves goes to the ride cymbal towards the end of the track, providing a nice change in timbre.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 152\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9: \u003cstrong\u003eDDMT 150 SOUL 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased around The Contours song 'Do You Love Me' is a high tempo classic early Rock \u0026amp; Roll style groove, which switches from hi hats to a ride cymbal pieced together with stops. This track is perfect if your looking for a solid repetitive groove, featuring short drum fills and claps to add interest and variation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 150\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eDDMT 147 SOUL 24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe inspiration behind this solid yet funky groove, is the song 'Don't Let Me Down' by Kim Weston. This track features slight variations on the main groove, alongside some classic drum fills. The two variations are a 1\/4 based hi hat pattern, and the second is an 8th note hi hat pattern which builds nicely from what was played with the 1\/4 note hi hats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 147\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDDMT 144 SOUL 18\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased around the classic track 'River Deep, Mountain High' by The Four Tops and The Supremes. This track has a funky mid high tempo groove which is played on the hihats. This solid groove with added funky ghost notes powers through the track, with punchy fills and that all important tambourine for added texture.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 144\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12: \u003cstrong\u003eDDMT 141 SOUL 08\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA big rolling drum fill intro kicks off this track which is inspired by Edwin Starr's 'Back Street'. A high energy, yet simple 8th note groove that powers along thanks to the accompanying conga pattern, which is occasionally interrupted by the powerful intro section. A couple of times throughout the track a slight variation to the groove with a snare on the one makes an appearance, which is reminiscent of James Browns B section in 'Cold Sweat'.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 141\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDDMT 134 SOUL 19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track has an old rock \u0026amp; roll vibe, and is inspired by Barrett Strong's 'Money (That's What I want)'. The first section is played on the ride, and switches between snare and tom hits. The second section is an 8th note break down style section, which is a dynamic contrast to the first section. Towards the end of the track the first section gets busier with a more complex ride pattern which gives it a latin vibe. A tambourine plays throughout, linking the various sections.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 134\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eDDMT 130 SOUL 13\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMarvin Gaye and Tammi Terrell with their classic song 'Ain't No Mountain High Enough' was the creative starting point for this track. This release wouldn't be complete without this classic verse groove that is played on the rim of the tom together with a kick and hihat samba style pattern. The track then bursts into a funky groove via a classic Motown fill, and the sequence is finished off with another classic motown 1\/4 note snare groove.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 130\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eDDMT 129 SOUL 06\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an 8th note heavy groove that is a pure head jerker. Based on the classic Martha Reeves And The Vandellas song 'Dancing In The Street. The magic of this track is it's minimal variations and come from the occasional drum fill, and some subtle changes in the kick drum pattern. The clap and tambourine that triple up the backbeat are sure to give you a sore neck.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 129\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16:\u003cstrong\u003e DDMT 127 SOUL 22\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis mid tempo track starts off with a funky groove that has some pushes which lead into that ever familiar Motown groove. A 16th note tambourine makes its entrance, shortly followed by a simple conga pattern. This cycle repeats a few times and is based around the song 'I Like Everything About You' by The Contours and Dennis Edwards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 127\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eDDMT 125 SOUL 07\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track is a head nodding funk groove, with an infamous drum break intro section which closely follows the original. 'Twenty Five Miles' by Edwin Starr was the original song this track pays homage to. Think about a groove that a drum break obsessive would spend days digging for, crossed with the classic Motown reverb and room sound. The constant repetition of the tambourine marry with the solid soul claps, producing a funk classic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 125\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18: \u003cstrong\u003eDDMT 122 SOUL 04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis release wouldn't be complete without paying homage to The Four Tops classic 'Reach Out, I'll Be There'. This track starts with one of those drum fills that is as perfect as it is simple, and before your finished mulling that concept over, your greeted to another classic Motown groove which is accompanied by an equally classic crisp tambourine pattern. The unashamedly repetitive groove is only occasionally interrupted by some short, simple drum fills.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 122\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eDDMT 120 SOUL 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track has a classic Motown groove which uses 'Aint To Proud To Beg' by The Temptations as it's muse. A ride section kicks the track off, underpinned by a backbeat of claps and a tambourine. The track swiftly moves into that signature groove which drives the track until it breaks down to just a kick drum and the percussion. The groove continues, and the cycle repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 120\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20: \u003cstrong\u003eDDMT 117 SOUL 23\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by Tammi Terrell's song 'All I Do Is Think About You', this mid tempo track that starts with a solitary cross stick on the 2 and 4. This percussion free drum groove then bursts into a shuffle on the hi hats and snare, then descends to shuffle with a cross stick. This arrangement repeats before the track ends with a flourish on the ride and hi hats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 117\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eDDMT 115 SOUL 29\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis mid tempo groove is based on the song '(We've Got) Honey Love' by Martha Reeves And The Vandellas. A classic groove that starts with a classic drum fill to start proceedings. The main groove is peppered with ghost notes on the snare, that intertwine perfectly with the conga pattern. The track then transitions to a classic Motown groove half way through the track, before ending with the groove in the first section. A tambourine plays a constant backbeat on beats 2 and 4 throughout the track.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 115\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e22: \u003cstrong\u003eDDMT 115 SOUL 28\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis track starts with a funky rhythm played between the bass drum and a pedalled hi hat pattern. Inspired by 'I can't Dance To That Music You're Playin' by Martha Reeves And The Vandellas, The main groove is as funky as it is straight. The groove powers through till the end, accompanied by a tambourine on the backbeat, and various drum fills that add interest and intrigue.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 115\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e23: \u003cstrong\u003eDDMT 115 SOUL 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis mid tempo funky groove pays homage to the song 'You've Lost That Lovin Feeling' by Gladys Knight And The Pips. The track starts with an ominous pedalled offbeat hihat pattern, which creates a surprise when the groove suddenly takes over on the downbeat. The main groove is tight and funky, with the drums, congas and a tambourine all playing as one. The track then elevates into a 1\/4 snare Motown groove, via some pushes. The cycle repeats, and towards the end of the track the first groove is played on the ride.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 115\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24: \u003cstrong\u003eDDMT 105 SOUL 10\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a mid tempo style ballad groove, which has a few different sections that were inspired by the song 'No Good Without You' by Marvin Gaye. The first section has a playful call and response vibe to it, where a drum fill responds to a funky groove with an displaced backbeat. The track then breaks into that classic Motown 1\/4 notes on the snare groove, which quickly dissipates into a simple 8th note groove. The track floats in and out of these sections effortlessly, with some congas playing throughout.\u003cspan\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 105\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25: \u003cstrong\u003eDDMT 104 SOUL 30\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis track pays homage to 'Soul Master' by Edwin Starr. This is a mid tempo groove which is funky and unique in its composition. It starts with a tom and conga 8th build, which rises and falls in dynamics. Pushes complete the intro section, before repeating the cycle again before the main groove enters the stage. The main groove has some funky interplay between the drums and conga pattern, with the drum groove avoiding the backbeat on 4, giving an interesting, tension building vibe. The track goes back to the intro section, then returns to the main groove before bringing in that ever present classic 1\/4 note Motown groove. The track repeats all these sections again, which creates a sense of structure and interest.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 104\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e26: \u003cstrong\u003eDDMT 100 SOUL 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBased on The Four Tops 'Loving You Is Sweeter Than Ever', this is a mid tempo syncopated funky groove. The syncopation comes from the hihat and kick drum that are locked together in unison, creating a funky vibe. The backbeat is supported by a tambourine, with subtle ghost notes played on the snare creeping in and out of the rhythm.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 100\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e27: \u003cstrong\u003eDDMT 99 SOUL 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis classic 1969 song 'I want you Back' by The Jackson 5 is the inspiration for this track. Although the original drum recording has a closed mic'ed 70's sound, this solid funky groove is sure to inspire with it's new\/throwback sound. Percussion including a tambourine, claps and conga power this groove from start to finish.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 99\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e28: \u003cstrong\u003eDDMT 97 SOUL 12\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis slow ballad groove was based around Marvin Gaye and Tammi Terell's classic song 'You're All I Need To Get By'. The intro section has a simple kick and hihat pattern, accompanied by a funky conga groove. The track then builds into its main Motown style groove. Classic fills pepper the groove throughout, occasionally breaking down into the intro section giving dynamic and rhythmical interest.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 97\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e29: \u003cstrong\u003eDDMT 94 SOUL 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs soon as you hear the snare brush overdub intro, you'll probably be right in guessing that this track was based on the revered classic song 'Aint Nothing Like The Real Thing' by Marvin Gaye and Tammi Terell. This country style 'train' beat plays throughout, and underpins the two main drum grooves. The first verse groove is a hypnoticly simple 8th note groove, and the second groove is a classic 1\/4 note snare Motown groove. The track is further supported by tambourine hits on beats 2 and 4, and a rolling conga pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e30: \u003cstrong\u003eDDMT 87 SOUL 25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis drum groove is played with brushes, and is a slow tempo track based on Gladys Knight And The Pips song 'Groovin'. The first part of the brush pattern accents the backbeat, but then flows into a section that accents the 1\/4 notes, giving it that classic Motown vibe. Tasteful drum fills, and a hypnotic conga pattern help the track to groove through till the end.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e31: \u003cstrong\u003eDDMT 77 SOUL 14\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBill Withers inspired Michael Jackson's version of 'Aint No Sunshine' which in turn inspired this track. This slow funky groove starts off with a cross stick backbeat, then seamlessly transfers to the snare backbeat with added ghost notes. Congas and a tambourine help to flow into the third section which is that classic motown groove. The original Michael Jackson version has more of a 70's drum sound, so this is a nice alternative take on this classic track.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: 77\u003c\/strong\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950196338820,"sku":"DDA1257MOMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950196371588,"sku":"DDA1257MOSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950196404356,"sku":"DDA1257MOLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-18.php.jpg?v=1585226213"},{"product_id":"disco-drops","title":"Disco Drops","description":"\u003cp count=\"1\"\u003eDrumdrops presents 19 four to the floor classic disco drum tracks taking you back to the golden roots of the disco genre. Performed by top session drummers using Ludwig and Gretsch drum kits, vintage Zildjian cymbals and snares by Ludwig, Rogers and Slingerland, Disco Drops has been expertly produced to provide producers, writers and re-mixers with supreme quality disco beats.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eProduced and mixed by drum recording maestro Mike Pelanconi, this acclaimed album has kept strictly to the Drumdrops ethos of using only the very best vintage analogue equipment. Each track has been recorded on a 1970s Neve console, using analogue tape, vintage microphones and outboard gear such as Pultec Equalizers and Fairchild Compressors.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eThe 19 Disco Drops drum tracks provide a sparkling variety of grooves, tones and timbres: Rolling Funky Disco beats with punchy snares, tambourines and claves; Driving Disco Club Classics with fat toms and funky conga; Latin funky disco grooves with smooth hats and hand percussion; or Miami Disco with heavy shuffle, accented hats, short snare fills and big shaker. There are countless beats for you to experiment with…\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe Disco Drops tracks can be purchased as multi-tracks (unmixed), stems (mixed) or drum loop packs.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe Multi-tracks come as full length live multi-tracks and song construction loops. These packs include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eThe Stems and mix packs usually contain stems of the Kick, Snare and Overheards as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"6\"\u003eThe loop packs contain live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e81e180ecb2a1cc5e8b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e1: \u003cstrong\u003eDD 133 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRolling funky disco bear with a light, swing, punchy snare, tambourine and clave. 1\/8\u003csup\u003eth\u003c\/sup\u003e note hi-hat, simple bass drum pattern, snare drum backbeat. 1\/16th note shaker, clave on 3+. 1\/16th snare pick up with crescendo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 133\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2: \u003cstrong\u003eDD 132 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eScorching Studio 54 disco club classic with fat tom toms, funky conga and shaker. 1\/18th note hi-hat pattern, open closed on 4+ alternative bars, four to the floor bass drum, snare drum backbeat, 16th note shaker, congas (tumbao variation) tom fills with pushes on 4+, breakdown to shaker, bass drum and conga.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e3: \u003cstrong\u003eDD 131 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving disco club classic with bass drum intro and big tom fills. 1\/8\u003csup\u003eth\u003c\/sup\u003e note hi-hat, four to the floor bass drum, snare drum backbeat, 16\u003csup\u003eth\u003c\/sup\u003e note shaker, open\/closed hi-hat on every 4\u003csup\u003eth\u003c\/sup\u003e bar (this develops and varies). Occasional deep tom rolls, 24” bass drum with hard beater.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 131\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e4: \u003cstrong\u003eDD 127 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic four to the floor disco groove with open hats in the Detroit ‘House’ style. 1\/8\u003csup\u003eth\u003c\/sup\u003e note off-beat open\/closed hi-hat, four to the floor bass drum, snare drum backbeat. Alternates with closed 1\/8th note hi-hat. Develops to syncopated bass drum to lose hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 127\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e5: \u003cstrong\u003eDD 124 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHard 80s disco beat with big toms and accented hi-hat patterns. 24” bass drum, fat snare sound and tight hi-hat. 1\/16th note hi-hat with rolls, 4 to the floor bass drum, snare drum backbeat. Bass drum intro followed by 16th hi-hat with accents, rolls into syncopated tom pattern which leads to the groove. Hi-hat breakdown later on.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 124\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e6: \u003cstrong\u003eDD 120 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePumping disco classic with big 24” bass drum, fat snare sound and sweet 15\" hi-hat.1\/16th note hi-hat open on 3+ (changes as groove develops), fat backbeat on snare drum, four to the floor bass drum, bass drum intro followed by snare drum roll, hi-hat open\/closed, the pattern varies and intensifies throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e120\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e7: \u003cstrong\u003eDD 118 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMiami disco with heavy shuffle groove, accented hi-hats, short snare fills, and big shaker. Broken 1\/16th note open\/closed hi-hat, snare drum backbeat, four to the floor bass drum, tight dry snare sound with hi-hat and bass drum breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e118\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e8: \u003cstrong\u003eDD 117 DISCO 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLatin funky disco groove with smooth hi-hat sound and hand percussion. 1\/8th note hi-hat, snare drum backbeat with four to the floor bass drum, 16th note shaker and \/clave. Intro pick up fill with the snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e9: \u003cstrong\u003eDD 117 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLate 70s ''LA'' P-Funk disco groove with punchy snare and tambourine. 1\/8th note hi-hat pattern, snare drum backbeat with four to the floor bass drum, tambourine. 1\/16th note snare drum intro fill.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eDD 116 DISCO 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfro disco groove with tom fills, fat snare, conga, shaker and cabassa. Off beat 1\/8th note hi-hat pattern. 16th note shakers and cabassa. Snare drum backbeat with four to the floor bass drum. Kit pickup with tom fills on the off beat. Features Conga and hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 116\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDD 116 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfro disco groove with tom fills and breakdowns, conga and tambourine. Punchy snare, broken 1\/16th open\/closed hi-hat. Snare drum backbeat with a strong driving 1\/8th note bass drum pattern, Congas, tambourine. Tom tom intro. Develops to the ride cymbal. Breakdowns without the snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 116\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12: \u003cstrong\u003eDD 114 DISCO 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e80s fat back disco groove with punchy snare, fat tom rolls and tambourine. 1\/16th note hi-hat, four to the floor bass drum, snare drum backbeat, tambourine, nice pick up, open\/closed hi-hat on 1 every 2 bars, tight 1\/16th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 114\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDD 114 DISCO 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic mid tempo disco groove, fat snare, shaker and shuffled hats. 1\/8th note hi-hat pattern, snare drum backbeat, four to the floor bass drum, 16th note shaker, 1 beat pickup. Hi-hat open\/closed on 1 out every 2 bars. Bass drum, hi-hat and shaker breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 114\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eDD 114 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic pop disco groove with shuffled hats and tambourine. 1\/8th hi-hat pattern open\/closed. 1\/16th shakers, snare drum backbeat, four to the floor bass drum. Pick up snare fill on the intro, similar to Rock With You by Michael Jackson (not available in Loops pack). Bass Drum and hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e114\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eDD 113 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDisco groove with tight kick, laid back snare and light shaker. Bass Drum intro, snare drum backbeat, 1\/8 note hi-hat pattern. Hi-hat pattern develops with 1\/16th note rolls and open\/closed on 4 with a 1\/16th note shaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e113\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16: \u003cstrong\u003eDD 112 DISCO 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky disco beat with big tom fills, funky conga and shaker. 1\/8th hi-hat pattern, dry snare drum sound, tom tom fills, with a light 1\/16th note shaker and funky conga.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e112\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eDD 112 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHot latin disco groove with shaker and funky cowbell. Backbeat snare drum, 1\/8th note hi-hat open\/closed, four to the floor bass drum, 1\/16th note shaker and latin cowbell.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 112\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18: \u003cstrong\u003eDD 110 DISCO 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUpfront funky disco groove with light swing and party style breakdowns and shaker. Disco beat with a light swing, 1\/8th note hi-hat pattern, four to the floor bass drum, 1\/16th note shaker, features bass drum and hi-hat breakdown with fast pick up snare drum fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 110\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eDD 110 DISCO 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFat early 80s disco classic with light swing and funky latin percussion. 1\/8th hi-hat pattern, 1\/16th note shaker, funky conga, triangle. Hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 110\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950058844292,"sku":"DDA1357DDMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950058877060,"sku":"DDA1357DDSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950058909828,"sku":"DDA1357DDLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-discodrops.jpg?v=1606390444"},{"product_id":"70s-funk-drops","title":"70s Funk Drops","description":"\u003cp count=\"1\"\u003e70s Funk Drops is a blast from the past, featuring 100% pimpin', low rider 70s Funk beats. This album contains 34 drum tracks ranging from 67-126 bpm., recorded in LA at the now defunct Hollywood Sound Recorders where Parliament and Funkadelic recorded at the height of their 70s greatness. Featuring P-Funk jams, low rider party beats, classic JBs funk, hypnotic afro funk and moody slow jams.\u003c\/p\u003e\n\u003cp count=\"2\"\u003e70s Funk Drops was captured and mixed on a 1970s Neve console using a Studer A80 2\" analogue tape machine, vintage microphones and outboard gear. Vintage Ludwig and Gretsch kits were recorded with old taped up drum skins and vintage Zildjian 15\" hats.\u003c\/p\u003e\n\u003cp count=\"3\"\u003e70s Funk Drops drum tracks are available to purchase on a track by track basis as live drum multi-tracks, drum stems or drum Loops. Or if you want the whole collection you can choose to buy the 70s Funk Drops album in any format.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eEach Drum multi-track comes with a Pro Tools session file, OMF file for importing into other DAW such as logic, a tempo map for syncing up the MIDI gear and all the separated drum audio tracks as 24 bit WAVs. The drum stems include the full mix, a kit mix, kick \u0026amp; snare and a tempo map. The Drum Loops come in three seperate formats - Apple Loops, Rex2 files and WAVs.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eWhichever format you choose to purchase in, 70s Funk Drops contains plenty of funk drum tracks to choose from.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e\n\u003cwidgetic-embed id=\"5e8b500cecb2a1954f8b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eFD 126 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic tight syncopated funk groove with a James Brown sound. 1\/16th note hi-hat, snare drum backbeat with syncopated ghost notes. Moves to ride cymbal with the groove. Tight classic funk snare drum sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 126\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02: \u003cstrong\u003eFD 123 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic tight syncopated funk groove with a James Brown sound and light shaker.1\/8th note HH, 1\/16th note shaker, snare drum backbeat with syncopated ghost notes. 4 bar phrase with pushes on 4+ in third bar and 1\/2 bar fill on 4th bar. Tight high pitched snare drum classic funk sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e123\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eFD 117 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour to the Floor Sugar Hill Gang disco groove with breakdown and tom fills. 1\/16th note hi-hat, open\/closed on 4+. Four to the floor bass drum. Snare drum backbeat. Moves to the ride cymbal with the groove filling in with ghost notes on snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eFD 117 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFast pumping funk break with syncopated snare, heavy snare rolls and ride cymbal. 1\/8th note hi-hat, open\/closed on 1 and 1+, classic funk bass drum pattern, snare drum backbeat with syncopated ghost notes. Dry tight snare drum sound. Develops to the ride cymbal. Cool outro with a 16th note floor tom pattern, snare drum and hi-hat chokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eFD 116 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSugar Hill Gang Funk groove with accented hats, tom fills and ride cymbal. 1\/8th note hi-hat, snare drum backbeat, bass drum on 1 and 3. Hi-hat open\/closed on 1. Occasional syncopated bass drum and rolls on hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 116\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06: \u003cstrong\u003eFD 116 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eP-Funk and hip-hop groove, straight kick and fat snare with a disco feel, breakdowns and side stick variation. 1\/8th note ride cymbal pattern, snare drum on cross stick develops to 2 and 4, 1\/8th note bass drum intro pick up. Beat develops between hi-hat and ride cymbal and moves to snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 116\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eFD 115 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky fat back disco beat with accented hats, fat snare, tom fills. 1\/8th note hi-hat, snare drum backbeat, bass drum on 1 + 3. Pick up fill. Billie Jean style groove with occasional fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 115\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eFD 107 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSugar Hill Gang funk groove with accented hats, breakdowns, tom fills and side stick variation.1\/8th note hi-hat, open\/closed on 1, sparse syncopated bass drum, snare drum backbeat. 1\/16th hi-hat intro with pick up to groove. Develops to cross stick rimshot. Tight high pitched snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 107\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eFD 106 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour to the floor Sugar Hill Gang party style groove with breakdown and tom fills. 1\/8th note hi-hat, open\/closed hi-hat, four to the floor bass drum, snare drum backbeat, low fat bass drum and snare drum sound. 1\/16th intro on hi-hat, bass drum on 1 develops to every beat with tom fill to groove. Hi-hat\/bass drum breakdown back to groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 106\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eFD 105 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirty funk break with syncopated snare, breakdowns and ride cymbal. 16th note hi-hat, driving tight bass drum, snare backbeat with ghost notes, syncopated bass drum. Intro 4 bars with 1\/16th snare drum fill to groove. Develops to broken 1\/16th ride cymbal pattern. Breakdown to ride cymbal and hi-hat breaks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e105\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eFD 101 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy and fast hip-hop beat, busy driving kick drum, punchy snare, tom fills and ride cymbal. 1\/16th note hi-hat, strong driving bass drum, snare drum pattern, snare drum backbeat. Hi-hat and bass drum breakdown with 1\/16th note fill to ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12: \u003cstrong\u003eFD 101 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBusy funk and hip-hop groove with fat snare, tom fills and hi-hat variations. 1\/8th note hi-hat, bass drum on 1, snare drum backbeat with ghost notes. High pitched James Brown style snare drum, develops to the ride cymbal. Ride cymbal breakdown with a nice fill back to groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eFD 99 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic Sugar Hill Gang funk groove with accented hi-hats, fat snare and tom fills. Broken 1\/16ths and 1\/8th note hi-hat, snare drum backbeat, 2 bar phrase bass drum pattern with syncopation. Occasional fills including 1\/32nds, open\/closed hi-hat, groove develops to ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 99\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eFD 99 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging funk groove with tight snare and accented hi-hat. Broken 1\/8th note hi-hat with push onto 1 and 3 with open\/closed hi-hat and bass drum, snare drum backbeat develops to a sparser version of the groove, and moves to the ride cymbal with the pushes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 99\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eFD 97 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic LA P-funk beat with 15\" sweet hi-hats, fat snare with hi-hat breakdown and tom fills. 1\/8 th note hi-hat, snare drum backbeat, 2 bar phrase bass drum on 1 and 3 then 1, 3 and 3+. Nice ride cymbal, hi-hat, bass drum intro. Hi-hat breakdown with fill back to groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 97\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16: \u003cstrong\u003eFD 97 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy west coast funk and hip-hop flavour with fat snare, tom fills and hi-hat variations. 1\/8th note hi-hat, snare drum backbeat, bass drum on 1 and 3, rim clicks intro bass drum on 1 and 3. Occasional rolls on hi-hat. Develops to the ride cymbal, with open\/closed hi-hat break.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 97\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eFD 96 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld skool funk groove with swinging hats, big 24” bass drum and ride. 1\/8th note hi-hat, snare drum backbeat, sparse syncopated bass drum, cowbell count in with round the kit pick up. Hi-hat develops to 1\/16 triplet roll on 4+, breakdown hi-hat pattern with bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18: \u003cstrong\u003eFD 96 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic James Brown funk with tight hats and syncopated snare. 1\/16th note right hand hi-hat pattern, snare drum backbeat, sparse 1\/8 bass drum pattern, open\/closed hi-hat on 3+, snare drum drag onto 1. Develops to ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eFD 95 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirty Headhunters style funk groove, tom and snare fills. Ride cymbal with hi-hat variations.1\/4 note hi-hat, syncopated bass drum, snare drum displaced onto 1 and played on 4. Harvey Mason\/Headhunters type groove. Beat develops to ride cymbal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e95 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20: \u003cstrong\u003eFD 94 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eP-Funk and hip-hop groove, straight kick and fat snare with a disco feel. 1\/8th note hi-hat, snare drum backbeat, syncopated bass drum on 2. Beat develops to open\/closed hi-hat on 1+ and 3+.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eFD 94 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirty New Orleans funk break with short fills and hand percussion. 1\/8th note hi-hat, snare drum backbeat, classic syncopated bass drum, 1\/16 tambourine. Old skool New Orleans\/R+B sound, ringy snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 94\u003c\/p\u003e\n\u003cp\u003e22: \u003cstrong\u003eFD 92 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic funk hip-hop break with fat 70s kick and snare. 1\/8th note hi-hat, snare drum backbeat, sparse 1\/8th note bass drum pattern. Nice laid back groove develops on the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e92\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23: \u003cstrong\u003eFD 91 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVariation on funky drummer mixed with hi-hat breaks. A classic funk groove. 1\/16th note hi-hat, snare drum backbeat, syncopated open\/closed hi-hat with bass drum. Slight ring on the snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24: \u003cstrong\u003eFD 75 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow dramatic soundtrack style. Funk type beat with a light swing feel, tom fills and ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25: \u003cstrong\u003eFD 89 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRolling funk groove with syncopated snare, ride cymbal, fills and breakdowns. 1\/8th note ride cymbal, snare drum backbeat with syncopated ghost notes, 1\/8th note bass drum pattern, 1\/8th ride cymbal intro with bass drum. 1\/16th note hi-hat breakdown. Groove develops into a broken 1\/16th hi-hat and ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e89\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26: \u003cstrong\u003eFD 88 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky groove with a light swing, tight snare, rimshot and ride breaks. 1\/8th note ride cymbal, cross stick backbeat, sparse 1\/8th note bass drum, ride cymbal intro into tom pick up. Groove moves to 1\/8th note hi-hat, open\/closed on 4+ then develops to the ride cymbal, with 2 and 4 on hi-hat with foot and pushes on the hi-hat, then brings in full snare drum backbeat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e88\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e27: \u003cstrong\u003eFD 86 70SFUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic funk groove, laid back and heavy with variations. 1\/4 note hi-hat, snare drum backbeat, syncopated bass drum 2 bar phrase, ride cymbal, bass drum and hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e86\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28: \u003cstrong\u003eFD 86 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky Sly Stone style funk break with syncopated bass drum and alt breakdowns. 1\/16th note hi-hat open\/closed on 4+ alternate bars, snare drum backbeat, ride cymbal and bass drum breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e86\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29: \u003cstrong\u003eFD 85 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew Orleans funky break with tight hats and meters style snare drum and breaks. 1\/8th note hi-hat, dominant syncopated snare drum pattern, bass drum on 2+ and 4+. RnB feel. Ringing old sound snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e85\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e30: \u003cstrong\u003eFD 81 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow trip-hop groove with a low tuned snare, ride and hi-hat variations. 1\/16th note hi-hat, snare drum backbeat, bass drum on 1\/1+ and 3\/3+. Occasional open\/closed hi-hat\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e81\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e31:\u003cstrong\u003e FD 79 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow southern soul beat with snare and tom fills, ride cymbal and hi-hat variations. Laid back 1\/8th note hi-hat, bass drum mostly on 1 and 3, snare drum backbeat. I Can’t Stand The Rain kind of feel. Cymbal intro with toms. Breakdown with cymbals and toms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e79 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32: \u003cstrong\u003eFD 77 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirty southern style funky breakbeat with rolling snare and conga. Loose snare drum backbeat, laidback 1\/16th note hi-hat, syncopated open bass drum sound and congas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e77\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e33: \u003cstrong\u003eFD 67 70SFUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow dirty New Orleans funk beat with stops, breakdowns, and pick snare drum fill and ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e67\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950249160836,"sku":"DDA3845FDMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950249193604,"sku":"DDA3845FDSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950249226372,"sku":"DDA3845FDLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-70sfunk.jpg?v=1606390404"},{"product_id":"indie-rock-drops-songwriter-series","title":"Indie Rock Drops - Songwriter Series","description":"\u003cp count=\"1\"\u003eIndie Rock Drops - Songwriter Series is a collection of 14 live indie, pop and Rock live drum tracks ready to inspire your next chart smash. If you are a writer, musician or producer specializing in these genres then this collection of drum tracks is the perfect tonic to get creative with.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThe album provides rock and indie pop drum tracks ranging from 64-172 BPM which are simply arranged with intro, verse, chorus and middle 8 sections. The drum tracks are designed to help you build your songs easily and quickly.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eIndie Rock Drops was recorded and mixed by producer Mike Pelanconi in two different studios and on two consoles - the legendary Olympic Studio 2 through an EMI TG series console, and at Funky Junk on a vintage Neve. The session drummer was D. Whiteman.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eEach drum track is available in three different formats - live drum multi-tracks, drum stem packs or drum loop packs. The multi-tracks come with a Pro Tools session file, OMF file to import the session into any other DAW software, a tempo map to map the live drums and all the audio is supplied as 24 bit 44.1 WAVs. The Rock Drops Multi-tracks are for the musician that wants total control over the drums. You can control the levels of each microphone and change the tone of each drum. The drum stems supplies a full mix, kit mix, kick drum and snare drum mix as 24 bit WAVs. These are the fully mixed versions of the multi-tracks and are designed for the songwriter who wants to quickly load up a great mix of the drums. Finally each drum track is chopped up into about eight loops and provided as full mix, kit, snare and kick. They are then supplied as Apple Loops, WAVs and Rex 2 Files.\u003c\/p\u003e\n\u003cp count=\"5\"\u003e\u003cbr\u003eThere is a superb choice of pop, rock and indie drum beats here: from vintage shuffle 60s pop beats to funky New Orleans grooves; and from old school 60s funk to atmospheric funky sound track grooves, with many other styles thrown in too.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c4028ecb2a175518b456a\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eSWS 174 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePop Rock beat with verse\/bridge\/chorus structure, tom fills and ride cymbal. 1\/8th note HH pattern, X stick SD backbeat that develops to full SD with 'chatter', sparse BD with syncopation on 2a.chorus section played on RC with phrasing hits on 1 and 2+, sizzled HH bridge section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e174\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02: \u003cstrong\u003eSWS 172 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePop Rock beat with verse\/bridge\/chorus structure, ride cymbal and sizzled hi hats\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e172\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eSWS 143 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePop Rock groove with a heavy swing groove with accented shuffle hi hat, tom fills and ride cymbal. \/8th note HH pattern, open\/closed HH on 4, SD backbeat, BD on 1, 3 and 3+1 bar, SD and TT 1\/8th note crescendo pick up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e143\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eSWS 130 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVintage Shuffle Pop beat with a 60s sound.1\/4 note HH pattern, SD backbeat, 2 bar 1\/8th note BD pattern, 6 bar intro BD and RC with SD pick up, 2 bar 60s soul\/RnB groove that develops to 1\/4 note HH, 4 to the floor BD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05:\u003cstrong\u003e SWS 128 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky New Orleans groove with drag snare, off beat kick drum, breakdowns and ride cymbal. 1\/8th note hi-hat pattern open\/closed on 2+, snare drum backbeat, driving off beat bass drum pattern. 2 beat pick up, 5 stroke drag onto 1, bass drum breakdown. Groove develops on to the ride cymbal with displaced snare drum on 3+.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 128\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06: \u003cstrong\u003eSWS 122 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky Disco Pop beat with heavy snare, 1\/8th note accented hi hat and ride cymbal. 1\/8th note hi-hat pattern on 1+, 2, 3+ ,4. Snare drum backbeat, simple 1\/8th bass drum pattern. 2 beat pick up fill, sparse groove which develops to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 122\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eSWS 117 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e70s shuffle funky pop beat in the Steve Gadd style, fat snare, off beat hi-hat, breakdowns, ride cymbal. 1\/8th note hi-hat pattern, accents on the off beat, snare drum backbeat, bass drum with 1\/8th note pattern on 1 and 3+. 16 bar intro beginning with cymbal roll, 1\/16ths on ride cymbal with open\/closed hi-hat, bass drum on 2. Groove develops to ride cymbal with off beats on the bell.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eSWS 101 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky indie pop beat with heavy snare, rocky 1\/8th note hi-hat, big fills and ride cymbal. Open\/closed on 3+, snare drum backbeat (drag onto 1), syncopated bass drum, hi-hat intro latin type pattern. Groove moves to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eSWS 91 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDeep funky pop groove with a feel similar to Superstition. Tambourine and funky snare fills, 1\/8th note hi-hat pattern open\/closed on 1+, 16th note tambourine, snare drum backbeat, four to the floor bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eSWS 83 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky pop beat with tight snare and 1\/8th note hi-hat pattern, snare drum backbeat, 1\/8th note bass drum pattern with syncopation onto 2+. The beat develops to 1\/8th note sizzled hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eSWS 75 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld school 60s funk sound. Nice RnB and Reggae pick up fill. Groove has 1\/8th note sizzled hi-hat section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e SWS 67 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAtmospheric funky soundtrack groove with 1\/16th note hi-hat pattern, snare drum backbeat. Cross stick rim click, 2 bar syncopated bass drum pattern with variations. 2 bar intro, melodic cymbal pattern and crescendo roll into the groove. Bass drum and hi-hat breakdown beat develops to ride cymbal and full groove with snare drum backbeat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 67\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13:\u003cstrong\u003e SWS 64 POP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFat 70s funk groove with half time shuffle hi-hat pattern, snare drum backbeat, 2 bar bass drum pattern. Cymbal roll intro with snare drum pick up. Half time shuffle pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 64\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950783017092,"sku":"DDA30345IRMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950783049860,"sku":"DDA30345IRSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950783082628,"sku":"DDA30345IRLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-songwriter.jpg?v=1593079422"},{"product_id":"drops-in-the-bronx-volume-2","title":"Drops In The Bronx Volume 2","description":"\u003cp count=\"1\"\u003eDrops in the Bronx 2 features 15 slabs of funk and hip-hop ranging from 88-108 BPM. The album is performed by Jan Kincaid from the Brand New Heavies who lays down his very own backbeat!\u003c\/p\u003e\n\u003cp count=\"2\"\u003eDrops in the Bronx 2 has been recorded on a 1970s Neve console with 2\" analogue tape, vintage microphones and outboard gear. Jan Kincaid plays Ludwig and Gretsch kits with heavy skins, vintage Zildjian hats using snares by Ludwig, Rogers and Slingerland.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eDrops in the Bronx Volume 2 comprises a stellar range of hip hop and funk beats, with a variety of influences and playing styles. Starting with Sugar Hill Gang early rap and funk grooves, you can then sift through Early 80s soul grooves and Block party rap classics. Four to the floor disco grooves, fat hip-hop and funk beats, funky old school rap beats, slack and funky back beats and heavy hip hop grooves offer plenty more to experiment with.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eYou can then make the most of a variety of tones and timbres: shuffled hats and claps to chunky hats and fat snares; short snare fills to big tom fills; accented hi hats and syncopated kick patterns to breakdowns and 70s tom sounds. There is a whole barrel of sounds for you to explore to find what suits your track the best.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eDrops in the Bronx Volume 2 is available in three formats - drum multi-tracks, drum stems and drum loops. The Drum Multi-tracks come with a Pro Tools session file, OMF File for importing into other DAW software, beat tempo map to track the live drums and all the audio supplied as 24 bit 44.1 WAV files. The multi-tracks offer you the greatest flexibility but do not come mixed. The drum stems pack contains the mixed drum track and various mixes of the drums usually including the full kit, the kick and the snare. The drums loop packs for each drum track contain on average 20 4-bar loops of each drum performance. These are split again into full mix, the kit, kick and snare and come ready to use as Apple Loops, Rex 2 files and WAVs. You can choose to purchase on a track by track basis or buy the whole album in any of the formats.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eIf you are a composer, producer, re-mixer or musician Drops In The Bronx volume 2 will provide endless inspiration for your next record.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b56beecb2a116528b4568\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eDB2 108 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSugar Hill Gang early rap and funk style groove with shuffled hats and claps. 1\/16th note hi-hat, occasional rolls \u0026amp; chokes, sparse syncopated bass drum, snare drum and clap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02: \u003cstrong\u003eDB2 108 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEarly 80s soul groove with hi-hat shuffles and short snare fills. 1\/16th hi-hat pattern, snare drum on 4, sparse syncopated bass drum, 4 bar intro, beat develops to snare drum on 2 and 4 then to ride cymbal with hi-hat chokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDB2 107 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eParty rap classic style groove with claps, break downs and hi-hat variations. 1\/8th note hi-hat, snare drum and claps on 2 and 4, syncopated bass drum intro fill. Repeated rhythmic figure on claps\/bass drum throughout. Moves to a busier hi-hat pattern with chokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e107\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eDB2 103 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic early Sugar Hill funk beat with chunky hats and fat snare drum. 1\/8th note hi-hat pattern, sparse syncopated bass drum, and ghosted snare drum. Finger clicks on 2 and 4, low pitched snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e103\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05:\u003cstrong\u003e DB2 103 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour to the floor early disco groove with 24\" bass drum. 1\/8th note hi-hat pattern, four to the floor bass drum, backbeat on snare drum, snare drum and tom toms intro fill, bass drum and hi-hat breakdown, beat develops with open\/closed hi-hat on 2 and 4, moves to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e103\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e DB2 102 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky style party classic with rimshot, swung broken hats, and big tom fills. Cross stick backbeat, 1\/8th note bass drum pattern (occasionally syncopated) develops to ride cymbal, hi-hat breakdown with rolls. Backbeat moves to snare drum, then back to the groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e102\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07:\u003cstrong\u003e DB2 101 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFat hip-hop and funk beat with light swing, accented hi-hats and syncopated kick pattern. 1\/16th note hi-hat groove (with accents and rolls) There’s a breakdown intro and outro groove with broken 1\/16th notes on the ride cymbal with hi-hat foot pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eDB2 101 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSugar Hill Gang funk style classic groove, with a tight and dirty sound featuring claps. 1\/4 note hi-hat, syncopated bass drum, snare drum and claps on 2+4, it then moves to a 1\/8 note hi-hat pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDB2 101 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSugar Hill Gang funk style groove with shuffled\/accented hats, fat snare, syncopated kick drum and ride. 1\/8 note hi-hat groove, fat snare on 2+4, sparse syncopated bass drum, 1\/16 note hi-hat intro with bass drum. Groove then develops to the ride cymbal with hi-hat chokes, nice linear fills, the groove then returns with hi-hat rolls and chokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eDB 99 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFat hip-hop and funk sounding beat with light swing, accented hi hats, syncopated kick pattern with breakdown. 1\/8th note hi-hat pattern, snare drum on backbeat, busy syncopated bass drum, open\/closed hi-hat on 1 develops on to each beat, it then develops to the ride cymbal, nice left hand\/foot pattern on hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 99\u003c\/p\u003e\n\u003cp\u003e11:\u003cstrong\u003e DB2 99 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky old school rap beat with 24\" bass drum and big toms. 1\/8th hi-hat pattern, open on 1, backbeat on snare drum, sparse syncopated bass drum, swung 1\/16 hi-hat, bass drum intro. Nice sixtuplet fills. Develops to the ride cymbal with hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e99\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e DB2 97 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlack and funky fat backbeat with breakdowns and 70s tom sound. 1\/8th hi-hat, backbeat on snare drum, busy syncopated bass drum, hi-hat gets busier, hi-hat and bass drum then breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e97\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDB2 92 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy hip-hop groove with thrashy hi-hat and big tom fills. 1\/8th note sizzled hi-hat, Snare drum backbeat (low pitch tuning). Hi-hat and bass drum breakdown with fill, and then goes back to the groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 92\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eDB2 88 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld school funk party classic with breakdowns and ride pattern. 1\/8th note hi-hat, syncopated bass drum, snare drum on 2 \u0026amp; 4, 1 bar snare drum intro. Develops with hi-hat chokes on 1, moves to ride cymbal with a broken swing pattern. Finishes with snare drum fills and bass drum triplet fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e88\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950870966404,"sku":"DDA4179DBMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950870999172,"sku":"DDA4179DBSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950871031940,"sku":"DDA4179DBLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-bronx2.jpg?v=1593077356"},{"product_id":"temple-of-boom","title":"Temple Of Boom","description":"\u003cp count=\"1\"\u003eTemple of Boom is an album of 22 dope Hip-Hop and Funk drum tracks, from P-Funk and west coast Classics to heavyweight east coast gangster beats. The drum tracks on Temple of Boom range in tempo from 71-101 BPM.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eTemple of Boom was recorded in two great studios: the world famous Hollywood Sound Recorders and Snap studios in London. It was produced and mixed by Mike Pelanconi using a vintage Neve console, analogue tape, vintage microphones and outboard gear. Vintage Ludwig and Gretsch drum kits were used with heavy skins, alongside vintage Zildjian hats and snares by Ludwig, Rogers and Slingerland. \u003c\/p\u003e\n\u003cp count=\"3\"\u003eIf you buy all the drum multi-tracks on Temple of Boom you can find over 7 gigabytes of tape saturated beats: classic block party funk beats, P-funk grooves, heavy west coast hip-hop grooves, old skool hip-hop beats, funky swinging rim shot beats, east coast hip hop grooves, hypnotic trip hop, swinging funk and many more.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThis album is available as a drum multi-track, drum stems pack or as drum loops. So you can choose what suits your needs best. If you want the raw recordings so that you have total control at the mix purchase the multi- tracks, if you want the mixed drum tracks buy the drum stems pack or if you want a selection of loops taken from the drum track then this will be the pack for you.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eThe Temple of Boom drum multi-tracks contains a Pro Tools session file, an OMF file for exporting into other DAW software, a beat tempo map for syncing up other MIDI gear and all the seperate drum parts as 24 bit WAVs. The stem packs are available as 24 bit WAVs and the full kit, kick, snare and kit are available. The Loops packs come as apple loops, rex files and WAVs making them compatible with all DAW.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e\n\u003cp\u003e01: \u003cstrong\u003eTOB 101 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic party funk beat with heavy snare, 70s tom sound, 1\/8th note hi-hat, snare drum backbeat, driving 1\/8th note bass drum with syncopation onto 2. Hi-hat and bass drum breakdown. Develops to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02: \u003cstrong\u003eTOB 101 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eP-Funk groove with big tom fills, breakdowns with dampened snare sound, broken 1\/16th hi-hat pattern, snare drum backbeat, bass drum on 1 and 3, hi-hat intro with a flammed snare drum to bass drum. Similar hi-hat pattern to Superstition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 101\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eTOB 98 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy west coast hip-hop groove with bass drum intro, open hats, 1\/8th note hi-hat, snare drum backbeat, sparse syncopated bass drum (3:2 clave style). Old school soul intro with hi-hat and bass drum, mellow ring on bass drum, fat snare drum, 1\/16th note hi-hat breakdown with bass drum and sizzled hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e98\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eTOB 98 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBouncy P-Funk groove with fat snare, 15\" hi-hats, breakdowns, 1\/8th note hi-hat, snare drum backbeat with syncopated ghost notes on 1 and 3, 1\/8th bass drum, dry fat sound. Rock with You (Jr Robinson style) pick up snare fill.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 98\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eTOB 97 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy west coast hip-hop groove with fat snare, hi-hat variations, 1\/8th note hi-hat pattern, snare drum backbeat, sparse syncopated bass drum onto 3 tom toms\/snare drum\/bass drum flam pick up. 1\/16th note hi-hat and bass drum breakdown, sizzled hi-hat developing to open\/closed hi-hat on 3.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 97\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06: \u003cstrong\u003eTOB 97 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic P-Funk beat with 15\" hi-hat, breakdowns, 1\/8th note hi-hat pattern, snare drum backbeat, simple 1\/8th note bass drum, 1\/16th snare drum, tom tom intro, which then develops to sizzled hi-hat with hi-hat and bass drum breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 97\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eTOB 96 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld skool hip-hop groove with swinging hats, 24\" bass drum, ride, broken 1\/16th hi-hat pattern develops to open\/closed. Pattern on the off beat, X stick backbeat, sparse syncopated bass drum, interesting tom tom, hi-hat pickup. Moves to the ride cymbal, with hi-hat step on 1 and 3.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eTOB 94 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky swinging rimshot beat with 24\" bass drum, and has a 70s tom sound. 1\/8th note hi-hat pattern, X stick backbeat that develops to snare drum, sparse 1\/8th note bass drum intro swung broken 1\/6ths, hi tom reggae style fills. 2 bar phrase. Moves to the snare drum with rolling hi-hat, then to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eTOB 93 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEast Coast hip-hop groove with busy bass drum pattern and hi-hat breaks. 1\/8th note hi-hat pattern, X stick motown groove, the groove settles into snare drum backbeat, syncopated bass drum, open\/closed hi-hat on 2+, 1\/16th note hi-hat, bass drum breakdown and linear fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e93\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eTOB 93 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEast Coast hip-hop rimshot groove with tight hats syncopated kick, 1\/8th note hi-hat pattern with broken 1\/16ths, occasional open\/closed. X stick backbeat, bass drum syncopates onto the 1, nice hi-hat X stick pick up, nice snare drum roll fills, 1\/16th hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e93\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eTOB 92 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavyweight hip-hop groove with hi-hat breaks on 15\" hi-hats, 1\/8th note hi-hat, snare drum backbeat, 1\/8th note bass drum pattern. Tight dry snare drum and bass drum. 1\/16th note intro with flams. The beat develops to sizzled hi-hats, 1\/16th note hi-hat and bass drum breakdown, hi-hat open\/closed on 1, 1\/4 note pattern played on the bell of the ride cymbal, and the 1\/8th note on the bow of the cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e92\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e TOB 92 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWest Coast beat with rimshot, hi-hat and ride variations, 1\/8th note hi-hat open\/closed. On the beat\/X stick backbeat\/ syncopated bass drum onto 1 and 3. 1\/16th note x stick bass drum pick up develops to snare drum backbeat, then to the ride cymbal and x stick with stepped hi-hat on 1+ and 3+.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 92\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13:\u003cstrong\u003e TOB 91 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWest Coast groove with fat snare, 15\" hi-hat, crash of doom, 1\/8th note hi-hat, snare drum backbeat, bass drum syncopated onto 3 and 1. Nice pick up fill, occasional open\/closed hi-hat on 1+.  1\/16th hi-hat breakdown with bass drum. Groove develops to sizzled hi-hat. Low pitched bass drum, and dry fat snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e TOB 91 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic hip-hop with swinging bass drum, tight rimshot, snare, 1\/8th note hi-hat, X stick rim click on the backbeat, 1\/8th note bass drum with syncopation onto 1 of 2nd bar. 2 bar phrase with a triplet pick up on bass drum. Groove then moves to a high pitched ringy snare drum. There’s a hi-hat\/bass drum breakdown, then the groove develops to the ride cymbal with X stick rim click.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eTOB 90 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHypnotic trip-hop groove with low tuned snare, break, ride, 1\/8th note hi-hat (occasional open\/closed hi-hat on the 1), snare drum backbeat, 1\/8th note bass drum pattern, laid back 2 bar phrase with occasional fills. 5 Stroke intro on the snare drum, 1\/16th note hi-hat with bass drum break before the groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e90\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16: \u003cstrong\u003eTOB 87 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBouncy hip-hop groove with tight snare, rimshot, and ride cymbal. 1\/8th note hi-hat, open\/closed on the 1, snare drum backbeat, sparse syncopated bass drum over 2 bars, the groove then develops to the ride cymbal and X stick rim click.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 87\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17:\u003cstrong\u003e TOB 86 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOld skool shuffle funk influenced beat with a fat snare and ride intro. Broken 1\/16th ride cymbal pattern, snare drum backbeat, sparse syncopated bass drum, low pitched bass drum sound, the groove then moves to the hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e86\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e18: \u003cstrong\u003eTOB 84 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging trip-hop with jazzy ride, big hats and rimshot outro. 1\/8th note hi-hat, open\/closed on the 3rd beat, snare drum backbeat, sparse 1\/8th note bass drum pattern, low pitched fat sound, 2 beat triplet pick up which occurs throughout the groove. The beat then develops to the ride cymbal and X stick rim click.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 84\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19:\u003cstrong\u003e TOB 83 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBouncy hip-hop beat with fat kick, high tuned snare and hi-hat breaks, with 1\/8th note hi-hat, snare drum backbeat, and a sparse syncopated bass drum. P-Funk intro, 2 bar phrase, occasional open\/closed hi-hat on 1, bass drum and hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20: \u003cstrong\u003eTOB 82 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow trip-hop groove with low tuned snare, ride and 1\/16th note hi-hat patterns, snare drum backbeat, bass drum develops to syncopation onto 2 and 3. 3 1\/2 bar and 1\/16th snare drum intro with a crescendo. The groove develops to the ride cymbal and open\/closed hi-hat on the off beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e82\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21:\u003cstrong\u003e TOB 78 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging funk groove with rimshot and jazzy ride cymba. 1\/8th note hi-hat, cross stick backbeat develops to snare drum, syncopated bass drum. 1\/32nd snare drum pick up, and reggae style tight ringing snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e78\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22: \u003cstrong\u003eTOB 71 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHypnotic hip-hop groove with rimshot, snare and ride variations. 1\/16th note hi-hat, snare drum cross stick backbeat, driving bass drum with syncopation on 2 and 3. Laid back 1\/16th note hi-hat intro with bass drum, snare drum and tom tom pickup fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e71\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32950929391748,"sku":"DDA4242TBMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32950929424516,"sku":"DDA4242TBSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32950929457284,"sku":"DDA4242TBLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/temple.jpg?v=1690296646"},{"product_id":"drumdrops-in-dub-volume-1","title":"Drumdrops In Dub Volume 1","description":"\u003cp count=\"1\"\u003e24 classic Reggae beats from 69-143 bpm. Style Scott (R.I.P.) needs no introduction! His hard-hitting beats backed the infamous Roots Radics band as made famous by Reggae artists such as Gregory Isaacs and Barrington Levy, featured on all the classic Scientist and Prince Jammy dub albums of the 80s Recorded in Jamaica and London with styles signature fat snare and ripping timbale sound including Tuff Gong and Channel One.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eHaving worked alongside all the best producers and engineers (Dub pioneers King Tubby, Prince Jammy and Scientist), Style Scott guaranteed his status in the studio and on stage. It is a tragedy that Style Scott has left us. Thankfully we have recorded in history a small piece of his drumming.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eHave you ever sat back whilst listening to your favourite Roots Radics and Dub Syndicate tracks, wondering what it would be like to have the legendary Style Scott drumming for you? What about that late 70s Jamaican sound with the spring reverb and echo?\u003c\/p\u003e\n\u003cp count=\"4\"\u003eWell now you can, with 24 classic full-length drum tracks ranging from 69-143 BPM in multi-track format featuring separate Kick, Snare, Hat, Toms, Overheads, Percussion and FX: Includes tempo-mapped ProTools, files and OMF files.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eRecorded in Jamaica and London, including drum tracks recorded at the peak of the Roots Radics era in studios like Channel One and Randys. If you're looking for the very best live Reggae and Dub beats look no further than Drumdrops in Dub!\u003c\/p\u003e\n\u003cp\u003e01: \u003cstrong\u003eDD1 143 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers with x stick rim backbeat, 1\/16th hi-hat, snare drum, tom tom \u0026amp; timbale intro fill. Snare drum, timbale \u0026amp; tom tom fills and variations, 1\/16th tambourine and kete drum.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b581eecb2a190528b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 143\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02: \u003cstrong\u003eDD1 142 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove with snare drum backbeat. 1\/16th hi-hat, snare drum intro fill, snare drum, open hi-hat \u0026amp; tom tom fills and variations, 1\/16th tamb and kete drum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e142\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDD1 140 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers with x stick rim backbeat, 1\/16th hi-hat, snare drum \u0026amp; tom tom intro fill. Timbale, snare drum \u0026amp; tom tom fills and variations, 1\/16th tamb and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 140 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eDD1 140 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers with busy rimshot, featuring a kete drum and percussion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e140\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eDD1 136 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFast steppers groove with snare drum backbeat, 1\/16th hi-hat, snare drum, tom tom \u0026amp; timbale intro fill. Timbale, snare drum \u0026amp; tom tom fills and develops with variations, 1\/16th tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e136\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06: \u003cstrong\u003eDD1 132 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers beat with Style's signature hats. Snare drum backbeat, 1\/16th hi-hat, snare drum \u0026amp; tom tom intro fill. Snare drum, open hi-hat \u0026amp; tom tom fills and variations, 1\/16th tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eDD1 130 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMilitant steppers groove with snare drum backbeat. 1\/16th hi-hat, tom tom intro fill, timbale fills and variations, 1\/16th tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eDD1 121 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with Style''s trademark broken accented 1\/16th HH pattern. Occasional open hi-hat throughout the groove, x stick rim, timbale \u0026amp; tom tom intro. Timbale \u0026amp; tom tom fills, 1\/4 note tambourine, guiro, kete drum, blocks and rattle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e121\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDD1 91 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic uptempo one drop with rimshot featuring 1\/8th hi-hat. X stick rim, open hi-hat, timbale intro fills, snare drum, timbale \u0026amp; tom tom fills, broken 1\/16th tambourine \u0026amp; kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eDD1 89 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with rimshot featuring 1\/8th hi-hat. X stick rim, open hi-hat, snare \u0026amp; tom tom intro fills, the groove then develops with triangle and blocks throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 89\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDD1 88 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop beat with rimshot featuring guiros. 1\/8th hi-hat, x stick rim, timbale \u0026amp; tom tom intro fill, guiro and shaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e88\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12: \u003cstrong\u003eDD1 88 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop featuring broken accented 1\/16th hi-hat, occasional open hi-hat, x stick rim. Snare drum \u0026amp; tom tom intro, snare drum \u0026amp; tom tom fills, 1\/4 note tambourine, blocks and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e88\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDD1 87 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo drop with rimshot featuring broken accented 1\/16th hi-hat, x stick rim, snare drum \u0026amp; tom tom intro fill, 1\/4 note tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e87\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eDD1 86 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with rimshot and Style's signature snare and tom fills. Broken 1\/16th hi-hat, x stick rim, two drop intro, timbale variations throughout, snare drum \u0026amp; tom tom fills, 1\/16th tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 86\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eDD1 81 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic Roots Radics dub reggae style groove with swing feel featuring snare drum backbeat. 1\/16th hi-hat pattern, swung feel, timbale intro. Timbale and tom tom fills, 1\/16th note swung tambourine, guiro and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 81\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16: \u003cstrong\u003eDD1 77 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky reggae beat with a looping feel, militant rolling snare, 1\/16th HH pattern with occasional open hi-hat, rolling snare drum, syncopated bass drum, and 1\/16th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 77\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eDD1 74 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic Roots Radics style beat featuring syncopated kick, snare and tom fills. 1\/16th hi-hat pattern with occasional open hi-hat, snare drum backbeat, syncopated bass drum, snare drum \u0026amp; tom tom intro fill, 1\/16th note tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e74\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18: \u003cstrong\u003eDD1 73 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic one drop beat with swing, featuring rimshot, blocks, scrapers and a tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e73\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eDD1 72 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDub reggae groove featuring snare, tom fills, kete drum, light shaker and tambourine. Snare drum backbeat, 1\/16th hi-hat pattern, straight feel, dry snare drum sound, snare drum \u0026amp; tom tom intro fill, tom tom fills, light 1\/16th note tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e72\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20: \u003cstrong\u003eDD1 72 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoots Radics dub style one drops punchy snare, timbale, rolling toms, kete drum and tambourine. Optional dub FX. 1\/16th hi-hat pattern, straight feel, dry snare drum sound, Timbale intro. Timbale and tom tom fills, 1\/16th note tambourine, light shaker and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e72\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eDD1 71 REGGAE 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow militant dub groove with syncopated kick, rolling snare and 1\/16th hi-hat pattern. Straight feel with a syncopated bass drum, light flammed snare drum variation, hi-hat intro pick up fill. Tom tom fills, 1\/16th note tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 71\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22: \u003cstrong\u003eDD1 71 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoots Radics dub reggae groove with 1\/16th hi-hat pattern. Straight feel, syncopated bass drum, and light flammed snare variation. Snare drum \u0026amp; tom tom intro pick up fill. Tom tom fills. 1\/16th note tambourine, guiro, vibraslap and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 71\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23: \u003cstrong\u003eDD1 71 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoots Radics reggae groove with snare, timbale fills, kete drum and tambourine. 1\/16th hi-hat pattern, snare drum backbeat, syncopated bass drum, snare drum intro with timbale. Timbale fills, 1\/16th note tambourine, block and kete drum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 71\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24: \u003cstrong\u003eDD1 69 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic Roots Radics style, early 80s dance hall and dub groove with cabassa, tambourine and kete drum as made famous in Scientist’s dub albums. 1\/16th hi-hat pattern, snare drum backbeat, syncopated bass drum, snare drum intro with ride cymbal. Tom tom fills, cabassa, tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e69\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32973790118020,"sku":"DDA4476DD1MS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-dub1.jpg?v=1591702724"},{"product_id":"drumdrops-in-dub-volume-2","title":"Drumdrops In Dub Volume 2","description":"\u003cp count=\"1\"\u003eDrumdrops In Dub Volume 2 Features 26 classic beats from 65-146 bpm. This album features the full multitrack drum sessions played by Horseman and were recorded through full vintage Neve consoles and using only authentic valve equipment including Vintage Orban and Grampian Spring reverbs\u003c\/p\u003e\n\u003cp count=\"2\"\u003eHorseman needs no introduction. He is the best reggae drummer in the UK. As drummer for the Reggae Regulars and the Ruff cut band he has backed the best Reggae artists in the business; Max Romeo, Little Roy, Big Youth and Prince Fatty.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eFamous for his precision timing and fearsome delivery. Having worked alongside producers and engineers like Jah Shaka and Mad Professor has guaranteed his status both in the studio and on stage. Horseman rips into his favourite grooves from old Studio One classics to heavyweight Dub. Drumdrops in Dub Volume 2 is a must for all reggae fans.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe drum Multi-Tracks include separate Kick, Snare, Hat, Toms, Overheads, Percussion and FX channels. It includes tempo-mapped Pro Tools session file, OMF file (for importing into other DAW such as Logic) and a tempo map for syncing up the MIDI gear. You have unprecedented control of the Mix. You can balance the drums and set them up as you wish in the mix.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b59e0ecb2a11f538b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eDD2 146 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo drop beat featuring 1\/8th hi-hat, snare drum backbeat. Timbale \u0026amp; tom tom intro fill, timbale \u0026amp; tom tom fills and 1\/16 note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 146\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e DD2 139 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring x stick rim backbeat. 1\/16th hi-hat, timbale \u0026amp; tom tom intro fills, snare drum, timbale, x stick rim \u0026amp; tom tom fills and variations, 1\/16th tambourine \u0026amp; kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e139 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDD2 135 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with swing feel featuring light swung accented 1\/16th HH. X stick rim, snare drum \u0026amp; tom tom intro fills, x stick rim backbeat, snare drum, timbale and tom tom fills, 1\/16th light swung tambourine, kete drum, guiro and blocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 135 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04: \u003cstrong\u003eDD2 135 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring tight snare backbeat. 1\/16th triplet hi-hat, snare drum \u0026amp; tom tom intro fills. Timbale, snare drum \u0026amp; tom tom fills and variations, 1\/16th tambourine, kete drum and blocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 135\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eDD2 133 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring busy x stick rim backbeat. 1\/16th hi-hat, timbale \u0026amp; tom tom intro fills, timbale, x stick rim \u0026amp; tom tom fills and variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 133\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e06: \u003cstrong\u003eDD2 127 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove with snare drum backbeat. 1\/16th triplet hi-hat, snare drum \u0026amp; tom tom intro fills. Timbale, snare drum \u0026amp; tom tom fills and variations, accented 1\/16th tambourine, ket drum and blocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e127\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eDD2 123 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring x stick rim backbeat. 1\/16th hi-hat, snare \u0026amp; tom tom intro fills, Timbale, snare drum \u0026amp; tom tom fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 123\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08: \u003cstrong\u003eDD2 122 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop featuring 1\/8th hi-hat, x stick rim backbeat and variations. Snare drum \u0026amp; tom tom intro fills, timbale \u0026amp; tom tom fills, 1\/16th tambourine, kete drum \u0026amp; blocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 122\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDD2 108 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUp tempo one drop featuring 1\/16th hi-hat alternate open hi-hat sections. X stick rim backbeat, snare drum \u0026amp; tom tom intro fill. Snare drum, timbale and tom tom fills \u0026amp; variations, 1\/16th tambourine, guiro \u0026amp; kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cstrong\u003eDD2 94 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky one drop style groove with light swung accented 1\/16th hi-hat. Ocasional open hi-hat, busy x stick rim backbeat, timbale \u0026amp; tom tom intro fill. X stick rim, timbale and tom tom fills, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDD2 88 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring busy x stick rim backbeat. Broken 1\/16th hi-hat, snare, timbale \u0026amp; tom tom intro fills. Timbale, snare drum \u0026amp; tom tom fills and variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 88\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12: \u003cstrong\u003eDD2 87 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlying cymbals one drop with 1\/16 flying cymbal hi-hat. X stick backbeat and variations, snare \u0026amp; tom tom intro fills. Snare and tom tom fills throughout the groove, slow tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 87\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDD2 87 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky one drop with 1\/8th hi-hat. X stick rim backbeat and variations, snare drum, timbale \u0026amp; tom tom intro fills. Then develops to snare drum, timbale \u0026amp; tom tom fills, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e87\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14: \u003cstrong\u003eDD2 85 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with 1\/8th hi-hat. X stick rim backbeat and variations, snare drum \u0026amp; tom tom intro fills. Snare drum \u0026amp; tom tom fills throughout, then develops to 1\/16th tambourine, kete drum \u0026amp; triangle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e85\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eDD2 83 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo drop groove featuring broken accented 1\/8th hi-hat, with occasional open hi-hat. Snare drum backbeat, snare drum, timbale \u0026amp; tom tom intro fill. Timbale \u0026amp; open HH fills, 1\/16 note shaker, vibraslap, blocks and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16: \u003cstrong\u003eDD2 82 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop beat with swing feel, featuring swung accented broken 1\/16th hi-hat. There is the occasional open hi-hat, x stick rim. Ride cymbal and kete drum intro with snare drum pickup fill. X stick rim backbeat, snare and tom tom fills and variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 82\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eDD2 82 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with swing feel featuring broken 1\/16th HH. X stick rim backbeat \u0026amp; variations, snare intro fill, snare \u0026amp; tom tom fills, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 82\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18: \u003cstrong\u003eDD2 81 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with broken 1\/16th hi-hat. X stick rim, two drop intro with triangle and snare drum. Timbale and tom tom fills, moves into x stick rim with two drop beat variations, 1\/16th tambourine, guiro and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 81\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eDD2 80 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with swing feel featuring light swung accented 1\/16th hi-hat. Occasional open hi-hat, x stick rim, snare drum intro fill, x stick rim, timbale and tom tom fills\/variations, 1\/16th tambourine kete drum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 80\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20: \u003cstrong\u003eDD2 78 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e80s reggae style groove with punchy SD backbeat. Swung 1\/16th broken hi-hat pattern, snare drum \u0026amp; tom tom intro fill. Timbale fills and variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 78\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eDD2 77 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with swing feel featuring 1\/8th hi-hat. X stick rim backbeat and variations, snare drum \u0026amp; tom tom intro fills. Snare drum, timbale \u0026amp; tom tom fills, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e77\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22:\u003cstrong\u003e DD2 72 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDub reggae groove featuring punchy snare drum backbeat. 1\/16th hi-hat pattern, timbale intro. Timbale and open hi-hat fills and variations, 1\/16th note tambourine and kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 72\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23: \u003cstrong\u003eDD2 69 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers style groove featuring x stick rim backbeat, 1\/16th hi-hat and snare drum. Timbale \u0026amp; tom tom intro fills, timbale, snare drum \u0026amp; tom tom fills and x stick rim variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 69\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24: \u003cstrong\u003eDD2 69 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop beat featuring 1\/16th hi-hat. Ocasional open hi-hat, x stick rim, snare drum intro fill. Snare drum, timbale and tom tom fills and variations, kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e69\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25: \u003cstrong\u003eDD2 66 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop with swing feel featuring accented 1\/16th hi-hats and occasional open hi-hat. X stick rim, timbale \u0026amp; tom tom intro. Snare drum, timbale and tom tom fills and variations, 1\/16th tambourine, guiro \u0026amp; kete drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 66\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26:\u003cstrong\u003e DD2 65 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop rhythm with swing feel featuring rimshot, accented hats, x stick rim. Snare drum \u0026amp; tom tom intro. Snare drum, timbale \u0026amp; tom tom fills\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e65\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32973825179780,"sku":"DDA4676DD2MS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/Horseman_Dub2.jpg?v=1594384360"},{"product_id":"drumdrops-in-dub-volume-3-part-1","title":"Drumdrops In Dub Volume 3 Part 1","description":"\u003cp count=\"1\"\u003eDrumdrops In Dub Volume 3 Part 1 contains 22 Reggae drum tracks including Studio One classics, onedrops, twodrops and rocksteady patterns ranging from 65-81 bpm. This Downbeat collection of classic Dub reggae grooves were inspired by the likes of Joe Gibbs, Studio 1, Channel 1, King Tubby and other 70’s Dub Reggae legends.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eRecorded in Jamaica and London, including drum tracks recorded at the peak of the Roots Radics era in studios like Channel One and Randys, using full vintage Neve consoles and using only authentic valve equipment including Vintage Orban and Grampian Spring reverbs.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eDrumdrops in Dub Volume 3 Features the infamous Horseman. His hard-hitting beats have backed the best Reggae artists in the business; John Holt, Max Romeo, Big Youth and many more. Famous for his precision timing and fearsome delivery. Having worked alongside producers and engineers like Prince Fatty and Mad Professor has guaranteed his status both in the studio and on stage.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eDrumdrops In Dub Volume 3 drum tracks can be purchase as Drum Multi-tracks or mixed drum stems. The reggae drum multi-tracks include all the seperate drum parts as 24 bit 44.1 khz WAVs, a Pro Tools, Cubase, Logic, Ableton, Studio One and Reaper session file, an OMF file for importing into any other DAW (such as Reason) and a Tempo Map for syncing up any external MIDI gear.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b5ae5ecb2a16b538b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eDD3 81 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with light swung accented broken 1\/16th hi-hat with occasional open hi-hat, snare Drum, timbale \u0026amp; tom tom intro fills. X stick rim backbeat, timbale and tom tom fills and variations, light swung 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 81\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e DD3 81 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with light swung 1\/8th accented hi-hat, x stick rim backbeat, timbale \u0026amp; tom tom intro. Timbale and tom tom fills \u0026amp; variations, light swung 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e81\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDD3 80 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with swing, featuring light swung accented broken 1\/16th hi-hat with occasional open hi-hat. Timbale \u0026amp; ride cymbal intro, x stick rim backbeat, ragga snare drum break, timbale and tom tom fills and variations, light swung 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 80\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e DD3 80 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove featuring 1\/8th hi-hat, x stick rim backbeat. Snare drum \u0026amp; tom tom intro, snare drum and tom tom fills \u0026amp; variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e80\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eDD3 78 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlying cymbal one drop beat with 1\/8th flying cymbal hi-hat, x stick backbeat, snare \u0026amp; tom tom intro. Snare \u0026amp; tom tom fills, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 78\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e DD3 77 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlying cymbal one drop featuring 1\/16 flying cymbal hi-hat, busy x stick backbeat and variations. Snare \u0026amp; tom tom intro, snare, timbale \u0026amp; tom tom fills and variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e77\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eDD3 76 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDub reggae style groove featuring fat snare backbeat. 1\/16th accented hi-hat, snare drum \u0026amp; tom tom intro fill. Snare drum \u0026amp; tom tom fills and variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 76\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e DD3 76 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with swung 1\/16th hi-hat, with occasional open hi-hat. Snare drum \u0026amp; tom tom intro fills, x stick rim backbeat. Snare drum and tom tom fills and variations, 1\/16th swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e76\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDD3 75 REGGAE 04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with swung accented 1\/16th hi-hat. Snare drum \u0026amp; tom tom intro fills, x stick rim backbeat, snare drum and tom tom fills, 1\/16th swung tambourine and shaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e DD3 75 REGGAE 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove featuring 1\/16th hi-hat, x stick rim backbeat. Snare drum \u0026amp; tom tom intro, snare drum and tom tom fills, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDD3 75 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with swing, featuring light swung accented 1\/16th hi-hat with occasional open HH, x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare drum and tom tom fills \u0026amp; variations, 1\/16th light swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e DD3 75 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with light swung accented 1\/16th hi-hat with occasional open hi-hat, x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare drum and tom tom fills, x stick and bass drum variations, 1\/16th light swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e75\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDD3 74 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky rocksteady style reggae groove with busy bass drum and x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare drum \u0026amp; tom tom fills and variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 74\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e DD3 74 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlying cymbal one drop style with 1\/16 flying cymbal hi-hat, x stick backbeat and variations, snare \u0026amp; tom intro, snare \u0026amp; tom tom fills, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e74\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eDD3 73 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy one drop featuring 1\/16th hi-hat, x stick rim backbeat. Snare drum \u0026amp; tom tom intro, snare drum and tom tom fills \u0026amp; variations, 1\/16th tambourine and shaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 73\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16:\u003cstrong\u003e DD3 73 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop featuring 1\/16th hi-hat, x stick rim backbeat. Snare drum \u0026amp; tom tom intro, snare drum and tom tom fills \u0026amp; variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e73\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eDD3 72 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRock steady style one drop groove with swung accented 1\/16th hi-hat and occasional open hi-hat. Snare drum \u0026amp; tom tom intro fills, x stick rim backbeat, snare drum and tom tom fills and variations, 1\/16th light swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 72\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18:\u003cstrong\u003e DD3 71 REGGAE 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop groove with swung accented 1\/16th hi-hat with occasional open hi-hat. Snare drum \u0026amp; tom tom intro fills, x stick rim backbeat, snare drum and tom tom fills, 1\/16th light swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e71\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eDD3 71 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne drop beat featuring 1\/16th hi-hat, busy x stick rim backbeat. Snare drum \u0026amp; tom tom intro fill, snare drum and tom tom fills \u0026amp; variations, 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 71\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20:\u003cstrong\u003e DD3 70 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy and hypnotic two drop rhythm featuring accented 1\/16th hi-hat. X stick rim backbeat, snare drum \u0026amp; tom tom intro fill, timbale \u0026amp; open hi-hat fills, 1\/16 note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e70\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eDD3 68 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRock steady style one drop groove with swung accented broken 1\/16th hi-hat, and occasional open hi-hat. X stick rim, timbale \u0026amp; tom tom intro fills, x stick rim backbeat, timbale and tom tom fills and variations, swung 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 68\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22:\u003cstrong\u003e DD3 65 REGGAE 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteppers groove featuring x stick rim backbeat, 1\/16th triplet hi-hat. Snare drum \u0026amp; tom tom intro fills, snare drum \u0026amp; tom tom fills and variations, accented 1\/16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e65\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32973915062404,"sku":"DDA4819DD3MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32973915095172,"sku":"DDA4819DD3SM","price":24.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/Horseman_Dub31.jpg?v=1594384379"},{"product_id":"drumdrops-in-ska","title":"Drumdrops In Ska","description":"\u003cp count=\"1\"\u003eDrumdrops are proud to present this unique and exclusive album of fine Ska drum multi-tracks played by a top Jamaican drummer and recorded with vintage kits, Mics and through 2” tape and warm analogue compression at the Drumdrops studios for your sampling pleasure! Drum drops in Ska Features 15 classic drum tracks played by Horseman.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eSka is the musical genre that originated in Jamaica in the late 1950’s and was the precursor to rocksteady and then reggae music as we now know it. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with the British Mod Scene and has had countless revivals over the years.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eDrumdrops have a fine pedigree with live played Dub, Reggae and now Ska beats which use only the finest original drumming talent and stay true to the original recording methods and natural Tape recordings as seen in Studio One back in the day when the Jamaicans first created this sound.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eHorseman is the best reggae drummer in the UK. As drummer for the Reggae Regulars and the Ruff cut band he has backed the best Reggae artists in the business; Max Romeo, Little Roy, Big Youth and Prince Fatty.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eFamous for his precision timing and fearsome delivery. Having worked alongside producers and engineers like Jah Shaka and Mad Professor has guaranteed his status both in the studio and on stage. Horeseman re-tuned his drums to 60s perfection and let rip his favourite Ska grooves from back in the day !\u003c\/p\u003e\n\u003cp count=\"6\"\u003eDrumdrops in Ska was recorded with a vintage Rogers drum kit and Ludwig snare at the Drumdrops HQ using Ampex MM1200 tape machine and vintage gear.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eCranked and high tuned snare, thrashy hats and rides, the sound is faithful to the classic Duke Reid and Studio One Skatalites era.\u003c\/p\u003e\n\u003cp count=\"8\"\u003eDrumdrops in Ska drum tracks are available to purchase and download as drum multi-tracks. These contain a ProTools session files, OMF files (for importing into other DAW such as Logic and Cubase) the beat tempo map for syncing to external MIDI gear and all the seperate audio parts as 24 bit, 44.1 khz WAVs. It can also be downloaded as mixed ska drum stems. The mixed drum stems are great for people wanting a quick and easy backing track to start writing with. Like all the Drumdrops drum tracks they can be purchased on a track by track basis in either format or as a whole album.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b5dedecb2a181548b456d\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eDD4 132 SKA 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo party ska beat with 1\/8th open hi-hat pattern, hard snare drum backbeat. Snare drum \u0026amp; timbale intro fills, snare, timbale and tom tom fills and variations, 1\/8th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e DD4 132 SKA 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDark uptempo feel ska beat with 1\/8th open hi-hat pattern, and x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare and tom tom fills and variations, 1\/8th note tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDD4 132 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eParty ska beat with 1\/8th open hi-hat pattern, x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e DD4 131 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDark suspensive feeling ska beat with 1\/8th open hi-hat pattern, x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare, timbale and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e131\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eDD4 130 SKA 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eParty ska beat with 1\/8th open hi-hat pattern. Snare drum backbeat, snare drum \u0026amp; timbale intro fills, snare, timbale and tom tom fills and variations, accented tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e DD4 130 SKA 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving ska beat with 1\/8th open hi-hat pattern, x stick rim backbeat. Snare drum \u0026amp; tom tom intro fills, snare, timbale, tom tom fills and variations, 1\/8th note tambourine and guiro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eDD4 130 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving jump up ska beat with 1\/8th open hi-hat pattern with alternate 1\/8th ride cymbal section. X stick rim backbeat, ride cymbal, snare \u0026amp; tom tom intro fill. Snare, and tom tom fills and variations, slow tambourine and broken 1\/16th cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e DD4 128 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLaid back uptempo ska beat with 1\/8th open hi-hat pattern. X stick rim backbeat, snare drum, tom tom \u0026amp; timbale intro fills. Snare, timbale and tom tom fills and variations, 1\/8th note tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e128\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDD4 127 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving ska beat with 1\/8th open hi-hat pattern. X stick rim backbeat, timbale \u0026amp; tom tom intro fill. Snare, timbale and tom tom fills and variations, 1\/8th note tambourine and broken 1\/16th cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 127\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e DD4 126 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving ska beat with 1\/8th open hi-hat pattern and closed hi-hat alternate sections. X stick rim backbeat, snare drum, tom tom \u0026amp; timbale intro fills. Snare, timbale and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e126\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDD4 125 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMod ska style beat with 1\/8th open hi-hat pattern. Snare drum backbeat, timbale \u0026amp; tom tom intro fill. Snare, timbale and tom tom fills and variations, 1\/8th note tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 125\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e DD4 124 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving ska beat with 1\/8th open hi-hat pattern and closed hi-hat alternate section. X stick rim backbeat, snare drum \u0026amp; tom tom intro fills. Snare, timbale and tom tom fills with variations, 1\/8th note tambourine and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e124\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eDD4 122 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCarnival style ska steppers beat with alternating open and closed 1\/8th hi-hat patterns. Snare drum backbeat with rolling variations, snare drum, timbale \u0026amp; tom tom intro fills. Snare and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 122\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e DD4 118 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHard hitting snare ska beat with broken 1\/8th closed hi-hat. The beat has alternating sections with open hi-hat, snare drum backbeat. Snare drum \u0026amp; tom tom intro fill, snare and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e118\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15:\u003cstrong\u003e DD4 117 SKA 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow steady open hat ska beat with alternating open hi-hat patterns. X stick rim backbeat, snare drum \u0026amp; tom tom intro fills, snare and tom tom fills and variations, 1\/8th note tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974270398596,"sku":"DDA5259DSMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974270496900,"sku":"DDA5259DSSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974270529668,"sku":"DDA5259DSLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-ska.jpg?v=1593077218"},{"product_id":"goody-goody-drumdrops-volume-2","title":"Goody Goody Drumdrops Volume 2","description":"\u003cp count=\"1\"\u003eThe 2nd Volume in the Goody Goody series adds a further 18 drum tracks of swinging Sixties vibes. A mix of pop, surf, classic titty shakers, soundtrack spy beats, laid back Blue Note grooves and early Funk styles.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eRecorded with vintage Grestch and Camco kit using a vintage EMI TG Console at Olympic Studio 2 and custom BBC console and Ampex MM1200 at the Drumdrops HQ.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eBecome the recording engineer as you get full access to all the Mic recordings used in the session, change the mix, delete tracks and create your own mixdowns and loops for original flavor and professional results every time. Use the included Drumdrops tempo map so your sequencer or DAW follows the timing and groove of the drumloop, to ensure you get excellent results every time.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c3c3fecb2a120508b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eGGD2 186 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEnergetic fast start\/stop surf pop dance beat with 1\/8th ride cymbal, snare drum backbeat, lots of stops and snare drum\/tom tom fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 186\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e GGD2 182 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo hot rod surf rock beat with tom tom and 1\/8th ride cymbal sections, snare drum backbeat, fast rolling snare drum and tom tom fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e182\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eGGD2 171 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo surf rock beach party beat with surf snare, ride and floor tom sections, and rolling fills to mark different sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 171\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e GGD2 160 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo syncopated beatnik 60s pop with snare variations, closed hi-hat and ride cymbal sections. Closed hi-hat \/ ride cymbal breakdown, snare drum and tom tom fills and variations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e160\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eGGD2 141 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMotown style soul groove building from kick\/snare to include toms, hat and ride sections, with snare and tom fills between sections of the beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 141\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e GGD2 137 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJazzy latin ride groove with rimshots and tom hits. Builds into a bossa nova feel with some sparse tom fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e137\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eGGD2 134 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAtmospheric cinematic 60s pop beat with closed hat and ride sections. There is a rimshot which builds to the snare during the 2nd half, the beat is reminiscent of late 60s action movies. X-stick rim backbeat changes to snare drum backbeat midway through, it also stops between sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 134\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e GGD2 132 60SPOP 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSummer surf pop beat with closed hat and ride sections, rolling snare drum fills and variations throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eGGD2 132 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic surf rock beat with circus style intro, rolling floor tom, surf snare backbeat, alternates to no tom tom and ride sections, there are big rolling intro and outro fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 132\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e GGD2 126 60SPOP 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic 60s pop beat with snare drum backbeat, closed hat and punctuating snare drum fills, and variations to mark sections of the beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e126\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eGGD2 120 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWave pounding surf rock beat with alternating floor tom and open hat sections, rolling snare and tom fills, also features snare drum and tom tom fills between sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 120\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e GGD2 113 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSnare drum backbeat and military style rolling snare drum, tom toms and bass drum fills, sparse closed hi-hat with alternating ride cymbal sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e113\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eGGD2 103 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSimple motown style 2\/4 kick and snare beat, with alternating closed hat and ride cymbal sections and simple sparse fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 103\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e GGD2 100 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic fast driving surf rock beat with rolling toms alternating with ride sections, snare drum, and tom tom fills on changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e100\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eGGD2 99 60SPOP 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow 3\/4 cowboy style beat with big kick, rimshot and fat shaker. Closed hat and ride sections, with big slow tom fills and snare. Big kick downbeat, x-stick rim backbeat on the closed hi-hat and ride cymbal sections, with snare drum backbeat and big tom tom crash cymbal fills. Fat shaker features throughout the beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 99\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16:\u003cstrong\u003e GGD2 92 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6\/8 sticky slow blues shuffle with closed hat, deep kick, straight 1\/16th closed hi-hat, snare drum backbeat, sparse snare drum fills and straight bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e92\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eGGD2 83 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExotic 60s cinematic beat with big ride cymbal, rimshot and rolling toms. X-stick rim backbeat, syncopated bass drum, 1\/8th ride cymbal, big tom tom variations and tom fills, snare drum backbeat in the outro section\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18:\u003cstrong\u003e GGD2 72 60SPOP 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow dark syncopated beat with 1\/8th closed hi-hat, deep swung bass drum, snare drum backbeat. Occasional snare drum and open hi-hat fill or variation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e72\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974335737988,"sku":"DDA5512GG2MS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-goody2.jpg?v=1593079380"},{"product_id":"goody-goody-drumdrops-volume-1","title":"Goody Goody Drumdrops Volume 1","description":"\u003cp count=\"1\"\u003eGoody Goody Drumdrops Volume 1 takes us back to the swinging Sixties with 14 drum tracks. A heady mix of pop, surf, classic titty shakers, soundtrack spy beats, laid back Blue Note grooves and early Funk styles. This album features Naz Bouzida.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eRecorded with vintage 60s Premier calf skin kit and Ludwig kit using a vintage 70s neve console and Studer A80. Crunchy compressed ambient tracks and bonus percussion.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eNasser Bouzida started out as a session drummer for Londons Blow Up label both in the studio and in their club. He was soon signed and allowed to indulge in all things retro. Nasser takes us back to swinging Sixties with a mix of soundtrack beats, laid back Blue Note grooves and vintage Funk.\u003c\/p\u003e\n\u003cp count=\"4\"\u003e14 drum tracks of retro classics ranging from 76-84 BPM in multi-track format. Organized by BPM in convenient session folders each containing separate Kick, Snare, Hat, Stereo Overhead, Toms, and Mono Room tracks.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c3b4fecb2a1614f8b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eGGD 164 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFast and funky spy film beat with tom fills, ride, busy rolling syncopated snare drum and bass drum. Open accentuating hi-hat, with alternating closed hi-hat and ride cymbal sections, fast snare drum and tom tom fills throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 164\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e GGD 126 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVintage jazz inspired shuffle with hi-hat and ride variations. Jazzy ride cymbal shuffle intro, ringing snare drum, also has ride cymbal sections with closed hi-hat, alternating straight x-stick rim, rolling snare drum and crash cymbal sections and breakdowns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e126\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eGGD 110 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRare groove with fat snare, busy kick pattern, tom fills, tight intro pickup fill, ringing syncopated snare drum, busy syncopated bass drum. Alternating closed hi-hat and ride cymbal sections, punctuating snare drum and tom tom fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 110\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e GGD 110 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJB's style funk groove with jazzy ride feel and busy snare. Jazzy ride cymbal shuffle intro, ringing snare drum, alternating closed hi-hat and ride cymbal sections, punctuating snare drum fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e110\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eGGD 108 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWest coast soul beat with ride, rimshot, snare pattern. Ride cymbal, straight bass drum and x-stick rim sections, alternating with busy syncopated bass drum and snare drum sections. Punctuating snare drum and tom tom fills, then linking to the ride cymbal breakdown sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e GGD 108 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic shuffle feel groove with snare fills. Breakdowns, straight bass drum and snare drum, snare drum and crash cymbal punctuating fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eGGD 108 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEarly disco groove with funky hi-hat feel. Hand percussion, syncopated bass drum, straight snare drum backbeat, closed hi-hat with open hi-hat accents, occasional snare drum fills, shakers and cabassa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 108\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e GGD 99 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRolling syncopated funk beat with busy snare. Straight hi-hat feel, tom fills, busy snare drum backbeat, closed hi-hat and ride cymbal chorus sections, stopping tom tom and snare drum fills on changes in the beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e99\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eGGD 96 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeavy funk groove with snare fills. Open hi-hat sound, snare drum and tom tom filled intro, fat snare drum, closed hi-hat and big crash cymbal accenting the chorus sections, big tom tom and snare drum fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e GGD 96 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic funk beat with tom fills. Chunky hi-hat, tambourine, tom tom filled intro, fat rolling snare drum, closed hi-hat and rock open hi-hat alternating sections, big tom tom and snare drum fills and 16th swung tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eGGD 91 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlue Note acid jazz style classic groove with rolling snare. Also features hand percussion, ride cymbal intro, fat rolling snare drum, closed hi-hat and ride cymbal alternating sections, crash cymbal hits on the changes, stops, chiming hand percussion, shaker and swung 16th tambourine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e GGD 89 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLaid back classic Blue Note style shuffle with ride and percussion. Percussion intro, fat rolling snare drum, closed hi-hat and ride cymbal alternating sections, snare drum fills and latin percussion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e89\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eGGD 84 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging 60s funky beat with big tom fills. Ride middle 8, occasional open hi-hat, snare drum backbeat, snare drum and tom fills with crash cymbal hits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 84\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e GGD 77 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSoul groove with a disco feel. 70s sound with fat snare, sweet hi-hat sound, low tuned kick, 1\/8th note hi-hat, snare drum backbeat, syncopated bass drum. Nice pick up, occasional open\/closed hi-hat. Low pitched bass drum, dry fat snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e77\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974404092036,"sku":"DDA5487GG1MS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-goody1.jpg?v=1593077200"},{"product_id":"drumdrops-in-rock","title":"Drumdrops In Rock","description":"\u003cp count=\"1\"\u003eDrumdrops in Rock is an album of Pop and Rock drum tracks ranging from 77-191 bpm ready to inspire a killer riff ! Simple arrangements with intros, verse, chorus and middle 8 sections - giving your songs that perfect live feel with rock solid timing.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eRecorded at the legendary Olympic Studio 1 with its huge ambience with SSL console.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eDrumdrops in Rock is available to download as drum multi tracks with the Pro Tools session file, OMF file and beat tempo map. All multi tracks can be imported into any DAW system.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b5d0eecb2a164548b4571\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eDDR 191 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHi-hat based mid tempo rock groove with pushes. Snare drum and tom fill into a sloshy hi-hat mid tempo groove. Hi-hat tightens up for the verse, and opens back out for the choruses. Some fills and accents are pushed on the crash cymbals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 191\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e DDR 168 ROCK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16th note hat and rim groove that builds to a rock vibe, with rimshots and a reggae feel that builds into a straighter hat groove, the beat then builds further to a ride section. Throughout the groove the kick pattern is syncopated. Middle section is a pushed sloshy hi-hat feel, with some machine gun snare fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e168\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eDDR 168 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving tom feel beat, with snare backbeat and offbeat accents. Builds to driving hi-hat straight rhythm, and then a straighter tom section. Breaks down to ride and kick drum section, with no backbeat before building up and out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 168\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e DDR 166 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSyncopated hi-hat groove that builds to rock accents. Broken up hi-hat part on a 16th note syncopated groove which has a nice stop \/ start feel. Builds to some busy bass drum rock figures, with crash cymbal accents.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e166\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eDDR 152 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16th note hi-hat groove with pushed kick drums and extra snare drum accents. Moves to a ride section, and then to a reggae one drop feel breakdown section with rimshots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 152\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e DDR 145 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwung groove with a tribal feel. High pitched piccolo snare, tom rims and lots of pushed kicks and snare fills. Breakdown section played on the rims of the drums, with a fill back into the main groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e145\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eDDR 128 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRide groove with offbeat snare drum and tom accents. The groove then moves to the crash cymbal and has a metal feel, with kick section and snare fills. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 128\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e DDR 110 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDriving classic rock groove. Driving open hat introduction, into ride groove with kick syncopations and fills. Moves into driving hi-hat section with lots of syncopated kick drum action. The groove then moves into some cymbal pushes, with fills on the snare.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e110\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eDDR 96 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSloshy hat rock groove with tom section. Tom tom and snare drum fill into a sloshy hi-hat driving groove. The groove then moves into a tom section, and back out to a sloshy hi-hat vibe with crash cymbal accents and fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e DDR 95 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntro fill into a ride groove with some crash cymbals. The groove then moves to the hi-hat, with some open hats. The groove then develops to feature more cymbal crashes, and some sections of just ride.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eDDR 77 ROCK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic rock groove punctuated with fills. Syncopated kick drum variations, sections on hi-hat and ride, with snare drum and tom tom fills to move between them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 77\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974435451012,"sku":"DDA5609DRMS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-rock.jpg?v=1593078171"},{"product_id":"a-fistful-of-drummers","title":"A Fistful Of Drummers","description":"\u003cp count=\"1\"\u003eA Fistful of Drummers contains 36 drum tracks ranging from 82-147 bpm of vintage funk. With a stylistic blast to the past, it contains covers of classic funk beats including Rare Groove, Jabs Funk, Old Soul, Bombastic 70s Rock and early Hip-Hop, with a splash of Disco thrown in as well.\u003c\/p\u003e\n\u003cp count=\"2\"\u003ePerformed by Nasser Bouzida (from the cult Blow Up recording stable) and Jim ‘the Lick’ Kelly, with guest appearances from legendary reggae drummer Style Scott and Jan Kincaid of Brand New Heavies fame, A Fistful of Drummers boasts a stellar line-up of pedigree drumming talent. Vintage Ludwig and Gretsch kits were used with heavy skins, as well as vintage Zildjian hi-hats and snares by Ludwig, Rogers and Slingerland. Recorded on a 1970s Neve desk, 2” analogue tape and beautiful vintage microphones and outboard, every track packs a punch of the best quality funk drum sounds.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b553aecb2a195518b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e01: \u003cstrong\u003eFOD 147 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e60s lounge beat with pattern changes. Congas, guiro, the groove starts with a big fill into 60s style mambo beat with lots of percussion backing the rhythm. Features a lighter section on rimshot with additional tom tom hits and some stops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 147\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e02:\u003cstrong\u003e FOD 138 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExplosive 60s groove with toms, rides, percussion, the groove starts with a snare fill into a James Brown \"Cold Sweat\" style groove with displaced snare backbeat. The beat starts on hi-hats, and then builds to a section on the ride cymbal with some tom detail and conga backing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e138\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e03: \u003cstrong\u003eFOD 137 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo disco groove with crisp hi-hats, congas, funky sixteenth note disco groove with some open hats and conga part. Four on the floor kick drum pattern. The groove also features a section with syncopated backbeat on the snare drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 137\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e04:\u003cstrong\u003e FOD 130 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic funky motown style groove with syncopated ride cymbal section played on the bell, percussion, the groove then breaks down to sixteenth note hi-hat section. Drum fills back out onto an upbeat disco hi-hat feel, with the occasional open hat. Cool motown sounding drum fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e130\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05: \u003cstrong\u003eFOD 124 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExplosive funk groove with fills, breakdowns and congas. 1\/16 note hi-hat intro then cool snare and tom fill into a \"Shaft\" style groove with conga pattern, which then moves to the ride cymbal. Snare and tom fill into a breakdown section on hi-hats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 124\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e06:\u003cstrong\u003e FOD 124 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJames Brown \"Cold Sweat\" influenced style groove, with double snare and breakdowns which are played on both high and low tuned snare drums for variety. Includes sections on hat and ride cymbal, and has some stops and fills.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e124\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e07: \u003cstrong\u003eFOD 123 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEarly disco groove with funky breakdown. Features four to the floor bass drum, congas, offbeat 1\/8th open \/ closed hi-hat, and snare drum backbeat with a ghost note pick up onto 4. Funky 8 bar kit breakdown, which then moves to a conga breakdown with hi-hat pattern. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 123\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e08:\u003cstrong\u003e FOD 117 FUNK MT 04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExplosive groove with two snares, tom fills and breakdowns. 1\/8th hi-hat, broken 1\/16th tambourine. Snare drum backbeat with ghost notes that move to the toms, the groove then breaks down to X stick and ride cymbal, with a sparse bass drum sound and funky conga. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09: \u003cstrong\u003eFOD 117 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging 60s groove with rides, break downs and percussion. 1\/8th hi-hat, snare drum backbeat ghosts onto 4, 1\/8th bass drum pattern. 1\/8th hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10:\u003cstrong\u003e FOD 117 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky and lazy afro beat with boxy 70s sound. Bass drum \u0026amp; snare drum intro, the hi-hat drops into 1\/8ths with 1\/16th tambourine. Snare drum backbeat, and driving 1\/8th note bass drum pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e11: \u003cstrong\u003eFOD 117 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBouncy JBs style groove with breakdown. Hand percussion, 1\/8th hi-hat, 1\/16th tambourine, snare drum backbeat with ghost notes. Sparse bass drum pattern. Syncopated high snare pattern and 1\/16th hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 117\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12:\u003cstrong\u003e FOD 116 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePounding JBs style groove with changes. Percussion, intro 1\/8th hi-hat, snare drum on 1, 2+, 4 classic Jabo. The main groove has a swung broken 1\/16th feel, four to the floor bass drum pattern, the snare drum backbeat is syncopated on to 4. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e116\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e13: \u003cstrong\u003eFOD 113 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEarly disco groove with fat snare, tambourine, 1\/8th hi-hat, little lift on the 1. 1\/16th tambourine,  snare drum backbeat, with the bass drum on 1 and 3. Occasional snare drum flam fill on 3+4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 113\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14:\u003cstrong\u003e FOD 112 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFast JBs influenced groove with rides and breakdowns. Snare drum roll intro. 1\/8th hi-hat, snare drum backbeat with some ghost notes and displacement onto 4+(Cold Sweat style). Sparse bass drum. The groove develops to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e112\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e15: \u003cstrong\u003eFOD 112 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky afro beat with pattern changes. Features congas, hand percussion, snare drum roll \/ hi-hat bark intro, 1\/8th hi-hat open\/closed. Onto 4, snare Drum backbeat with displacement onto 4+ Clyde style. Sparse 1\/8th bass drum. The groove moves to a driving ride cymbal section with sparse congas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 112\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e16:\u003cstrong\u003e FOD 111 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky beat with congas, guiro, and tambourine. Conga, guiro intro. 1\/16th tambourine,1\/16th hi-hat with occasional offbeat open\/closed hat. Snare drum backbeat. Driving syncopated bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e111\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e17: \u003cstrong\u003eFOD 105 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky afro beat with congas, blocks and tambourine. Kit fill intro, 1\/8th hi-hat, snare drum backbeat, bass drum on 1 and 3+, occasional fills and sparse conga pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 105\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18:\u003cstrong\u003e FOD 96 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwinging rimshot groove with alternative pattern. 1\/8th hi-hat, 1\/16th tambourine, X stick backbeat. Moves to the ride cymbal with full snare drum backbeat with ghost notes. Bass drum syncopated onto 1.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e96\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e19: \u003cstrong\u003eFOD 95 FUNK 04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid-tempo swung tight hi hat groove. 1\/16th snare drum intro, 1\/8th hi-hat with choke on 1+, snare drum backbeat with 1\/6th semi triplets onto 1. 1\/16th shakers. Sparse bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20:\u003cstrong\u003e FOD 95 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwung hi-hat groove with kick pushes. 1\/8th hi-hat, 1\/16th shaker, snare drum backbeat, and sparse syncopated bass drum onto 1 + 3.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21: \u003cstrong\u003eFOD 95 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwung hi-hat groove with tom triplet figure. Fills into a ride section with 1\/8th hi-hat, 1\/16th tambourine, snare drum backbeat. 1\/16th triplet roll onto 1 between the bass drum and snare drum, open \/closed hi-hat onto 2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22:\u003cstrong\u003e FOD 95 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid tempo 70s funk hi-hat groove. 1\/8th hi-hat, 1\/16th tambourine, snare drum backbeat, sparse syncopated bass drum onto 1 + 3.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23: \u003cstrong\u003eFOD 94 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky acid jazz style groove with pattern changes. Features congas, swung 1\/8th hi-hat, snare drum backbeat with ghosts onto 1 + 3. Sparse bass drum on 1 and 3+. Pattern develops and moves to the ride cymbal. Short conga breakdown, and then the groove drops back in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24:\u003cstrong\u003e FOD 94 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSouthern soul groove with changes. Bongo, tambourine, has an atmospheric bongo intro, 1\/8th washy ride cymbal pattern, X stick backbeat on the snare drum. Drops to a tight dry snare drum backbeat with rolls and open\/closed hi-hat. Sparse syncopated bass drum, which then moves to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25: \u003cstrong\u003eFOD 94 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid-tempo JBs style groove with tambourine. Swung broken 1\/16th hi-hat pattern, snare drum backbeat with classic Clyde snare drum chatter onto 4. Sparse syncopated bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 94\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26:\u003cstrong\u003e FOD 91 FUNK 04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlightly swung hi-hat groove with pushes. 1\/8th note hi-hat pattern, 1\/16ths on tambourine, snare drum backbeat, bass drum syncopating onto 1 and after 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e27: \u003cstrong\u003eFOD 91 FUNK 03\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid-tempo rimshot groove with shaker, tambourine, 1\/16th hi-hat, x stick backbeat, 2 bass drum patterns, 1 simple 1\/8ths other with syncopation onto 3. Develops to ride cymbal short 1 beat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28:\u003cstrong\u003e FOD 91 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky afro beat with congas, cuica, and tambourine. Swung 1\/16th hi-hat open\/closed. Hi-hat onto 1, snare drum backbeat. Sparse syncopated bass drum. Develops to ride cymbal. Swung conga tumbao.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29: \u003cstrong\u003eFOD 91 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRare groove with fat snare and calfskin tom, bass drum. 1\/16 note hi-hat with bark onto snare drum backbeat, has rolling ghosts onto syncopated bass drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 91\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e30:\u003cstrong\u003e FOD 89 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid 70s style funk groove with shakers and tambourine. 1\/8th HH pattern,1\/16 shaker. Snare drum backbeat drag onto 1 and a ghost on 2a. Changes between tight and loose hi-hat. Short hi-hat breakdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e89\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e31: \u003cstrong\u003eFOD 88 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid 70s funk groove with changes. Shakers, tambourine, 1\/8th note hi-hat, snare drum backbeat, and classic syncopated bass drum pattern onto 3. The hi-hat changes between tight and loose, and then moves to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 88\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32:\u003cstrong\u003e FOD 87 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLate 70s funk rock groove with trashy hats, features big tom fills, loose 1\/8th hi-hat, snare drum backbeat,1\/8th bass drum, syncopation onto 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e87\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e33: \u003cstrong\u003eFOD 83 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSouthern soul funk style beat with changes. Hand percussion, 1\/8th note crash\/ride moving to a loose hi-hat and snare drum on the backbeat, 1\/8th note bass drum. The groove then develops to a tighter hi-hat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e34:\u003cstrong\u003e FOD 83 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e70s funky groove with hi-hat pushes, snare rolls, hand percussion. 1\/16th note hi-hat, snare drum backbeat with syncopation onto 1, 1\/8th note bass drum with syncopation onto 1.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e35: \u003cstrong\u003eFOD 82 FUNK 02\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow JBs style groove with changes. Shaker, tambourine, 1\/16th note hi-hat, snare drum backbeat with ghosted chatter onto 4, 1\/8th note bass drum pattern with syncopation onto 3. Hi-hat breakdown, which develops to open\/closed hi-hat onto 2 + 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 82\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e36:\u003cstrong\u003e FOD 82 FUNK 01\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSlow JBs style groove with shakers, tambourine. 1\/16th note HH, snare drum backbeat, 1\/8th note bass drum with syncopation onto 1. Hi-hat and bass drum breakdown. Develops to the ride cymbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTempo: \u003c\/strong\u003e82\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974474576004,"sku":"DDA5851FFMS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/dd-album-fistful.jpg?v=1593076926"},{"product_id":"drumdrops-in-dub-volume-3-part-2","title":"Drumdrops In Dub Volume 3 Part 2","description":"\u003cp count=\"1\"\u003eA Fistful of Drummers contains 36 drum tracks ranging from 82-147 bpm of vintage funk. With a stylistic blast to the past, it contains covers of classic funk beats including Rare Groove, Jabs Funk, Old Soul, Bombastic 70s Rock and early Hip-Hop, with a splash of Disco thrown in as well.\u003c\/p\u003e\n\u003cp count=\"2\"\u003ePerformed by Nasser Bouzida (from the cult Blow Up recording stable) and Jim ‘the Lick’ Kelly, with guest appearances from legendary reggae drummer Style Scott and Jan Kincaid of Brand New Heavies fame, A Fistful of Drummers boasts a stellar line-up of pedigree drumming talent. Vintage Ludwig and Gretsch kits were used with heavy skins, as well as vintage Zildjian hi-hats and snares by Ludwig, Rogers and Slingerland. Recorded on a 1970s Neve desk, 2” analogue tape and beautiful vintage microphones and outboard, every track packs a punch of the best quality funk drum sounds.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b5c42ecb2a109548b4568\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974515765380,"sku":"DDA5163DD32MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974545879172,"sku":"DDA5163DD32SM","price":24.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/Horseman_Dub32.jpg?v=1594384407"},{"product_id":"route-seventy-sticks","title":"Route Seventy Sticks","description":"\u003cp\u003eThere's a simple reason why 70s rock legends like Fleetwood Mac, Neil Young, Steely Dan and The Eagles continually pop up on your FM dial - it's the sound of these records. There's a pre-digital warmth in the lavish productions of this golden age in rock that stand the test of time. Now you can get your kicks with the latest addition to the Drumdrops family - 32 drum tracks featuring that classic sound of 70s America.\u003c\/p\u003e\n\u003cp\u003eRoute Seventy Sticks serves up laidback rock, sun-soaked pop, driving blues grooves and down-home country across a range of tempos from easy riding through to open freeway. Played with feeling and precision by London session drummer Tim Weller this sumptuous recording even throws in some 12\/8 blues shuffles and a bit of brushwork for that bonafide country rock sound. The bedrock of those bygone days is here in 24-bit multi-tracked glory plus stems and DAW-friendly loops which should certainly put the bang in your burrito. With drums this good you're halfway down that road to writing a classic already.\u003c\/p\u003e\n\u003cp\u003eThe drum multi-tracks come as full length live multi-tracks and song construction loops. The live multi-tracks include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.\u003c\/p\u003e\n\u003cp\u003eThe Stems and mix packs which have all the separate drum mics as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp\u003eThe loop packs contain live 4 bar stem loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003cp\u003eTo purchase the single hit samples of the kit used for this album head over to listen to our \u003ca href=\"https:\/\/www.drum-drops.com\/collections\/drum-samples\/products\/ludwig-super-classic-kit\"\u003eLudwig Super Classic Kit\u003c\/a\u003e and pick the sample pack that is right for you\u003c\/p\u003e\n\u003cp count=\"5\"\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c4948ecb2a1ca568b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eRSVS 170 70SPOP 31\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBolanesque boogie groove 2. Just like RSVS 170 70SPOP 30 but here played on the toms. Useful short fills between different sections and lots of tom variations.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 170\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eRSVS 170 70SPOP 30\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMarc Bolanesque boogie groove 1 with hat and ride sections. Small fills between sections and some bass drum variations and snare detail. See also RSVS 170 70SPOP 31 for the tom variation of this same feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 170\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eRSVS 150 70SPOPROCK 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUptempo driving feel with rock and roll twist. Slightly open hats and accents building into a bridge section with tom backbeat and ride accents. Has a classic rock and roll tinge to it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 150\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eRSVS 140 70SPOPROCK 12\u003c\/b\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eCalifornia 70s mid to uptempo feel with a touch of country... Eagles vibe. Driving feel with snare ghosts and bass drum variations. Hi-hat gradually opens up as it builds to a ride section with more snare detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 140\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eRSVS 134 70SPOPROCK 28\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic 70s Carole King style shuffle for lolloping groove. Sections on hi-hat and ride. Ride figure is broken up a bit to bring out different accents. Useful fills and snare ghosts to add variety.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 134\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eRSVS 130 COUNTRY 36\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eOld style yee haw country feel with brushes and flicks. Bass drum on 1 and 3, hat on 2 and 4 and the snare rolling along with varied accents and dynamics.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e130\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eRSVS 126 70SPOPROCK 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo straight pop feel with skipping hat and cool tom breakdown. Useful fills building up and down dynamically.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e126\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eRSVS 126 70SPOPROCK 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo driving groove. Think ‘Jet’ by Wings. Groove that really motors along with its driving bass drum figure and full on backbeat. Sections on hi-hat and ride and a useful middle eight vibe that grooves on the toms for more variety.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e126\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eRSVS 124 70SPOPROCK 27\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eShuffle groove in a Carole King kind of style... West Coast. Fill into a driving mid tempo shuffle with sections on the hi-hat and ride. Useful subtle builds and dynamic shifts that will add dimension without getting in the way.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 124\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eRSVS 118 70SPOPROCK 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFleetwood Mac style laid back 70s style straight groove. Think Seven Wonders. Down beat hat intro then down the toms fill into straight groove with tom pokes and laid back backbeat.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 118\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eRSVS 115 JAZZ 37\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo brushes swing with bass drum variations and snare flicks. Pedalled hi-hat and feathered bass drum and brush sweeps, flicks and variations make this a useful groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 115\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eRSVS 112 70SROCKNROLL 26\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBlues shuffle feel in a Fleetwood Mac 70s style with four on the floor kick. Sections on hat and ride. Some nice builds and snare drums variations.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 112\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eRSVS 111 70SPOPROCK 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eWest Coast straight ahead groove. Beautifully simple and understated in a Tom Pettyish way. This groove motors along with some subtle variations, an open hat here, an extra bass drum there... the odd snare flick or small fill. Lots of the tiny nuances that real drums add without getting in the way!\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 111\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eRSVS 108 70SFOLKROCK 25\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePaul Simonesque slow 12\/8 feel.... kinda like still crazy after all these years. Starts with a down section on hat and side stick, building up to a snare back beat. Then a tom fill into a ride section before coming back down again. Range of dynamics and subtle differences.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e108\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eRSVS 103 70SPOPROCK 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUseful straight groove with sections on hat and ride and various fills. Various different bass drum patterns and snare details. Fills between sections on ride and hat.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e103\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eRSVS 103 70SPOPROCK 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA rockier Neil Young vibe with different sections and dynamics. Starting with a driving section on half open hats with a Motown style 4 on the beat snares this then drops back to a more traditional 2 and 4 backbeat for the verse and chorus sections. A variety of fills and dynamics.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e103\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eRSVS 102 70SBLUES 33\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow sixteenth note half time shuffle with Steely Dan Vibe. Variations on the hi-hat and ride with cool bass drum syncopations and ghostings on the snare. Great sounding old kit too.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 102\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e18: \u003cb\u003eRSVS 97 70SPOPROCK 14\u003c\/b\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo straight groove with extra floor tom backbeat. Four on the floor bass drum with extra variations and fills. Sections on both hat and ride.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 97\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e19: \u003cb\u003eRSVS 92 70SPOPROCK 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFour-to-the-floor organic groove with a Neil Young country twist. Sections played on the hat and the ride, and various fills to build up and down as required.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 92\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e20: \u003cb\u003eRSVS 87 70SPOPROCK 16\u003c\/b\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo straight ahead groove with ringy snare. Bass drum and open hat variations and simple useful fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 87\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e21: \u003cb\u003eRSVS 83 70SPOPROCK 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLaid back tom intro building to Neil Young style drum groove with sections on hat and ride. Selection of fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 83\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e22: \u003cb\u003eRSVS 80 70SPOPROCK 22\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow to mid tempo gritty bluesy shuffle with snare drum detail and sections played on hat and ride. A variety of subtle builds and useful fills. Wide open feel and dirty sounding.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e23: \u003cb\u003eRSVS 80 70SBLUES 21\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow to mid tempo 12\/8 feel with snare drum detail and sections played on hat and ride. A variety of subtle builds and useful fills. Great for old style 60s or 70s songwriting.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e24: \u003cb\u003eRSVS 80 70SPOPROCK 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBroken down intro section building into useful straight groove. Sections on the hats, toms and ride to provide lots of useful variations.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e80\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e25: \u003cb\u003eRSVS 75 POP 13\u003c\/b\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow to mid tempo atmospheric groove with cool syncopated bass drum figure. Starts on hi-hat with some neat snare ghosts and cool fills before moving to the ride.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 75\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e26: \u003cb\u003eRSVS 72 70SBLUES 20\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eTom fill into slow shuffle groove with sections on hat and ride and various builds and fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 72\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e27: \u003cb\u003eRSVS 72 70SBLUES 19\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow Blues ballad 12\/8 feel in the old school Etta James vein. Sections on hat and ride, snare and rim. A selection of buzz rolls, open hats and subtle fills and builds mark the changes between sections.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 72\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e28: \u003cb\u003eRSVS 72 70SBLUES 18\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eCool fill into a half time shuffle in the Bernard Purdie \/ Steely Dan mode. Sections on hat and ride and snare skips and fills between them.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 72\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e29: \u003cb\u003eRSVS 70 70SPOPROCK 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow and stately Neil Young style groove from Harvest era. Laid back and underplayed style with sections on hat and ride and with various fills to build up and down as required.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 70\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e30: \u003cb\u003eRSVS 64 70SBLUES 17\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eCool Steely dan \/ Bernard Purdie type half time shuffle groove with fills punctuating ride and hat sections. Lots of snare ghosts and kick variations.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e64\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e31: \u003cb\u003eRSVS 62 70SPOPROCK 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSlow straight stately groove with fat 70s sounding snare and laid back kick. Tinge of West Coast country rock... think The Eagles. Punctuated with some useful fills and snare skips and buzz rolls as the groove moves between hats and ride.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e62\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e32: \u003cb\u003eRSVS 54 70SSOUL 24\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12\/8 slow blues ballad feel in the Etta James mode. Understated and subtle variations, with sections on snare and rim, hat and ride. Some snare buzz rolls and build sections.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp count=\"5\"\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974561443972,"sku":"DDA3269RSMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974561476740,"sku":"DDA3269RSSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974561509508,"sku":"DDA3269RSLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-9.php.jpg?v=1585223551"},{"product_id":"heavy-rock-drops","title":"Heavy Rock Drops","description":"\u003cp count=\"1\"\u003eHeavy Rock Drops is an explosive album of 20 classic heavy rock drum tracks covering styles from the 1970's up to today. For this hard-hitting beat collection we have used the talents of the UK's leading rock drummer, Jason Bowld (http:\/\/www.jasonbowld.com) of Axewound fame. Jason has also drummed for This Is Menace, Bullet For My Valentine, Fightstar, Pitchshifter, Killing Joke and Pop Will Eat Itself.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThis heavy rock drum track album covers many of the classic rock bands of the last 40 years. The tracks take reference from Led Zeppelin, Queen, AC\/DC, Janes Addiction, Stone Temple Pilots, Linkin Park, Deftones, Alice in Chains, Kings of Leon, Nine Inch Nails, My Chemical Romance, Deep Purple, Thin Lizzy, Foo Fighters, Queens of the Stoneage, Red Hot Chilli Peppers, Soundgarden, 30 Seconds To Mars, Nirvana and more. The tempos of the tracks range from 70 bpm right up to 189 bpm,. Most are in 4\/4, however you can find some other time signatures too, such as 6\/8 and 7\/8.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe drum multi-tracks come as full length live multi-tracks and song construction loops. The live multi-tracks include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eThe Stems and mix packs which have all the separate drum mics as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"6\"\u003eThe loop packs contain live 4 bar stem loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003cp count=\"8\"\u003eHeavy Rock Drops was recorded at The Garden Studios in Shoreditch, East London which recently shut its doors after 25 years. The studio’s live room defies all acoustic rhyme and reason but creates an explosive drum rock sound. Since the late 1970s The Garden served the likes of The The, Depeche Mode, Nick Cave and Bad Seeds, Arctic Monkeys, Goldfrapp and many more high profile artists. All of the mixes and drum stems were mixed in The Engine Room, an incredible sounding mixing studio in South London.\u003c\/p\u003e\n\u003cp count=\"9\"\u003eThis album would not be complete without the production and engineering skills of Martyn 'Ginge' Ford who has worked with Bullet For My Valentine and other leading rock and metal names such as As I Lay Dying and Trivium. Ginge recorded, mixed and produced this fantastic album.\u003c\/p\u003e\n\u003cp count=\"10\"\u003eHeavy Rock Drops was recorded through a vintage Neve 8026 console onto a 16 track 2\" Studer A80 tape machine with a selection of great vintage microphones from Coles, Neumann, AKG and many more. The kit used was a Mapex Saturn kit with three different snares and a range of cymbals. This is the ultimate heavy rock drum tracks album that can be used by songwriters, musicians, producers and engineers.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c3dddecb2a1c2508b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eHVRK 189 HEAVY ROCK 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6\/8 for the 21st Century though equally useful for steady Blues rock. Tribal, and snare marching grooves are also conveyed in 6\/8. Making the most of this misleadingly powerful time signature is the name of the game here. Starting with an almost lazy, Blues feel, the grooving intensifies with more kick drums and open hi-hats - the latter of which become part of a tug-of-war cross rhythm with the main groove. This feel is continued onto the ride cymbal and then the feel darkens to a spacious tribal groove which exudes melody. A snare marching 6\/8 feel provides the perfect requisite for this composition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 189\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eHVRK 173 HEAVY ROCK 18\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e4\/4 Hi-speed Rock with blistering snare rolls and breakdowns a plenty. Sounds like 'Monkey Wrench' with a Metallic edge. A straight no-nonsense Rock groove kicks off this composition and develops into occasional half-time grunge rock grooving - a worthy, fat accompaniment for this style. Trademark flam and ruff fills are present here and a twelve bar snare crescendo should provide enough juice for your builds and fills to last a lifetime. Track reference Foo Fighters, My Chemical Romance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 173\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eHVRK 165 HEAVY ROCK 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7\/8 Bonham progged up but with a hybrid Nine inch Nails, Soundgarden feel. Keeping a steady 7\/8 meter throughout, the grooving here is dealt with a subtle power and is coloured with varied hi-hat, ride and crash patterns. With a 7\/8 snare marching groove and industrial tribal finale enough is provided to satisfy any prog urges. Track reference Soundgarden, Nine inch Nails.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 165\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eHVRK 160 HEAVY ROCK 07\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Intense Swing grooving with Rage \/ Queens of the Stone Age drum filling and feel. The half time section adds even more depth. Urgency is conveyed throughout in this intense composition. Taken to the edge of swing, a variety of two bar grooves are played which include detailed snare dynamics - ghosts and accents. Some blistering rolls are played to provide transitions and at the end, a halftime swung groove is played that Rage Against the Machine would be proud of. Track reference Queens of the Stone Age, My Chemical Romance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 160\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eHVRK 155 HEAVY ROCK 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Pounding Rock 'n' roll grooving suitable for any uptempo Rock riff. The power of Dave Grohl with dynamic sensibilities. The emphasis in this composition is the push on the kick drum which is so often favoured in rock due to its punchy feel. The opening two-bar groove provides a great foundation for a rock tune here and with all cymbal riding possibilities covered, is dynamic enough to convey a range of feels. There is also a halftime groove section for a breakdown vibe - or is it?! Track reference Foo Fighters, Paramore.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 123\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eHVRK 140 HEAVY ROCK 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Straight Rocking grooves with a Grunge finale. General riding on hats, ride and crash is present with a traditional rock breakdown. Straight two bar grooving progresses from the hi-hats to the ride to the crash to provide definitive song parts. At the midpoint the snare takes on a more active role then forms the basis for a dotted quarter-note feel groove. The finale see's the kick drum bounce with syncopation and a drum solo of fills being played. Track Reference Nirvana, Kings of Leon.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e140\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eHVRK 140 HEAVY ROCK 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Rock played with urgency with more emphasis on the kick. A slightly dancy feel with grungy snare offbeats played in the finale. The opening hypnotic groove is the basis for this composition. The kick drum conveys a snappy, syncopated feel whilst the snare backbeat remains steady until the finale where it unleashes syncopated power. Track reference Foo Fighters, Incubus.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e140\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eHVRK 138 HEAVY ROCK 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Think 'Dancing in the Moonlight' meets Green Day. A modern twist on a Rock swing with well articulated snare dynamics throughout. A four bar, snare-roll crescendo opens proceedings into the ultimate swing rock groove. This journeys alongside shuffled hi-hat and ride patterns and simple stomping 4\/4 grooves that are occasionally joined with some aggressive filling. To complete the picture a swung, snare-march groove is included. Deep Purple, Thin Lizzy references.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e138\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eHVRK 138 HEAVY ROCK 16\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Bonhamesque shuffle with a steady kick pattern. A tribute to 'Fool in the Rain' with varying kick patterns and a beautiful shuffle feel conveyed throughout. This composition oozes feel thanks to the detailed ghost notes played on the snare. These do not get in the way of the rock steady back beat that is played throughout and the kick drum pattern offers enough variation to inspire varied composing. Shuffled hi-hat and ride patterns further enhance this composition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 138\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e 10: \u003cb\u003eHVRK 130 HEAVY ROCK 02\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eTraditional, Heavy Rock beats with groovy kick drum patterns.The space allows the drums to sound larger than life and create a style that is reminiscent of The Police crossed with Jimmy Eat World. The kick drum pattern throughout literally screams riffs at you because of its casual grooviness. This helps stage a great 'in the pocket' feel and the inclusion of that favoured 4\/4 rock feel brings to the table a Rock groove kit fit for any 21st century composer.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 130\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eHVRK 130 HEAVY ROCK 01\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Industrial grooving with a relentless edge and displaced backbeat. Keeping the same industrial flavour throughout, the displace snare backbeat groove is complemented by a variety of riding patterns including open hi-hats, crashing and sixteenth note hi-hat patterns. The composition finishes with a snare-driven, heavy Motown groove. Track reference Nine Inch Nails, Stone Temple Pilots.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 130\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eHVRK 120 HEAVY ROCK 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Straight as a die grooving - fit for any dance rock tune. Think Basement Jaxx meets Kings of Leon with a more industrial edge. Riding patterns include open quarter note hi-hats, Closed sixteenth note hi-hats, disco hat patterns and for balance, crushing crashes played with during the 4\/4 stompathon at the end. Snare rolls a plenty should see through any transitions needed with the grooves.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 120\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eHVRK 110 HEAVY ROCK 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFour-to-the-floor Hard Rock grooves with a bounce. Smashing Pumpkins type snare march groove with a big open groove at the end. Opening with a bouncy four-to-the-floor groove, the kick and snare are played in unison on the backbeat throughout this composition. With several riding options covered from hi-hats open and closed through to the china, a nice contrasting snare march groove is played at the mid-point to break away from the bounce. The finale features a more spacious groove played on the china.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eHVRK 110 HEAVY ROCK 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Focusing on the funkier side of Rock, this Chili Peppers inspired composition provides a single pocket groove played with feel and power throughout with variations occurring with offbeat snares and kick drums to ensure enough colour is provided. With a steady pulse always apparent on the ride bell, hats and crash cymbal each groove section in seamed with classy fills that have shape and character. The composition bows out with a spacious sixteenth note hi-hat groove to complement the funkier side of Rock. Track reference Red Hot Chili Peppers, Smashing Pumpkins.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eHVRK 99 HEAVY ROCK 11\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Syncopated hi-hat accents sit in a groove that is extremely hypnotic and is accompanied with dark tribal tom patterns. After opening with a melodic, tom pattern, a groove is introduced with syncopated, open-hi-hat accents that develops into a more simplistic groove with controlled crashing. Further syncopation is introduced onto the ride in a second verse \/ bridge section with the whole composition ending with the original tom melody. Track reference Alice in Chains, Incubus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e99\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eHVRK 90 HEAVY ROCK 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e4\/4 Open grooving with eclectic riding patterns on the hats and ride. Think 'Digital Bath' with the funkiness of Incubus. With a very definitive verse section played on the closed hi-hats, the composition develops into a potential pre-chorus featuring dotted, ride-bell figures that explodes into an open chorus, steadied with quarter-note open hi-hats. For more detail, the second verse features further embellishments on the hi-hat after which the composition ends with an open-crash groove.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e90\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eHVRK 90 HEAVY ROCK 08\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Big, bad beats with a 'Psycho-Snare' emphasis. The more aggressive moments of Linkin Park but with spacious grooving evident. Starting with an active, syncopated snare feel, the groove lays back into an almost hip-hop\/ rock feel exuding space and feel. As the composition progresses, offbeat, hi-hat feels are explored which culminate in a heavy, open crash groove and straighter grooving.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 90\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e18: \u003cb\u003eHVRK 82 HEAVY ROCK 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e4\/4 'Pure Pocket'. With a hypnotic pulse ever present, the kick and snare pattern are perfectly balanced with subtle ghosting on the snare. Big open crash sections and 'in the pocket' ride and hi-hat pulsing give enough variance for powerful song construction. The explosive finale also provides a useful fill toolkit. Track reference Janes Addiction, Stone Temple Pilots.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 82\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e19: \u003cb\u003eHVRK 79 HEAVY ROCK 20\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4\/4 Super-straight, sleazy, rock feel - has a hybrid Queen \/ ACDC feel with plenty of riding textures to jam to. This is as simple as it gets. The space created provides a great foundation for riffing over and with the various changes in cymbal riding from hi-hats to ride, ensures there is enough to construct a song with dynamics. Plenty of flams too for those fat accents.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 79\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e20: \u003cb\u003eHVRK 70 HEAVY ROCK 19\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSteady, solid grooving with space and feel which is enhanced with ghosting on the snare. Starting straight and gradually getting more syncopated with the kick drum and snare this composition can inform rock sub-genres such as big-beat, ballad rock and even points towards dubstep in places . Varied cymbal dynamics are played such as crashing, riding the bell and surface which are all useful for dictating chorus and bridge sections. Tasteful fills are played throughout that further enhance the groove transitions. Track reference ‘When the Levee Breaks’ by Led Zeppelin.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 70\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp count=\"10\"\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974589001860,"sku":"DDA3468HRMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974589067396,"sku":"DDA3468HRSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974589132932,"sku":"DDA3468HRLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-10.php.jpg?v=1585223727"},{"product_id":"in-saturday-night-style-vol-1","title":"In Saturday Night Style Vol 1","description":"\u003cp count=\"1\"\u003eFrom the makers of the classic Drumdrops in Dub, Drumdrops introduces Part 1 of the Rub A Dub trilogy that Prince Fatty and Horseman have made available exclusively to Drumdrops.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eA Rub a Dub jamboree of 13 classic early 80s dance hall (pre drum machine era) reggae drum tracks inspired by famous dub plates. Prince Fatty and Horseman take us back to the original sound system beats that have inspired countless versions and re-rubs. A selection of steppers, two drops, one drops and flying cymbal patterns ready to \"Mash up the Dance\" ranging from 65-142 Bpm.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eRecorded at Fatty's HQ with the deadly analogue combination of Ampex M1200 tape machine and vintage pre-amps that has made the Fatty sound infamous amongst selectors and hipsters world wide. Bonus kete drum, tambourine, percussion, dub wise electronic percussion and custom spring reverb included.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe Kit used was the Rogers Big R Dub Kit which can be purchased separately on the Drumdrops site available in three seperate sample packs. It consists of a 24” Kick Drum, 13”, 15” \u0026amp; 18” Toms, a Ludwig Black Beauty Snare, Remo Timbale, 15” Zildjian sweet hats and plenty of percussion.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eDrumdrops offers the album as drum multi-tracks, mixes, drum stems and drum loops. All of the multi-tracks come with session templates including Pro Tools 9, Cubase 6 , Ableton Live 8, Reaper 4, Studio One 2.5 and now Reason 7. An OMF file is also provided should you need to export the 24 bit 44.1 WAVs into any other DAW. To make life that little bit easier, a beat tempo map is included to help sync up the drum machines. These multi-tracks are on average a 1 gig download making the full album about 12 gig. Make sure you are on a fast connection.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eThe Stem and mix packs come with 4 mixes of the drums, as well as separate drum stems of each individual drum component \/ mix down. These stems are ideal for those who want the ready mixed versions of the track and will help build your track at super speed.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eThe drum loops pack contains about 5 different 4-bar loops taken from the track and are provided as mixes of the individual drum parts, as well as the full mix and percussion mixes. Available formatted as WAVs, Apple Loops and Rex2 files, they can be dropped into any software easily.\u003c\/p\u003e\n\u003cp count=\"8\"\u003ePrince Fatty and Horseman In Saturday Night Style Volume 1 – the first in an exciting trilogy of dub albums.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c3f73ecb2a168518b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eDSNS 142 REGGAE 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic uptempo steppers beat with a straight 16 feel featuring fat snare, tambourine, scraper, kete drum, Roland PC2 perc synth. Fill variations include snare, timbale and toms.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 142\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eDSNS 134 REGGAE 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic uptempo steppers beat featuring sidestick, tambourine, scraper, kete drum, electronic percussion Roland PC2 perc synth. Fill variations include snare, timbale and toms.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 134\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eDSNS 134 REGGAE 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic 70s Roots and Dub two drop beat with a straight 16 feel featuring sidestick, tambourine, flexitone, scraper, kete drum. Fill variations include snare, timbale and toms.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 134\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eDSNS 126 REGGAE 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic Roots steppers beat with swing feel featuring sidestick, tambourine, block, scraper, kete drum, electronic percussion using Roland PC2 perc synth. Fill variations include snare, timbale and toms.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 126\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eDSNS 124 REGGAE 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic 70s Roots and Dub steppers beat with a straight 16 feel featuring open hat intro featuring sidestick, tambourine, flexitone, scraper, kete drum. Fill variations include snare, timbale and toms.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 124\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eDSNS 124 REGGAE 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic Channel One era steppers beat with a straight 16 feel featuring accented snare, timbale fills, tambourine, cabassa, flexitone and electronic percussion using Roland PC2 perc synth.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e124\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eDSNS 123 REGGAE 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic Revolutionaries Channel One roots era steppers beat with a straight 16 feel.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e123\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eDSNS 91 REGGAE 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFlying cymbal reggae groove with hip hop a feel and syncopated kick drum pattern, snare and timbale fills, tambourine, cabassa and kete drum.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e91\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eDSNS 83 REGGAE 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRetro Studio One one drop groove with swing feel featuring side stick and tight timbale.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 83\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eDSNS 80 REGGAE 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eEarly 80s two drop dance hall beat by Horseman in the Roots Radics style with a straight 16 feel featuring fat snare and tight timbale. Includes fills with variations, tambourine, shaker and kete drum.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eDSNS 79 REGGAE 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eEarly 80s dance hall beat by Horseman in the Roots Radics style with a straight 16 feel featuring syncopated kick with fat snare and tight timbale. Includes fills with timbale and tom variations, tambourine and shaker.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 79\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eDSNS 73 REGGAE 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePounding slow radics groove in the early 80s Scientist dub tradition with a straight 16 feel featuring kete drum, cabassa, scraper, flexitone and electronic percussion using vintage Tama drum synth and Roland PC2 perc synth.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 73\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eDSNS 65 REGGAE 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eEarly 80s slow dance hall beat by Horseman in the Roots Radics style with a straight 16 feel including percussion such as kete drum, tambourine, cabassa and electronic percussion using 70s Tama drum synth and Roland PC2 perc synth.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 65\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974719975556,"sku":"DDA2409SNMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974720008324,"sku":"DDA2409SNSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974720041092,"sku":"DDA2409SNLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-11.php.jpg?v=1585224397"},{"product_id":"royal-drops","title":"Royal Drops","description":"\u003cp count=\"1\"\u003eRoyal Drops is an album of 15 sweet soul drum tracks, engineered and performed by Timmy Rickard. Royal Drops takes its reference from the music produced at Royal studio in Memphis during the 1970’s. Home to legendary producer and founder of Hi Records, Willie Mitchell. The tracks are based upon recordings of Hi Record artists Al Green and Anne Peebles, with drummers Al Jackson JR and Howard Grimes providing their unmistakable grooves.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThis release incorporates key components found in the classic Hi Records drum sound, including swung bass drum patterns, 8th note emphasis on the hi hats, classically simple drum fills and a few 6\/8 drum grooves. A big reason why this drum style is so revered is because of the thoughtful simplicity in which Al Jackson JR and Howard Grimes composed their drum parts. Using that same ethos, Royal Drops will be perfect for a wide range of producers and composers who are looking for timeless grooves to get creative with.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eUnlike the one microphone, large open room drum sounds coming out of Motown and Stax in the 60’s\/early 70’s, Willie Mitchell preferred a small dry room, often using three or four microphones on the drum kit. To capture the same vibe we used the perfectly suited dry live room at Miloco’s The Square. The concept behind the mic positioning is unique to this release. We used four mic’s, each placed in carefully selected positions around the kit, so each mic captures the drum kit as a whole, meaning you can use any one mic as your drum sound, or you can blend some\/all of the mic’s to create your ideal sound.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eWe used one Coles 4038 positioned between the hi hat and the rack tom, which gives a snare heavy drum sound. The second Coles 4038 was positioned under the ride cymbal between the rack tom and the floor tom, which produces a bass drum heavy sound. The third Coles 4038 was positioned about 4ft behind and to the right of Timmy, on the floor tom side, capturing all the lovely attack sound from the vintage Gretsch kit. The Fourth and final mic used was either a Beyer M160, or an STC 4021 (aka - Ball \u0026amp; Biscuit mic). This was placed in a more conventional overhead position, directly over the snare drum, capturing that classic lofi drum sound. The mic’s went through a Neve 1066 mic pre, two Telefunken V76s and a Calrec PQ1061. Of course like all other Drumdrops drum tracks we recorded on to 2” 16 track tape running at 15 ips to give extra bottom end.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eThe sound though would not be complete without the right kit. We used Timmy Rickard’s vintage 1960’s Gretsch with a 20” x 14” Kick drum, 13” x 9” Rack Tom and a 16” x 16” Floor Tom. The snares used were a combination of two Gretsch Renown Maple Snares (14” x 6” and 14” x 5”), a Ludwig Acrolite 14” x 5” and a Ludwig 400” 14” x 5”. Cymbals were wonderful dark sounding Bosphorous New Orleans Hi Hats (2 x 16” Crashes), a 20” Ride and an 18” Crash. On a number of tracks we have added shakers, tambourines or congas.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eThis tribute to the Royal Studio drum sound would not be complete without the signature low pitched snare, muted by Timmy’s wallet. The classic tea towel trick on the toms was occasionally used, as was a chain on the ride cymbal giving certain tracks that jazz flavour. However all these touches would remain obsolete if it weren’t for the fact that Timmy has educated himself to play with a really light touch, mimicking the way these classic drummers played.\u003c\/p\u003e\n\u003cp count=\"6\"\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c4c70ecb2a1ac588b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eRYLD 226 SOUL 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA 12\/8 groove on Al Green's 'Can't Get Next To You' is credited as the muse for this pattern. This classic blues beat goes from hi hat's to ride, which brings creative options to the song writing process.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 226\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eRYLD 126 SOUL 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA homage to the classic slow 6\/8 style groove that Willie Mitchell loved to produce. Incorporating different fills, and different groove ideas that are sure to inspire.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 126\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eRYLD 122 SOUL 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAn uptempo Motown tribute by Ann Peebles called 'My Man' takes credit for this pattern. Together with a tambourine, this groove drives with purpose from start to finish.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 122\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eRYLD 119 SOUL 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBased on the classic Al Green track 'Take Me To The River'. A driving mid tempo drum groove played on the rim of the bass drum together with a cross stick, giving it a unique sonic quality.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 119\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eRYLD 105 SOUL 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eReferencing one of the more recent Al Green tracks 'I'm Wild About You'. This groove starts off with a dark, tribal like tom pattern, which then develops into the more familiar Al Green, boom-bap foot tapper.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 105\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eRYLD 101 SOUL 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe instantly recognisable 'Let's Stay Together' by Al green inspires this multifaceted drum composition. Kicking off with the classic intro ride groove, which then melts into a driving verse pattern, which is politely interrupted now and then by its classic Motown bridge part. Accompanied by congas throughout, this pattern lays down a classic 70's soul template.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e101\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eRYLD 93 SOUL 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eInspired by all those simple 8th note heavy grooves that Royal Studios were famous for. Complete with congas backing up the kick and snare, this is a shameless Hi Records rip off!\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e93\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eRYLD 92 SOUL 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eReferencing the Ann Peebles track 'Somebody's On Your Case'. This is a mid tempo head nodding groove featuring a hi hat pattern that goes from straight to shuffle, creating an interesting rhythmic movement. accompanied by conga part, creating that classic 'hi records' sound.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e92\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eRYLD 90 SOUL 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAl Green and John Legend's collaboration 'Stay With Me' was the inspiration behind this unique groove. A rhythm that incorporates swinging hi hats and interesting interplay between a cross stick and the floor tom. A syncopated section using the ride cymbal gives another option.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 90\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eRYLD 84 SOUL 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eIf 'What More Do You Want From Me' from Al Green's 2010 release was recorded in 1973, it may have sounded like this. A simple, but groove heavy pattern that has two subtle sections, which are interlinked using tasteful fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 84\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eRYLD 83 SOUL 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA classic Hi Records style mid tempo 16th note hi hat groove. An Al Jackson Jr signature style low pitched snare, muted by a wallet, drives this simple, versatile groove. A breakdown section without the snare and simple fills allow for multiple options.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 83\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eRYLD 79 SOUL 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe groove heavy 'When I'm In Your Arms' by Ann Peebles was the inspiration for this pattern. A tambourine and congas accompany this 16th note, hi hat heavy syncopated drum groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 79\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eRYLD 78 SOUL 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAl Jackson Jr's classic drum break kicks off Al Green's 'I'm Glad You're Mine', so paying homage to this track was a must. After the quirky break beat comes a heavy classically simple 'Al Green' style groove. A shaker gives the groove an extra percussive element.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 78\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eRYLD 74 SOUL 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA slow balled style composition, based upon Al Green's track 'Simply Beautiful'. starting with just a kick drum and stepped hi hat, eventually bringing in the cross stick, and then the snare.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e74\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eRYLD 62 SOUL 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA groove inspired by the Ann Peebles track 'I'm So Thankful'. A slow head nodding pattern with a displaced backbeat. Some tasteful fills and a cross stick section to help with dynamics.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e62\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974751694980,"sku":"DDA6350RDMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974751760516,"sku":"DDA6350RDSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974751826052,"sku":"DDA6350RDLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-12.php.jpg?v=1585224583"},{"product_id":"folk-rock-drops-volume-1","title":"Folk Rock Drops Volume 1","description":"\u003cp count=\"1\"\u003eFolk Rock Drops vol. 1 contains 16 drum tracks taking influence from a range of folk rock tracks. Most of them are based on songs from the 60s and 70s. The drums were played by Folk Rock expert Martyn Barker and recorded by legendary Producer \/ Engineer Phill Brown. The album was recorded at the historic Miloco Livingston Studios in London using a 1966 Vintage Ludwig Hollywood Kit.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThe grooves on these tracks take reference from artists such as John Martyn, Traffic, Neil Young, Nick Drake, Fairport Convention and Bob Dylan. Ranging in tempo from 74 BPM to 162 BPM there is a huge range of tracks and grooves to choose from. There are a few 3\/4 options and a couple of tracks were played with brushes and hotrods.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eFor the sound Phill Brown (John Martyn, Bob Marley, Rolling Stones, Talk Talk, Led Zeppelin) used his years of accumulated knowledge and went back to the time of the 60s when he was based at Olympic Studios. Phill’s idea was to create a 1960s drum sound with a modern twist. Instead of positioning the microphones close to the kit he wanted to capture a natural drum sound and record the ‘dead’ room. He used only five microphones on the kit: one on the kick, the snare, two kit microphones placed around the kit which provide a surprisingly good stereo picture, and a mono overhead. All of the mics were recorded through API mic pre’s and recorded straight to 2” tape on a Studer A80 with a 16 track headblock before being transferred into Pro Tools. The kit was recorded in the drier sounding room at Livingston (we saved the liver room for Volume 2 ). Although the sound is controlled it has a great ambience around it. Livingston has been used to record a multitude of hit records over the years and is well known for being one of London’s top drum rooms.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe kit we used for this was a beautiful vintage 1966 Ludwig Hollywood Kit. It is almost identical to the Super Classic kit which Ringo Starr once used, except it has two rack toms rather than just the one. These are beautiful sounding kits. The snares used were a Ludwig 400 and a 1960s wooden Ludwig Snare.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eMartyn Barker has had a career playing the drums professionally for over 30 years. He started his career with the band Shriekback and is a busy session drummer recording and touring. Martyn has played for artists such as Martha and Rufus Wainwright, Richard Hawley, Katherine Williams, Lou Reed, Peggy Seeger and he also played drums on Joe Boyd’s ‘Way To Blue’ making him a perfect choice for this album.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eAll sixteen tracks can be purchased as multi- tracks (unmixed), stems (mixed) or drum loop packs. The multi-tracks come with a tempo map and OMF file to export into other DAW. We provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. We also include multi-track loop packs separated into intro, chorus, bridge, verse and outdo. These loops have been locked to the tempo so you can quickly build tracks rather than using the tempo map.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eThe stems and mix packs contain all the drum parts and percussion as separate stems, come as 24 bit WAVs and also include a tempo map. The stem packs also include stem and mix loops chopped into the same song parts as the multi-tracks (intro, chorus, bridge, verse, middle 8 and outro). These can be quickly imported into any DAW to build tracks without a tempo map.\u003c\/p\u003e\n\u003cp count=\"8\"\u003eThe loop packs contain live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003cp count=\"9\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b5f42ecb2a118558b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eFKD1 162 FOLK 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThink Nick Drake's ‘Hazey Jane II’. Classic Dave Mattacks groove. Early 70s basic straight-ahead folk rock, with snare skips and snare fills. Adding a ride cymbal. Occasional tom fills. Straight groove with tight snare sound.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 162\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eFKD1 157 FOLK 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUp-tempo groove and a percussive feel between bass and snare drum. Up-beats on snare drum. Snare rolls on the 8. Rhythm is played with snare and floor tom. A kind of ska groove. Rhythm then straightens out using ride and hi-hat with fills on snare and toms. This is a very erratic groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 157\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eFKD1 136 FOLK 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eCool 3\/4 brushes groove adding ride with hi-hat and some fills. Laid back with strong accents on the bass drum. Nick Drake - ‘Saturday Sun’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 136\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eFKD1 118 FOLK 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3\/4 Waltz with hotrods, snare on the 3 with rides and hi-hats. One of the most heart wrenching 3\/4 groove’s you’ll ever hear. Based on Neil Young's ‘Only Love Can Break Your Heart’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 118\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eFKD1 102 FOLK 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThink Buffalo Springfield – ‘For What It’s Worth’. Mid-tempo rock groove, 4’s on tight hi-hats, 3’s on bass drum, dry loose snare, side stick. Ride Cymbal.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 102\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eFKD1 101 FOLK 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eVery uplifting and positive straight shuffle groove. Ride cymbal and hi-hat. Adding those great flurries of snare drum rolls. Traffic - ‘Feeling Alright’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e101\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eFKD1 100 FOLK 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDrum track based on Arthur Lee \u0026amp; Love’s ‘You Set the Scene (Part 2)’. Mid-tempo with fills, shuffles and skips. Occasional rolls on snare drum. Great psychedelic groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eFKD1 99 FOLK 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStarts with a building snare roll, very nice in your face dry snare drum sound. Occasional skips on snare. Classic drums fills of the time, progressing onto ride cymbal. We hear the classic Ludwig tom tom sound with the fills. Based on Fairport Convention - ‘Matty Groves’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e99\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eFKD1 97 FOLK 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePercussive bass drum groove with 8’s on tambourine adding 4’s on the snare drum and snare hits on the 4 adding fills. Traffic - ‘Heaven Is In Your Mind’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 97\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eFKD1 94 FOLK 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMidnight Choir's ‘Requiem’. Ride cymbal with brushes and bass drum push between the 2 and the 3. Going to hi-hat snare. Soft hypnotic groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 94\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eFKD1 94 FOLK 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStraight ahead folk rock using hotrods with Jazz Blues feel. Snare hits on the 2 and 4 and 4 on the floor bass drum. Occasional snare fills. Bob Dylan - ‘Subterranean Homesick Blues’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 94\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eFKD1 92 FOLK 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSoft hypnotic 4\/4 groove using sweeping brushes, skips. Reference Beth Gibbons - ‘Romance’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 92\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eFKD1 86 FOLK 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid-tempo cool walking groove. Snare on the 2 and the 4 then moving to side-stick and ride. Quite soulful. Loose deep snare sound.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 86\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eFKD1 85 FOLK 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eVery dry snare, straight bass drum on the 1, on 3, fills, skips and adding side stick on 2 and 4. Slight ghost shuffle on snare. Tight dry snare sound.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e85\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eFKD1 84 FOLK 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThink Cat Stevens – ‘Can’t Keep It In’. Ghosting groove, fills, ride cymbal. 4\/4 Shuffle groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e84\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eFKD1 74 FOLK 18\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid Tempo feel with snare on the 2 and the 4 with a shuffle, accompanied by an off-beat hi-hat with ride cymbal, then changing dynamically to hi-hat and snare. Loose snare sound. Murray Head ‘When You Wake Up’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e74\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp count=\"9\"\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974820278404,"sku":"DDA2187FR1MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974820311172,"sku":"DDA2187FR1SM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974820343940,"sku":"DDA2187FR1LP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-13.php.jpg?v=1606390489"},{"product_id":"folk-rock-drops-volume-2","title":"Folk Rock Drops Volume 2","description":"\u003cp count=\"1\"\u003eFolk Rock Drops Volume 2 contains 17 drum tracks taking influence from a range of mainly modern folk rock tracks with a few old classics thrown in. The tracks were once again played by Folk Rock drummer Martyn Barker and recorded and mixed by legendary Producer \/ Engineer Phill Brown. Recorded at the historic Miloco Livingston Studios in London in the brighter sounding live room this kit was close mic’d. The kit used was Martyn’s 1980’s Gretsch Maple 4416 Kit.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThe drum tracks take reference from Artists such as Ray La Montagne, Elliot Smith, Bon Iver, Goldfrapp, Little Feat and Bombay Bicycle Club amongst others. Ranging in tempo from 80 BPM to 184 BPM there is a huge range of tracks and grooves to choose from. Six tracks were played with Brushes and two with Hotrods.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eFor the sound Phill Brown (John Martyn, Bob Marley, Rolling Stones, Talk Talk, Led Zeppelin) close mic’d this kit as a contrast to the 5 mic process used on Volume 1. Mics used were classic drum mics – AKG D112 on the Kick, Shure SM57s on the Snare, Sennheiser 421’s on the toms, KM84 on the Ride and Hi-Hat, Coles 4038’s as overheads and two room mics – a Sony C48 and Neumann U89. These pick up the ambience of the drum room. All of the mics were recorded through the SSL G-Series mic pre’s and recorded straight to 2” tape on a Studer A80 with a 16 track headblock before being transferred into Pro Tools.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe 1980’s Gretsch Maple 4416 Kit consists of a 22” x 16” Kick drum, 10” x 7”, 12” x 9” and 13” x 10” Rack Toms and a 16” x 16” Floor Tom. The snares used were a combination of two Ludwig Snares. A Ludwig 400 14” x 5” and Martyn’s Ludwig Brass Shell 14” x 6.5”. Cymbals used were Zildjian Top Rock 14” Hi-hats, a 20” Rock Ride, an 18” Zildjian Paper Thin Crash and an 18” Plain Paiste Crash. On a number of tracks we added shakers and tambourines.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eMartyn Barker has had a career playing the drums professionally for over 30 years. He started his career with the band Shriekback and is a busy session drummer recording and touring. Martyn has played for artists such as Martha and Rufus Wainwright, Richard Hawley, Katherine Williams, Lou Reed, Peggy Seeger and he also played drums on Joe Boyd’s ‘Way To Blue’.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eAll sixteen tracks can be purchased as multi-tracks (unmixed), stems (mixed), drum loop packs or new MP3 practice tracks. The Multi-tracks come as full-length live multi-tracks and song construction loops. The Live Multi-tracks come with a tempo map and OMF file to export into other DAW. We also provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, chorus, verse, middle 8, Bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eThe Stems and mix packs which have all the drum parts and percussion as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"8\"\u003eThe loop packs contains a number of groove loops (usually about 11 per track) and then a number of fill loops. All of these loops come as the full mix and full mix no percussion (where applicable). They come formatted as 24 bit WAVs, Rex 2 Files and 24 and 16 bit Apple Loops. (The 16 bit apple loops are compatible with Garageband).\u003c\/p\u003e\n\u003cp count=\"9\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b601fecb2a173558b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eFKD2 184 FOLK ROCK 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRolling 6\/8 mid-tempo groove with an urgent feel. Travels with fills and then adds ride cymbal. It then goes down to the side-stick for dynamics. Also uses some pressed fills. Based on the Ray La Montagne track ‘Trouble’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 184\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eFKD2 136 FOLK ROCK 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSouth African meets Ska-type groove. Breaking up into half time with brush sweeps and fills. A good train groove adding Ride cymbal and tongue in cheek fills on the Toms. Based on a Bombay Bicycle Club track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 136\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eFKD2 122 FOLK ROCK 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA great Fleet Foxes type groove. Flams on the rim of the snare and a good melody on the toms. Breaks into a straight hi hat and side stick groove. Quite tribal and atmospheric. A groove with a tune! Based on the track ‘Bedouin Dress’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 122\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eFKD2 120 FOLK ROCK 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe classic 60’s straight rock ‘Mr Tambourine Man’ groove by The Byrds with shakers and tambourine. The groove builds with fills from floor tom and snare. Great rock sound, bright and wonderful, lively and direct adding Ride Cymbal.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 120\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eFKD2 116 FOLK ROCK 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow 3 4 Ballad with snare rolls and skips on Hi Hat, adding a light ride with simple Tom fills. Based on the Ray La Montagne track ‘Let It Be Me’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 116\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eFKD2 111 FOLK ROCK 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStraight rock-groove occasionally missing the snare on the 4th beat of the bar, mid-space. Quite a spacious groove, adding light ride cymbal and fills. Breaks down to just snare and bass drum and then to side stick and bass drum. Played with Hot Rods, based on Bon Iver’s ‘For Emma’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e111\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eFKD2 111 FOLK ROCK 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eGood strong rock groove. Mid tempo with and without hi-hats adding variation from bass drum and ride cymbal with fills. Track based on Vulgar Boatmen’s ‘Opposite Sex’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e111\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eFKD2 110 FOLK ROCK 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLight mid-tempo rock groove adding light ride cymbal with fills and double accents on snare. A soulful rock track using hot rods and based on Wilco - ‘Jesus’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eFKD2 96 FOLK ROCK 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eTrack based on Goldfrapp - ‘Drew’. Rolling groove on snare adding double-accent on Bass Drum on the 1st beat of the bar. This is a great Goldfrapp brushes groove adding a light ride cymbal and occasional hit on de-tuned floor tom.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 96\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eFKD2 95 FOLK ROCK 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eGreat Little Feat type groove, hard boogie with fills adding ride cymbal triplets on hi-hat. Skips on the snare. Based on the track ‘Old Folks Boogie’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 95\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eFKD2 93 FOLK ROCK 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRolling snare groove with fills using brushes. 16s with shaker. Quite an intense groove which has a Rhumba\/ Rock feel. Track Reference - Laura Marling - ‘Rambling Man’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 93\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eFKD2 92 FOLK ROCK 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStraight Little Feat type groove using double accents on Bass Drum, Adding fills and Ride cymbal with occasional pressed snare rolls. Based on the track ‘Spanish Moon’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 92\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eFKD2 91 FOLK ROCK 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSide stick off beat hi-hat with accents on bass drum. Groove changes to snare and open off beat hi-hat. Quite a tight groove with some press rolls on snare. Track based on Alfie - ‘You Make No Bones’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 91\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eFKD2 87 FOLK ROCK 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRolling shuffle groove on Snare. Bass drums on the 1st and the 3rd beats of the bar. Snare beat 2 and 4. 16’s using shaker and tambourine. 4’s on the hi-hat. This is a cool rock groove that uses nylon brushes based on Elliot Smith - ‘Independence Day’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e87\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eFKD2 80 FOLK ROCK 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eShuffle rock groove ghosting with 16ths on tambourine. Off-beat hi-hat launching into crash cymbals and fills. A great groove to move and dance to. Based on Jack White's 'Hypocritical Kiss'.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eFKD2 80 FOLK ROCK 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBrush groove with a simple rock beat and sweeps. Tambourine on the 4th beat of the bar then playing 16ths on the snare. Great melody from the sound of the Toms. Ride cymbal comes in later. Track reference One Eskimo - ‘Astronaut’.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eSSPD 83 60s POP 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eTrack based on Eat's Insect Head. Rolling brush groove using all the toms and snare together. This is a musical groove and very percussive. Turns into a shuffle on the snare drum. Bass drum on the 1st and 3rd beats of the bar.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 83\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp count=\"9\"\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974854881412,"sku":"DDA1478FR2MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974854946948,"sku":"DDA1478FR2SM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974855012484,"sku":"DDA1478FR2LP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-14.php.jpg?v=1585225089"},{"product_id":"swinging-60s-pop-drops","title":"Swinging 60s Pop Drops","description":"\u003cp count=\"1\"\u003ePerhaps the decade that shaped the modern world and pop culture more than any other, the sixties certainly had a huge impact on music. Everyone knows all about the Beatles and the Rolling Stones, but alongside them were a host of other bands, singers and songwriters pushing the boundaries of recording and pop.... Burt Bacharach, Joe Meek, Dusty Springfield, Georgie Fame, Tom Jones, Scott Walker....\u003c\/p\u003e\n\u003cp count=\"2\"\u003eMany of the drummers and session musicians who played on these hits had cut their teeth in the dance halls and big bands of the fifties so had a certain swing and lightness of touch to their playing that makes their grooves more interesting. They played more quietly too, not least because they were often recorded on few microphones as part of a much larger band, so balancing one’s own instrument to the room was an important skill to acquire.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eThe styles played were diverse and often fused together... some rock and roll and skiffle grooves, old style Latin and dance rhythms... Blues and soul influences from America and of course the famous Merseybeat sound and London scene too.... And let’s not forget a sharp suited Michael Caine and the sparse jazzy vibe of John Barry’s soundtracks. Obviously far too much to capture on a single album, but for volume one we’ve tried to recreate the sounds and vibes of a few of the early grooves that shaped pop music forever.\u003c\/p\u003e\n\u003cp count=\"3\"\u003e\u003cbr\u003eRecorded on a lovely old Rogers kit from the era and mic’d up old style in a dry sounding booth, these grooves will help add an authentic 60s vibe to your songs, soundtracks and commercials. As usual, all the drum tracks feature grooves that build and change through different musical sections offering a range of dynamics and fills...all ready for you to use as is or to easily edit into your own arrangement.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eSwinging 60s Pop Drops Volume 1 was recorded at Miloco’s The Bridge in London. This writing studio has a perfectly suited small dead booth which was perfect for the sound we were after.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eAll seventeen tracks can be purchased as multi-tracks (unmixed), stems (mixed), drum loop packs or MP3 practice tracks. The Multi-tracks come as full length live multi-tracks and song construction loops. These packs include a tempo map and OMF file to export into other DAW. We also provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, chorus, verse, middle 8, Bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eThe Stems and mix packs which have all the separate drum mics, percussion and reverb as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"8\"\u003eThe loop packs contain a folder of grooves and a folder of fills. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops and Rex 2 Files.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c4de5ecb2a19c598b456d\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eSSPD 195 60s POP 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan lang=\"EN-US\"\u003e12\/8 ride groove with fills. Loosely based on the theme from ‘Midnight Cowboy’ by John Barry, this slowish 12\/8 groove is mostly played on the ride cymbal with a soft back beat. The fairly minimal groove contrasts nicely with the relatively flamboyant snare and tom fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 195\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eSSPD 192 60s POP 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast 3\/4 groove with snare section and waltz feel. Based on Tom Jones' ‘Delilah’, this track starts with an almost military snare vibe in 3\/4 which opens out into a fast waltz feel played on the ride in the choruses. The dynamic builds and drops as it moves through the tune with the odd punctuating fill.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 192\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eSSPD 187 60s JAZZ 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUp tempo ride groove with a jazzy take on a rock n roll rhythm. Based loosely on a Jimmy Smith style groove, ‘The Cat’, this ride based pattern has busy snare flicks and syncopations straddling jazz, rock and roll and even Latin styles. Constantly moving and textural it offers a variety of dynamics and sections.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 187\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eSSPD 182 60s POP 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLoosely based on Tom Jones' ‘It's Not Unusual’. An uptempo pop groove that digs in and drives along without being too heavy. Features fills and hits and moves between hihat and ride. Has variations and flicks on the snare drum that give it a slight lightness and swing. Also features overdubbed tambourine and handclaps.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 182\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eSSPD 177 60s JAZZ 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBased on a Georgie Fame track this is an uptempo sixties pop groove. With a side stick in the verse section and some syncopation this grooves veers between sounding like fast pop and a Bossa Nova Latin vibe, never quite settling on either. This gives it an interesting feel as it is fast and driving yet manages to stay light and breezy. Features builds and fills, and different sections on snare and side stick, hi-hat and ride.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 177\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eSSPD 160 60s POP 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eClassic driving groove reminiscent of early Merseybeat bands. Fairly uptempo classic rock and roll groove with alternating double and single back beats on the snare and variations and toms. Moves between driving sloshy hi-hats and ride sections with fills and snare flicks. Also features overdubbed tambourine.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e160\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eSSPD 159 60s POP 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA classic mid to up tempo 60s 4\/4 pop groove. At 159 bpm this 4\/4 groove is on the faster side of mid tempo for the 1960s. It features a driving bass drum pattern that pushes through the bars, but yet is played relatively lightly so doesn't allow its tempo to make it sound overpowering. Starts with a brief Bossa Nova style introduction before moving to hi-hat for the verses and ride for the choruses and outro.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e159\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eSSPD 138 60s POP 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eVibey mid tempo driving rock and roll groove with cutting snare based on The Kinks ‘You Really Got Me’. A mid tempo driving groove with aggressive hi-hats and solid backbeats. With a selection of fills and sections on hi-hat and washy ride this motors along. Also has overdubbed tambourine with variations.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e138\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eSSPD 135 60s POP 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo rolling snare groove in a Scott Walker style. It has a repetitive almost Spanish feel to it. Frequently used by Scott Walker it provides plenty of pace and movement. Recorded with a selection of rolls, drags and buzz rolls and with sections at different dynamics.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 135\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eSSPD 134 60s SOUL 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA four on the floor 4\/4 groove based on Booker T's ‘Time Is Tight’. This is a fairly fast version of a light four on the floor groove that motors along without getting too heavy. Features a few different sections on hi-hat and ride with different intensities, fills and hits.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 134\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eSSPD 122 60s SOUL 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAn unusual soul \/ mambo groove with tom and syncopated side stick. Based on the Booker T track ‘Soul Dressing’, this 4\/4 groove has a vaguely Latin vibe to it utilising a double tom hit and side stick in place of a regular backbeat. Features different sections with fills in between, hits and a ride play out.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 122\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eSSPD 117 60s SOUL 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA driving mid tempo 4\/4 soul groove based on the Booker T's track ‘Red Beans and Rice’. With a groovy skipping ride theme and a very driving hi-hat section. Also features fills and hits section with crashes.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 117\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eSSPD 116 60s POP 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3\/4 swung light shuffle groove based on Dusty Springfield's ‘Just A Little Lovin’’, with interesting backbeat placement that gives it a half time vibe. Useful and not too heavy it also features fills between sections and a chorus vibe that has a more predominantly three feel and is played on the ride.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 116\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eSSPD 110 60s POP 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBased on Dusty Springfield's ‘Wishin' and Hopin’' this brush groove contains flicks and fills that give it quite a lot of pace and texture at a relatively slow tempo. Has stops and a double time bridge section which motors along with the help of overdubbed shakers and tambourine.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eSSPD 108 60s SOUL 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA 4\/4 Memphis 60s soul groove along the lines of Booker T and the MGs track ‘Hip Hug Her’ with cutting snare back beat, syncopated bass drum and driving 1\/8th note hi-hat. Groove builds through different sections with fills, stops and variations and goes to a ride play out section at the end.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e108\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eSSPD 95 60s POP 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLatin \/ pop groove played with brushes and based on Dusty Springfield's ‘The Look of Love’. A slow to mid tempo 4\/4 sexy Latin tinged groove played initially with brushes, before switching to side stick and then sticks and a straighter feel for the choruses. Contains a few dynamic sections and fills and the odd 2\/4 bar. Also has an overdubbed guiro part.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e95\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eSSPD 83 60s POP 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBased on Serge Gainsbourg's ‘Je t’aime Moi Non Plus’, this laid back lounge groove borders on funky and features hi hat and ride sections with lots of fills and variations. The fills are busy and prominent yet skip along in a swung and jazzy vein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 83\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974872739972,"sku":"DDA2613SPMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974872772740,"sku":"DDA2613SPSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974872838276,"sku":"DDA2613SPLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-15.php.jpg?v=1585225189"},{"product_id":"tony-allens-afro-drops","title":"Tony Allen's Afro Drops","description":"\u003cp count=\"1\"\u003eAfro Drops is the first sample pack to be released anywhere from the legendary Tony Allen. Tony is renowned for providing the drum parts to the Afrobeat genre created by Fela Kuti. With this sample album we bring you twenty three drum tracks of Afrobeat magic. The rhythms are complex but sound effortless. All of the tracks are about five minutes long and contain plenty of intricate fills and grooves played expertly by Tony. Most of the tracks come with percussion. Ranging in tempo from 82 bpm to 164 there are Afrobeat grooves spanning Tony’s 50 year career including a few grooves inspired by tracks he produced with Damon Albarn.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eTony Allen revolutionised the musical landscape of an entire continent influencing the course of Western pop music. Born in Lagos in 1940 Tony never took up traditional African percussion. Listening to the recordings of the great American bebop drummers Art Blakey and Max Roach, he invented a technique that he gradually refined by honing his command of the cymbals, in particular the hi-hat, little used by African drummers – and the tom-toms. When he met up with Fela Kuti in the 1960s they collaborated first in the renowned highlife-jazz band, Koola Lobitos before setting the world on fire with Kuti’s Afrobeat.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eRecorded on Tony’s trusty Pearl Masters Premium Studio kit with a Pearl Masters snare and a Tony Allen custom snare and close mic’d, the kit is the sound of Tony Allen. All the drum tracks change through different musical sections offering a range of dynamics and fills...all ready for you to use as is, or to easily edit into your own arrangement.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eTony Allen’s Afrodrops was recorded at Studio 13 in London. A studio where Tony has frequently recorded. It is a Neve VR studio with a good sized live room that provides a great tight drum sound. The drum tracks were recorded and mixed by engineer Stephen Sedgwick who has worked with Tony many times on projects including The Good The Bad The Queen, Rocket Juice and the Moon and Dr Dee.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eAll twenty three tracks can be purchased multi-tracks (unmixed), stems (mixed), drum loop packs or MP3 practice tracks. The Multi-tracks which are around 2 gig each in size come as full length live multi-tracks and song construction loops. These packs include a tempo map and OMF file to export into other DAW. We also provide templates for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, groove, groove fills and Outro.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eThe Stems and mix packs which have all the separate drum mics, percussion and reverb as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"7\"\u003eThe loop packs contain a folder of grooves and a folder of fills. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c5130ecb2a1f05b8b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eTAAD 164 AFROBEAT 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDouble-time Afrobeat groove with straight hat and ride sections and tom fills. Reminiscent of ‘Boat Journey’ by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 164\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eTAAD 150 AFROBEAT 23\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUnusual straight kick and snare groove in 6\/4 with tom fill sections.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 150\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eTAAD 120 AFROBEAT 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast version of funky Afrobeat pattern with rolling snare pattern, occasional tom fills and rolling conga percussion. Reminiscent of ‘Shakara’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 120\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eTAAD 117 AFROBEAT 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eJazzy mid-tempo Afrobeat groove with tom fills, swung hat and ride sections and features a hi-hat breakdown section and conga percussion. Reminiscent of ‘Eparapo’ by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 117\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eTAAD 115 AFROBEAT 22\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSimple mid-tempo groove with occasional tom fills and alternating ride section and funky conga pattern. An original Tony Allen Composition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 115\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eTAAD 115 AFROBEAT 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid tempo funky Afrobeat groove with tom fills and building ride cymbal sections and also incorporates a double-time kick and snare section and conga percussion. Reminiscent of ‘African Man’ by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e115\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eTAAD 112 AFROBEAT 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow version of funky Afrobeat pattern with rolling snare pattern, occasional tom fills and rolling conga percussion. Reminiscent of ‘Shakara’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e112\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eTAAD 110 AFROBEAT 19\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid-tempo bouncy Afrobeat triplet groove with straight hi-hat pattern, tom fills, ride sections and congas. Reminiscent of ‘Aye Le’ by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eTAAD 110 AFROBEAT 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast funky Afrobeat groove with driving kick and snare and busy hi-hat pattern, with ride groove sections, a double snare hit on the first beat of the bar and conga percussion. Reminiscent of ‘Night Watch’ by Rocket Juice \u0026amp; The Moon.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eTAAD 110 AFROBEAT 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast version of light funky groove with a rolling snare pattern and occasional fills, syncopated wood block, rolling conga percussion and percussive hand-drum pattern. Reminiscent of ‘Lady’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eTAAD 110 AFROBEAT 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast version of funky Afrobeat Groove with the snare hitting the first beat of the bar with occasional fills, conga percussion and straight shaker. Reminiscent of ‘Alagbon Close’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eTAAD 108 AFROBEAT 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUnusual groove with simple intro, followed by a busy tom, snare and sidestick pattern, alternating tom patterns and conga percussion. Reminiscent of ‘Follow-Fashion’ by Rocket Juice \u0026amp; The Moon.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 108\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eTAAD 105 AFROBEAT 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast rolling funky Afrobeat break with tight snare sound, occasional fills and simple electronic conga, real conga and electronic shaker percussion. Reminiscent of ‘Opposite People’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 105\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eTAAD 102 AFROBEAT 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStraight Afrobeat groove with hi-hat and building ride cymbal sections. Reminiscent of ‘Koko Dance’ by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e102\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eTAAD 100 AFROBEAT 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow version of light funky groove with a rolling snare pattern and occasional fills, syncopated wood block and percussive hand-drum and rolling conga pattern. Reminiscent of ‘Lady’ by Fela Kuti.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eTAAD 100 AFROBEAT 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow version of funky Afrobeat Groove with the snare hitting the first beat of the bar with occasional fills, conga percussion, straight shaker and Wurlitzer drum machine. Reminiscent of ‘Alagbon Close’ by Fela Kuti\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eTAAD 98 AFROBEAT 12\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLaid back Afrobeat groove with funky snare pattern, tom fills, swinging hi-hat, alternating ride sections and conga percussion. Reminiscent of ‘Celebrate’ by Tony Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 98\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e18: \u003cb\u003eTAAD 95 AFROBEAT 07\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlower Afrobeat groove with double snare hit on the first beat of the bar, swinging hi-hat, occasional tom fills, syncopated hand-drum, loose conga and wood block. Reminiscent of “Secret Agent” by Tony Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 95\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e19: \u003cb\u003eTAAD 90 AFROBEAT 20\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow and loose jazzy hip-hop groove with accented snares, occasional tom fills and pulsing conga percussion. An original Tony Allen composition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 90\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e20: \u003cb\u003eTAAD 90 AFROBEAT 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLaid-back groove with rolling snare pattern with straight hi-hat, tom breakdown section, outro ride section and congas. Reminiscent of “Go back” by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 90\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e21: \u003cb\u003eTAAD 85 AFROBEAT 21\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLoose and laid-back Afrobeat triplet groove with swinging hi-hat and ride sections, tom fills and conga percussion. An original Tony Allen composition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 85\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e22: \u003cb\u003eTAAD 85 AFROBEAT 18\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow and simple straight groove with tom fills, occasional ride section fills and conga percussion. Reminiscent of “Poison” by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e85\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e23: \u003cb\u003eTAAD 82 AFROBEAT 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSlow, loose hip-hop type groove with tom fills, alternating ride sections and conga percussion. Reminiscent of “Every Season” by Tony Allen.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e82\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974910587012,"sku":"DDA3612TAMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974910619780,"sku":"DDA3612TASM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974910652548,"sku":"DDA3612TALP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-16.php.jpg?v=1585225348"},{"product_id":"its-a-jazz-thing","title":"It's A Jazz Thing","description":"\u003cp count=\"1\"\u003eIt’s A Jazz Thing contains 41 jazz drum tracks exploring iconic grooves within jazz music. Tempos range from 60 bpm to 360 bpm. It encompasses basic swing patterns on both brushes and sticks at various tempos and covers a wide range of styles from early swing and big band drumming through Bebop, Cool Jazz, Hardbop, Latin Jazz and it’s more contemporary applications.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eClose attention to detail was essential in creating each drum track so that they replicate the original recordings as accurately as possible. The drums and cymbals were selected and tuned accordingly whilst the touch and feel are clearly captured.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eSome of the drummers that inspired this collection include Gene Krupa, Buddy Rich, Sonny Payne, Philly Joe Jones, Max Roach, Art Blakey, Irv Cottler, Art Taylor, Joe Morello, Vernel Fournier, Elvin Jones, Tony Williams, Mel Lewis, Steve Gadd, Jimmy Cobb and Jeff ‘Tain’ Watts to name a few.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eAll drum tracks were played by David Dyson who frequently plays at Ronnie Scotts amongst others. We used two variations of David’s Japanese Sakae Trilogy kit. These kits are lightweight and a perfect kit for classic Jazz tones of the 50’s. The first kit was a 5 piece kit with a larger kick drum and low tuned drums providing a more muffled Big Band sound. The second variation was a typical 4 piece BeBop variation which was tuned higher providing more open resonant tones.\u003c\/p\u003e\n\u003cp count=\"5\"\u003eThe kits were recorded at Livingston Studio 1 using the brighter live room. The tracks were produced and mixed by Matt Lawrence.\u003c\/p\u003e\n\u003cp count=\"6\"\u003e“As many of you will know, a commonly tried-and-trusted mic’ing approach to a Jazz kit is, “less is more”. There is often little need for anything more than three or four mics, either employing the Glyn Johns method, or a mono overhead with a spot mic on the kick to help with low end power and snare mic to help with definition of the delicate grace notes.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eWith a well balanced and properly tuned drum kit, and a great drummer who plays evenly over the whole kit, the sound should be already balanced there in the room - just capture that!\u003c\/p\u003e\n\u003cp count=\"8\"\u003eAmongst the hefty list of mics I used, the 3 mic sound is there and available to all who wish to use the multi-tracks to achieve it. I wanted to give more options and to cover bases; whilst some of these really authentic sounding loops work in isolation, I would like you to have the option of moulding them to fit your song - this might involve a little embellishment or focus when in the mix with other instruments. I also wanted to give a few room mics to give you some crazy options and ambience to go nuts with!\u003c\/p\u003e\n\u003cp count=\"9\"\u003eIt’s worth also noting that the biggest choice we made first was where to place the kit in the studio, we tried it in a few places and in both of the main rooms at Livingston, recorded (3 mics) in each, then listened back to the results (without knowing which was which) - David and I both had the same first choice so that was an easy decision.”\u003c\/p\u003e\n\u003cp count=\"10\"\u003eFor the Mixes we provide some tracks with close mic variations and some with no close mics (such as hi-hat and toms) to offer a more traditional jazz sounding kit.\u003c\/p\u003e\n\u003cp count=\"11\"\u003eWe recorded most of the drum tracks on to a Studer 2” tape machine using a 16- track head-block for a nice analogue phat sound. The drum tracks with brushes were recorded straight to Pro Tools to reduce any tape noise.\u003c\/p\u003e\n\u003cp count=\"12\"\u003eAll fourty one drum tracks can be purchased as multi-tracks (unmixed), stems (mixed), drum loop packs or MP3 practice tracks. (The drum loops are coming soon). The Multi-tracks come as full length live multi-tracks and locked song construction loops. The live multi-tracks include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live. The audio files come as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, chorus, verse, middle 8, Bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"13\"\u003eThe Stems and mix packs contain groups of the drums or individual drum tracks such as kick and snare as well as reverbs for quick and easy mix balancing and come as full length 24 bit WAVs. These live drum stems also come with a tempo map. The Stem and Mix packs also include the song construction loops (but mixed versions) which contain the locked to the beat song sections.\u003c\/p\u003e\n\u003cp count=\"14\"\u003eThe loop packs contain a folder of grooves and fills. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit and 16 bit WAVs, Apple Loops and Rex 2 Files.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c4448ecb2a10a548b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eDDJT 360 JAZZ 21\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBrush pattern at a breakneck speed on the snare drum mostly but with exciting and polyrhythmic fills at times.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 360\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eDDJT 360 JAZZ 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThis ride cymbal pattern is at breakneck speed with interspersed snare drum phrase hits that compliment the persistent ride cymbal, alla Tony Williams.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 360\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eDDJT 320 JAZZ 20\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA pulsating 4-feel with plenty of forward momentum. The bass is gradually introduced and the snare fills often syncopated. Brief moments are soloing around the set. The effects of rolling the brushes forward and backwards creates an exciting texture.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 320\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eDDJT 320 JAZZ 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe triplet cymbal beat is almost straight as a result of the fast tempo. The dialogue between the set is reminiscent of Philly Joe Jones. Separate hat and ride tracks on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 320\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eDDJT 292 JAZZ 34\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eJohn Coltrane \"Giant Steps\" Taken from Coltrane’s album ‘Giant Steps’ (1960). Art Taylor uptempo bebop swing features busy comping patterns between the snare and bass drum complimenting the pulsating ride cymbal pattern. It briefly starts on the hi hats but soon moves to the ride cymbal. This track is high energy with plenty of hits and rhythmic pushes. Separate hi hat and ride tracks on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 292\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eDDJT 280 JAZZ 19\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStandard brush pattern. A lively swing groove with a bebop vocabulary between the bass drum and hi-hat. Towards the end of the track the swing is played on the floor tom which gives a slightly deeper resonance.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e280\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eDDJT 280 JAZZ 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThis jazz ride cymbal pattern is played on all cymbals in this track. This isolation is ideal for looping sections. The fills are playful and the snare drum press rolls towards the ends are akin to the great Baby Dodds. Separate hat and ride track on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e280\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eDDJT 240 JAZZ 18\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStandard brush pattern. An up-tempo jazz swing with a punchy syncopated bass drum part. Tasteful fills on the snare gradually incorporate the toms and cymbals.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e240\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eDDJT 240 JAZZ 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStandard swing pattern. This starts with a bouncy hi-hat swing with fills, moving to the ride cymbal, 18” crash ride and china. The entire kit is used to full effect in this track including a tom tom flurry and almost backbeat groove towards the end. Separate hat and ride tracks on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 240\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eDDJT 220 JAZZ 40\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eChet Baker, Stan Getz \"I’ll remember April\". An alternating Latin jazz mambo influenced ride bell cascara including a snare cross stick and hi tom. Like the record there are passages of straight jazz ride cymbal swing. The comping is typical of bebop. Separate ride, floor, rim track on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 220\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eDDJT 220 JAZZ 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThis track experiments with all cymbals separately and has a jump jive feel to it. Ideal for uptempo swing dancing. Each part of the kit is gradually introduced and towards the ends there’s a hint of Gene Krupa’s Sing, Sing, Sing. Separate hat and ride tracks on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 220\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eDDJT 215 JAZZ 30\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eGene Krupa \"Sing Sing Sing\" - Benny Goodman's 1937 recording features Gene Krupa's pulsating tom-tom groove with alternating swinging open hi-hat passages with a snare backbeat. The opening floor Tom jungle pattern features short interspersed splash cymbal markers and flurried Tom Tom fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 215\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eDDJT 200 JAZZ 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA medium-up tempo swing played with brushes, a lively jump-jive feel but understated and delicate fills that compliment the mood and flow of the track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 200\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eDDJT 200 JAZZ 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA jazz ride cymbal pattern starting on the china cymbal moving to the ride in a shuffle feel. The comping between the bass drum and snare becomes busy and eventually ends with a tom tom jungle groove and a climatic fill. Seperate hat and ride tracks on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e200\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eDDJT 191 JAZZ 38\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAhmed Jamal \"Poinciana\". Vernel Fournier’s iconic swinging off-beat cymbal pattern incorporating the tom-tom drums at a quiet dynamic. The snares are off. It is a 2 bar pattern, the start of which is marked by a delicate bass drum stroke. The offbeat pattern becomes increasingly present and played on the ride bell with the tip of the stick. Separate snare, toms, ride and hi hat tracks on the multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e191\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eDDJT 190 JAZZ 35\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBill Evans \"Someday My Prince Will Come\". A gentle 3\/4 swing pattern on brushes to start gradually moving to sticks on the ride. The pattern emphasises the dotted crotchet pulse at times with the hi-hat on beat 2. At times the track contains many polyrhythmic fills. Separate ride and hi hat tracks in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e190\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eDDJT 180 JAZZ 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA jazz ride cymbal pattern starting on the china cymbal moving to the hi-hats with a blatant 2-feel with the snare drum on beats 2 \u0026amp; 4 accentuating the back-beat. Separate hat and ride track on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 180\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e18: \u003cb\u003eDDJT 176 JAZZ 33\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDave Brubeck \"Take Five\". Taken from one of the best selling jazz albums of all time, 'Time Out' (1959) by The Dave Brubeck Quartet. Joe Morello’s 5\/4 jazz groove is iconic. The grouping of the odd time signature is mostly divided in 3 and 2. The triplet comping between the snare and bass drum underneath the strong ride pattern is typical of bebop. Like on the record, this track features a short drum solo of stylistic ideas. Separate ride track in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 176\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e19: \u003cb\u003eDDJT 170 JAZZ 25\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThad Jones \/ Mel Lewis Orchestra “Groove Merchant” mid-tempo shuffle. The swing brushes shuffle begins on the snare then moves to open hi hats and ride cymbal. The driving triplet 4-feel features stylistic fills and builds. This really swings! Separate hat and ride tracks on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 170\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e20: \u003cb\u003eDDJT 160 JAZZ 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStandard brush pattern. A medium tempo jazz swing groove with the snare wires off to begin with. Hi-hats on 2 \u0026amp; 4 and the bass drum accenting to punctuate phrases. There are a few tom tom fills and syncopated cross-rhythmic ideas.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 160\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e21: \u003cb\u003eDDJT 160 JAZZ 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA 4-feel of the ride cymbal with a strong hi-hat on 2 and 4 played with the foot. In the middle of the track this switches to the hi-hats and then back to ride. There are a number of bebop fills perfect for phrase endings. Separate hat and ride track recorded on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 160\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e22: \u003cb\u003eDDJT 158 JAZZ 32\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eJoe Henderson \"Blue Bossa\" - A fusion of Hard Bop and Brazilian Bossa Nova. This is taken from the Joe Henderson album 'Page One', 1963. A swish brush stroke and cross stick clave against the obstinato samba bass drum. The groove then moves to closed hats and ride bell. Separate brush snare, hi hat and ride recorded on the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e158\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e23: \u003cb\u003eDDJT 150 JAZZ 28\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eNina Simone \"Sinnerman\". An interesting 1\/8th note closed hi-hat groove with plenty of accents. This builds into a momentous jazz swing pattern emphasing beats 2 and 4 with use of the Hi-Tom. The high tempo creates an electric sense of forward momentum.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e150\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e24: \u003cb\u003eDDJT 140 JAZZ 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStarts with a closed hi-hat and cross stick, gradually opening the hi-hat and introducing the bass drum. The groove then moves to the ride cymbal with bebop type comping between the bass drum and snare. Towards the middle of the track there’s a small solo moving to an Afro-Cuban 12\/8 Groove.. Separate hat and ride track recorded in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e140\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e25: \u003cb\u003eDDJT 137 JAZZ 36\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMiles Davis \"All Blues\". Jimmy Cobb inspired 6\/8 brush groove, later moving to the sticks. This can be felt in a 3\/4 time signature also. Clear stick definition and controlled intensity. The track is featured on the seminal album “Kind of Blue” 1959. Separate ride, hi hat and snare track recorded.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 137\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e26: \u003cb\u003eDDJT 128 JAZZ 41\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eArt Blakey \"Blues March\". Bebop style march and blues shuffle. Version from Moanin’ 1958 Art Blakey and The Jazz Messengers. Reminiscent of New Orleans Marching Bands. It's starts with a military snare statement moving to the ride cymbal and a shuffle in the left hand on the snare. The opening statement returns and the jazz ride pattern is played on the 18\" crash cymbal to imply accompaniment end of a new soloist. Separate snare, ride, and hi hat track recorded.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 128\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e26: \u003cb\u003eDDJT 121 JAZZ 24\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFrank Sinatra \"Fly Me To The Moon\". A typical big band swing groove with a strong quarter-note feel. It begins with brushes played on the floor tom. The classic jazz swing pattern is then played on the ride cymbal with crosstick on beat 4. The snare is gradually introduced and big band fills on the toms and cymbals. Separate ride track recorded.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 121\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e27: \u003cb\u003eDDJT 120 JAZZ 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA walking pace swing groove played with brushes on the snare starting with the snare wires off, the comping patterns are sometimes reminiscent of Steve Gadd. The snare wires are turned on mid-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 120\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e28: \u003cb\u003eDDJT 120 JAZZ 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA basic jazz swing groove on sticks which starts on the Hi-Hats in a 2-feel. It moves to the ride cymbal with cross stick on beat 4 gradually adding the snare for rhythmic variety. The 20” riveted china cymbal is also introduced. Separate hat and ride track recorded as well.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 120\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e29: \u003cb\u003eDDJT 118 JAZZ 27\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eNina Simone \"My Baby Just Cares For Me\". A medium tempo shuffle on brushes, the stepped hi-hat and cross stick mark the back beats. The swing then moves to the ride cymbal, still played with brushes firstly, then later with sticks to build the dynamic. This soul jazz groove is very adaptable. Separate hat and ride track recorded.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e118\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e30: \u003cb\u003eDDJT 112 JAZZ 23\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFrank Sinatra \"New York\". A knees-up big band swinging pattern utilising the drums and cymbals to full effect. It begins with open hi-hats and kicks on the crash and rivete 20\" china cymbal, moving to steady hi hat swing with cross-sticks and subsequently triplet based ride cymbal swing with snare on beats 2 \u0026amp; 4. The track ends with hits similar to the beginning.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e112\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e31: \u003cb\u003eDDJT 110 JAZZ 29\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSteve Gadd \"Back At The Chicken Shack\" - A slow blues shuffle with occasional fills. It starts on the hi-hat and snare with a 2 feel and syncopated bass drum. The hi hats gradually open and the groove moves to the ride and china cymbals. Some interesting semiquaver fills juxtaposed in this triplet shuffle. Separate hi hat and ride parts in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e32: \u003cb\u003eDDJT 100 JAZZ 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStarting on the tightly closed hi-hat, the jazz swing pattern soon switches to the ride cymbal and 18” crash cymbal with stepped hi-hat on 2 and 4. The bass then plays 4 to the floor with the hi-tom punctuating the end of each bar. This track isolates the basic 2-feel and 4-feel with minimal fills. Separate hat and ride track available on multi-track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e33: \u003cb\u003eDDJT 98 JAZZ 37\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eWynton Marsalis \"Caravan\". A raw New Orleans inspired broken pattern as played by Jeff \"Tain\" Watts on \"Standard Time, Vol. 1\", (1987). A blend of swing and straight, the groove focuses around the ride and snare rolls. Seperate snare, hi hat and ride track also recorded.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 98\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e34: \u003cb\u003eDDJT 80 JAZZ 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA smooth triplet feel brush pattern on the snare drum in a 2-feel. Occasional accents and hints of a backbeat on 2 and 4 at times.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e35: \u003cb\u003eDDJT 80 JAZZ 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA walking ballad tempo played on sticks with a strong triplet feel. The true tone of the cymbals can be heard. Mid-way through the track a 12\/8 backbeat groove is played on the Hi-Hat then the Ride.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e36: \u003cb\u003eDDJT 78 JAZZ 26\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eNina Simone \"Feeling Good\". A slow walking pace groove starting on the open Hi-Hat with a strong back-beat moving to the ride cymbal. An underlying 12\/8 feel throughout. A solid pattern with triplet fills on the toms. Snare tuned down. Separate additional hi-hat track recorded in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 78\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e37: \u003cb\u003eDDJT 77 JAZZ 31\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBuble \"Feeling Good\". An epic 12\/8 feel big band groove. The triplet quaver is relentless with a cross stick on the snare to begin with, later adding the snare with occasional skip beats. The hi hats gradually open building to the ride and snare with stylistic fills. Separate Ride and Hi-Hat tracks recorded in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e77\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e38: \u003cb\u003eDDJT 76 JAZZ 22\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFrank Sinatra \"My Way\". A straight eighth-note backbeat groove starting on the hi-hat and side-stick, moving to the ride cymbal and full snare drum. There are occasional 1\/16th note decorations on the cymbals. Simple fills around the drum kit accentuate the transitions.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e76\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e39: \u003cb\u003eDDJT 66 JAZZ 39\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eLouis Armstrong \"Summertime\". A slow ballad played on brushes with occasional subtle decorations to mark phrases. The brush strokes gloss over the snare in a sideways motion to create a smooth gentle texture. Separate ride and snare track recorded in the multi-tracks.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e66\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e40: \u003cb\u003eDDJT 60 JAZZ 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eStandard brush pattern. A slow triplet based ballad on the snare drum. The swish brush strokes create a smooth texture, the hi-hat cymbal accentuates beats 2 \u0026amp; 4. Some experimental sounds are created using the back of the brush on the bell of the ride cymbal.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 60\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":32974952824964,"sku":"DDA7415JTMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":32974952857732,"sku":"DDA7415JTSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":32974952890500,"sku":"DDA7415JTLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/timthumb-17.php.jpg?v=1606390931"},{"product_id":"graham-fox-brush-kit","title":"Graham Fox Brush Kit","description":"\u003cp\u003eOriginally recorded in 2010 by Mike Pelanconi at the Ironworks Studios, DrumDrops are proud and delighted to announce the release if Brush Kit from the legendary UK Jazz sessionist Graham Fox . With tempos ranging from 85 -220 bpm this huge collection of multitrack and loops covers a wide variety of brush styles from dixieland, to cool jazz to rockabilly.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGrahams’ mid 60s Gretch 4 piece kit kit with Zildjian cymbals was beautifully captured my Mike using vintage AKG and Neumann microphones through the Ironworks \u003c\/span\u003e\u003cspan\u003erare vintage BBC Tweed console, outboard included a Lang PEQ-2 EQ, Langevin EQ258A EQ, and a Chiswick Reach stereo valve compressor.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWe have truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill pack, We truly believe these beats will add that extra special authentic edge to your productions.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cwidgetic-embed id=\"5e8de488ecb2a132548b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cb\u003eAbout Graham Fox\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eGraham Fox was a professional jazz and session drummer who recorded with major labels such as EMI, Universal, Atlantic\/Motown and Ubiquity. He worked with the likes of Graham Coxon (Blur), U.N.K.L.E and Bonobo but never left his jazz roots behind, recording with the Puppini Sisters, The Filthy Six and extensively with Nostalgia 77. His groove, feel and attention to detail was universally appreciated.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eGraham’s untimely death in 2011 cut short his blossoming career, but his musical voice lives on through his numerous recordings and continues to inspire creativity through these loops and samples.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout Mike Pelanconi \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMike Pelanconi, better known under his record name Prince Fatty, is a British sound engineer and record producer. He has worked with a diverse repertoire of artists and producers from Acid Jazz and Delicious Vinyl to Lily Allen, Manu Chao and Graham Coxon (Blur). His reggae work with veteran artists including Gregory Isaacs, Dub Syndicate, Big Youth and Alcapone has brought him world wide recognition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMike has released three solo albums under Prince Fatty banner and produced highly acclaimed albums for Hollie Cook, the Little Roy Battle For Seattle album of Nirvana reggae covers and London band The Skints. A fanatical sound man with a huge collection of reggae records and expert in vintage recording techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":33127185514628,"sku":"DDA7515GFMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":33127185547396,"sku":"DDA7515GFLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/GrahamFox.jpg?v=1690278831"},{"product_id":"cj-evans-pocket-funk-grooves-vol-2","title":"CJ Evans Pocket Funk Vol 2","description":"\u003cp\u003e\u003cspan\u003eCJ Evans is a professional freelance drummer\/percussionist from south-east London who has extensively recorded, gigged and toured across the UK, Europe, Russia, and USA performing at prestigious venues and arenas alongside the likes of Deep Purple, Status Quo, Daughtry, Three Doors Down, LifeHouse, BuckCherry, Flyleaf, Justin Hawkins (The Darkness), Paul Weller, Shinedown, Grouplove, Young Guns, Portishead, John Newman, Bombay Bicycle Club and AWOLNATION.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCJ has also played on renowned festival stages including Rock AM Ring, Sonisphere, Download, Rock En Seine, LoveBox, Radio 1 Big Weekend, Citadel, Secret Garden Party, Isle Of Wight, British Summer Time, Wireless, V Festival and Summerfest to name but a few.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8de1e5ecb2a1c1528b456c\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn the success of his last release DrumDrops are proud and delighted to announce the release of Pocket Funk Vol 2 from session drummer extraordinaire CJ Evans. With tempos ranging from 77-123bpm CJ takes inspiration from many of the beats that have influenced him and countless others. Influences in these killer grooves from the pocket king \u003cspan\u003eNate Smith\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eto Robert Searight of Snarky Puppy, James Gadson Of Bill Withers, Chris Dave of D’Angelo, Clyde Stubblefeild of James Brown and Steve Jordan of John Mayer fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCJ comments,” when recording we would cover a range of tempos and feels and based upon the reference track, then I would do an interpretation of that groove. Sticking to kick, snare, hats kinda beat mainly, marking any section changes with a fill or a move to ride cymbal for a different dynamic. We then added some percussion tracks for texture and that extra FUNK!! This included bongos, congas, cowbell and tambourine”\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe 100% royalty free Live Beats \u0026amp; Breaks packs consists of a huge 1.66gb of data giving a total of 680 stunning Wav loops (along with single hits of each kit piece), these meticulously recorded 44.1k \/24 bit at Londons legendary Livingston Studios.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCJ’s Tama drums along with his Sabian Cymbals were recorded thorough Livingstons CS75 Powered by Neve desk utilising its onboard 1073 preamps, each nuance captured by a selection of mic’s from mic’s by Neumann, Royer, AKG, Shure and Sennheiser. We truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill loop pack, we truly believe these beats will add that extra special edge to your productions.\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Loops and Hits Pack","offer_id":33127624016004,"sku":"DDA8496CJ2LH","price":19.95,"currency_code":"GBP","in_stock":true},{"title":"Multitrack Sessions","offer_id":33127811317892,"sku":"DDA8496CJ2RMS","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/CJ2.jpg?v=1690293267"},{"product_id":"cj-evans-pocket-funk-grooves-vol-1","title":"CJ Evans Pocket Funk Vol 1","description":"\u003cp\u003eDrumDrops are proud and delighted to announce the release of Pocket Funk from session drummer extraordinaire CJ Evans. With tempos ranging from 62-123bpm CJ takes inspiration from many of the beats that have influenced him and countless others. Influences in these killer grooves from the pocket king \u003cspan\u003eNate Smith\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eto Robert Searight of Snarky Puppy, James Gadson Of Bill Withers, Chris Dave of D’Angelo, Clyde Stubblefeild of James Brown and Steve Jordan of John Mayer fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCJ comments,” when recording we would cover a range of tempos and feels and based upon the reference track, then I would do an interpretation of that groove. Sticking to kick, snare, hats kinda beat mainly, marking any section changes with a fill or a move to ride cymbal for a different dynamic. We then added some percussion tracks for texture and that extra FUNK!! This included bongos, congas, cowbell and tambourine”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe 100% royalty free Live Beats \u0026amp; Breaks packs consists of a huge 1.2gb of data giving a total of 473 stunning Wav loops (along with single hits of each kit piece), these meticulously recorded 44.1k \/24 bit at Londons legendary Livingston Studios.\u003c\/p\u003e\n\u003cp\u003eCJ’s Tama drums along with his Sabian Cymbals were recorded thorough Livingston's CS75 Powered by Neve desk utilising its onboard 1073 preamps, each nuance captured by a selection of mic’s from mic’s by Neumann, Royer, AKG, Shure and Sennheiser. We truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill loop pack, we truly believe these beats will add that extra special edge to your productions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8de308ecb2a18a538b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCJ Evans is a professional freelance drummer\/percussionist from south-east London who has extensively recorded, gigged and toured across the UK, Europe, Russia, and USA performing at prestigious venues and arenas alongside the likes of Deep Purple, Status Quo, Daughtry, Three Doors Down, LifeHouse, BuckCherry, Flyleaf, Justin Hawkins (The Darkness), Paul Weller, Shinedown, Grouplove, Young Guns, Portishead, John Newman, Bombay Bicycle Club and AWOLNATION.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCJ has also played on renowned festival stages including Rock AM Ring, Sonisphere, Download, Rock En Seine, LoveBox, Radio 1 Big Weekend, Citadel, Secret Garden Party, Isle Of Wight, British Summer Time, Wireless, V Festival and Summerfest to name but a few.\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Loops and Hits Pack","offer_id":33128512258180,"sku":"DDA8261CJ1LH","price":19.95,"currency_code":"GBP","in_stock":true},{"title":"Multitrack Sessions","offer_id":33486531625092,"sku":"DDA8261CJ1MS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/CJ1.jpg?v=1690293251"},{"product_id":"adam-betts-live-beats-breaks-vol-2","title":"Adam Betts Beats \u0026 Breaks 2","description":"\u003cp\u003eWhether in his own music as Colossal Squid, or playing for Goldie, Squarepusher, the Heritage Orchestra, Jarvis Cocker, Three Trapped Tigers and Pete Tong to name a few, Adam Betts is about fusing the old and the new - the sound and focus looking to the future with a love for the groove and humanity of the great music of the past. This runs through Betts’s playing, and it’s this that this drum pack is all about.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8de166ecb2a19c528b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDrumDrops are proud and delighted to announce the next instalment of the Live Beats and Breaks series from drummer extraordinaire Adam Betts. With tempos ranging from 103-174bpm Adam takes us on an incredible rhythmic journey taking inspiration from grooves form the original groove masters such as The Meters, Bernard Purdie, Bobby Byrd, Fela Kuti and Harvey Mason. Adam then takes these classic crate digging influences right up to date with a collection of stunning high tempo high octane loops designed to bring your tracks to life. With almost 700 loops in this collection there is a wealth of inspiration to be found.\u003c\/p\u003e\n\u003cp\u003eAdam’s Tama, Ludwig, Pearl and Noonan drums along with his Sabian Cymbals were recorded thorough Livingstons CS75 Powered by Neve desk utilising its onboard 1073 preamps, each nuance captured by a selection of mic’s from mic’s by Neumann, Royer, AKG, Shure and Sennheiser. We truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill loop pack, we truly believe these beats will add that extra special edge to your productions.\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Loops and Hits Pack","offer_id":33128661549188,"sku":"DDA8521AB2LH","price":19.95,"currency_code":"GBP","in_stock":true},{"title":"Multitrack Sessions (5 Packs)","offer_id":33128661581956,"sku":"DDA8521AB2RMS","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/AdamBetts2.jpg?v=1690293304"},{"product_id":"adam-betts-live-beats-breaks-vol-1","title":"Adam Betts Beats \u0026 Breaks 1","description":"\u003cp\u003eWhether in his own music as Colossal Squid, or playing for Goldie, Squarepusher, the Heritage Orchestra, Jarvis Cocker, Three Trapped Tigers and Pete Tong to name a few, Adam Betts is about fusing the old and the new - the sound and focus looking to the future with a love for the groove and humanity of the great music of the past. This runs through Betts’s playing, and it’s this that this drum pack is all about.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8de057ecb2a1f7518b456a\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDrumDrops are proud and delighted to announce Live Beats and Breaks from drummer extraordinaire Adam Betts. With tempos ranging from 95-170bpm Adam takes inspiration from many of the beats that have influenced him and countless others. From Jb’s Jabo Starks to the Amen, from Soul Pride to When the Levee Breaks, Vitamin C to the Funky Mule right up to KJ Sawka inspired rhythms.\u003c\/p\u003e\n\u003cp\u003eThe 100% royalty free Live Beats \u0026amp; Breaks packs consists of 821 Meg of date giving a total of 423 stunning Wav loops (along with single hits of each kit piece), these meticulously recorded 44.1k \/24 bit at Londons legendary Livingston Studios.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdam’s Tama, Ludwig, Pearl and Noonan drums along with his Sabian Cymbals were recorded thorough Livingstons CS75 Powered by Neve desk utilising its onboard 1073 preamps, each nuance captured by a selection of mic’s from mic’s by Neumann, Royer, AKG, Shure and Sennheiser. We truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill loop pack, we truly believe these beats will add that extra special edge to your productions.\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Loops and Hits Pack","offer_id":33128736161924,"sku":"DDA8361AB1LH","price":15.0,"currency_code":"GBP","in_stock":true},{"title":"Multitrack Sessions","offer_id":33128736194692,"sku":"DDA8361AB1MS","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/AdamBetts1.jpg?v=1690293285"},{"product_id":"now-thats-what-i-call-80s-drums","title":"Now That's What I Call 80s Drums","description":"\u003cp count=\"1\"\u003eThere are many iconic events of the 80s that have gone down in history and many that we’re happy to forget about, but if there’s one thing that stands out the most, it’s the music. Whether you liked it or not, this synth-fuelled, gloriously glam decade played host to a multitude of new music styles, with developments in pop, dance and new wave, having emerged from the Punk era of the late 70s.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eThe 80s was the era of the superstar. Thanks to the launch of MTV in 1981 and the rise of music video culture, bands and artists were able to reach new heights of fame and stardom than ever before. This decade saw superstars such as Madonna and Whitney Houston’s careers begin, whilst Prince continued to have huge influence in the USA and UK. Meanwhile in the UK, The New Romantics genre erupted on the scene with bands like Duran Duran, Spandau Ballet, Culture Club and Adam \u0026amp; The Ants at the forefront.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eSo as a homage to this iconic era, Drumdrops has collated the ultimate in 80s style to bring you ‘Now That's What I call 80's Drums’. Featuring twenty classic 80s Pop drum tracks from the decade, ranging from 71BPM to 179BPM, this is the essential collection. Taking influences from some of the most memorable acts of the 80s, the album nods towards drum grooves synonymous with the styles of George Michael, De La Soul, Soul to Soul, Happy Mondays, Michael Jackson and Depeche Mode, to name a few.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eThe incredible drumming skills of Steve Sidelnyk (Madonna, Annie Lennox, Massive Attack), who began his career in the 80s, were used to record this album, taking advantage of his huge wealth of experience in this field, and engineering \/ producing the album was the hugely experienced Brit award winning Chris Potter (The Verve, U2). Recording took place at Miloco’s Sofa Sound studios in West London, owned by the legendary engineer and producer Hugh Padgham (The Police, Genesis, Phil Collins).\u003c\/p\u003e\n\u003cp count=\"5\"\u003eBased around an SSL E-Series console and complemented with a rack of vintage Neve 1081s and 1064s, they were able to record a truly authentic 80s Pop Drum sound in the studio. All of the drum tracks were recorded to 2\" 24 track tape on a Studer A800 tape machine, while the live room added a perfectly controlled drum sound.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eNow for the main event you’ve all been waiting for – drum roll please…the kit! A DW Collector Series was used for this recording; a classic kit, perfect for the job. On the snare drum front, a Ludwig Black Beauty, Ludwig Coliseum and a DW Craviotto were used. The kit was setup and delivered by the London Based Drumhire. The kit was fitted with Evans drum heads, and nineteen microphones were used to record the kit, ensuring the best sound possible – just have a listen for yourself! Recently we had also dropped in some classic 80s electronic drum samples into some of the tracks. Now you will find 808 samples, D-Drum Samples, Simmons and Linn Drums.\u003c\/p\u003e\n\u003cp count=\"7\"\u003eHeard all you need to hear? Then there’s only one thing left to do; get this album in your sample collection!\u003c\/p\u003e\n\u003cp count=\"9\"\u003eThe Multi-tracks (which contain up to 19 mic positions and the electronic drums) come as full length live multi-tracks and multi-track song construction loops. The Live multi-tracks include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"10\"\u003eThe Stems and mix packs which have all the separate drum mics, percussion, electronic drums and reverb as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"11\"\u003eThe loop packs contain live 4 bar loops in each component stem and a folder of groove and fill loops which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003cp count=\"12\"\u003e \u003c\/p\u003e\n\u003cp count=\"14\"\u003eNow That's What I call 80's Drums – the essential addition to your drum library.\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8c460becb2a101558b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp count=\"1\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eNTCD 179 80S POP 20\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eCocteau Twins 3\/4 beats that leave plenty of room for drama and progressing and building with the ride cymbal. Tambourine added and a bigger sound and roominess to the haunting nature of this rhythm.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 179\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eNTCD 141 80S POP 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eJoy Division groove that has plenty of space and quirkiness and very minimal and industrial. A smaller sound to the kit and very simple fills between the snare and the toms maintaining an overall naivety to the whole performance.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 141\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eNTCD 135 80S POP 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAha-inspired pop-tastic uptempo beats with some nifty tom action. Small, dry and tight sounds with some direct fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 135\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e4: \u003cb\u003eNTCD 130 80S POP 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDepeche Mode type tom-tom shuffle groove that has plenty of movement and fills for those stadium moments. Ever evolving with lots of grace notes on the snare drum and some very tribal tom fills. A BIG sound!\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 130\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eNTCD 123 80S POP 22\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBring on the groove! Minimal beat that just keeps on moving with some subtle addition and building all the time. A deeper snare drum sound and sections that go into four on the floor Duran Duran-esque and very machine gun-like snare drum fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 123\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eNTCD 122 80S POP 21\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDeveloping very usable dance beat which breaks out into a four-to-the-floor stomper. A very dry small kit sound with a nice full bass drum sound and eighth note hi-hats. Progressing into some lovely tom builds and accents and lots of snare fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e122\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eNTCD 121 80S POP 23\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUptempo disco classic with hints of A Certain Ratio and off-beat action on the hats and ride. Open sound and a deeper snare drum used in this track. Moving on to offbeat ride cymbal and then back to then a busier hat pattern.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e121\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eNTCD 115 80S POP 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e‘Billie Jean’ sound and beat with a little grace note action to spice things up a bit progressing into a more of a ‘Let’s Dance’ type of feel. A more open sound with lots of open hat action and starting off with eighth note hats and more bass drum and snare accents.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e115\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"BodyA\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eNTCD 114 80S POP 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid-tempo beats with simple progression and pop sensibilities. The addition of a very small tight tambourine and some snappy snare and hat with usable fills and accents.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 114\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e10: \u003cb\u003eNTCD 114 80S POP 05\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eOff-beat hi-hat simple disco\/dance groove with tight sound and a De La Soul feel. Could be Dee-Lite with a touch of A Certain Ratio and a very dry tight sound and feel.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 114\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eNTCD 113 80S POP 14\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDiscotheque-type 16s Hi-Hat groove with minimal Bass Drum and Snare action but building all the way. A more open sound and feel and then a more syncopated feel in certain sections.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 113\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eNTCD 112 80S POP 16\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eEarly Happy Mondays-type groove with some skippy snare and funky fills to keep things moving. Tambourine and a very small compressed sound on the overall mix with some ever progressing bass drum and snare action and moving to the ride cymbal for a section too.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 112\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eNTCD 111 80S POP 10\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e‘Rock With You’ inspired beat with development in the bass drum department and starting off with an eights but moving to a sixteen feel hi-hats. Lots of accents and minimal fills make this a very usable track with a slightly more open sound on the drum-kit. Shaker also included.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 111\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e14: \u003cb\u003eNTCD 109 80S POP 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eIko IKo inspired beats with plenty of tom tom action and percussion thrown in to make it a tribal celebration of rhythm. Playing the rims of the toms on this one and tambourine action thrown in with the addition of an extra snare to give it that Creatures a la Budgie \/ Adam Ant type of feeling.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e109\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e15: \u003cb\u003eNTCD 106 80S POP 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eGroove Groove Groove with an early hip-hop inspired feel with pop sensibilities and changing bass drum pattern and fills galore! Again a drier tighter sound on the kit and an evolving bass drum and snare pattern with grace notes and gradually getting simpler and more direct.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e106\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e16: \u003cb\u003eNTCD 104 80S POP 17\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eDe La Soul-type groove with a twist and nice snare on the and of the bar and building changing the accents but maintaining the feel. Good groove to use underneath a heavier backbeat and claps maybe.Tambourine added too and getting busier with a more military feel at the end.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e104\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e17: \u003cb\u003eNTCD 95 80S POP 15\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eSoul II Soul groove with minimal swing and some signature ‘Back to Life’ fills. Tambourine included and progressing from an eighth note feel to a sixteens pattern on the hi-hat with a dry but rich sound to the whole performance. Ride cymbal added for a section to help spice things up.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 95\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e18: \u003cb\u003eNTCD 90 80S POP 19\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eNYC in the house! And some early hip-hop type groove with a certain Public Enemy in mind. Tambourine included to give it a more ‘Loop’ type of feel and sound and a very careful selection of fills to enhance this particular beat.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 90\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e19: \u003cb\u003eNTCD 80 80S POP 24\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e‘Meat and Potatoes’ pop groove with simple fills and progressing along with the ride cymbal maintaining a good blank canvas to create over. Quarter notes on the hats and some very simple tom and snare fills to add to the progression of the track.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 80\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e20: \u003cb\u003eNTCD 71 80S POP 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA very laid back ballad groove reminiscent of ‘Careless Whisper’ and with lots of open space to let the song breathe. Eighth note hi-hat pattern with some subtle snare inflections with the Ludwig Black Beauty in its full glory and some minimal drum fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 71\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":33207370481796,"sku":"DDA6135NWMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":33207370514564,"sku":"DDA6135NWSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":33207370547332,"sku":"DDA6135NWLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/cef6135c164da9a66f7e3522277a44d64d4963e9.jpg?v=1585912721"},{"product_id":"70s-new-wave-drops","title":"70s New Wave Drops","description":"\u003cp count=\"1\"\u003eThe late 1970s; a time of denim, big hair, drainpipes and the explosion of New Wave music. Leaving behind the days of God Save The Queen–style anarchy, New Wave bands drew on influences such as the Velvet Underground and New York Dolls whilst throwing in synths and electronic production to turn music in a fresh 'post-punk' direction.\u003c\/p\u003e\n\u003cp count=\"2\"\u003eNew Wave was pioneered by acts from both the US and UK, particularly Talking Heads, Elvis Costello \u0026amp; The Attractions, Ian Dury \u0026amp; The Blockheads, Nick Lowe, Blondie and Joe Jackson. By the turn of the decade various sub genres were appearing, most significantly the New Romantic era, which included bands like Duran Duran, Japan, Ultravox and Adam \u0026amp; The Ants. Moving into the 90s, bands like Stereolab, Saint Etienne and Elastica were still influenced by the genre, later paving the way for the explosion of Brit Pop. More recently, the 2000’s saw a new sub-genre, the ‘New’ New Wave, (yes, really!) with The Strokes, Bloc Party, Yeah Yeah Yeahs and Franz Ferdinand taking the limelight.\u003c\/p\u003e\n\u003cp count=\"3\"\u003eSo, Introducing ‘70s New Wave Drops’; a perfectly condensed drum album featuring 70s Costello sounding New Wave drum tracks with a couple of country feels thrown in – That’s right, we’ve done the hard bit for you! The album features the drumming skills of Elvis Costello \u0026amp; The Attractions’ Pete Thomas, who’s performed on the majority of Costello albums and has been an integral part of the band from 1977 right up to the present day.\u003c\/p\u003e\n\u003cp count=\"4\"\u003eAnother name synonymous with New Wave is Roger Bechirian. Having been responsible for producing, recording and mixing many of Costello’s albums (and other works by Nick Lowe, Squeeze and The Undertones), who better to add their expertise to the ‘70s New Wave Drops album than Roger himself?\u003c\/p\u003e\n\u003cp count=\"5\"\u003eWith eleven classic New Wave drum tracks and two other country feels on the album, ranging from 80BPM to 167BPM, there’s swinging grooves and serious snare action – all you need if Costello-esque drum beats are what you’re looking for.\u003c\/p\u003e\n\u003cp count=\"6\"\u003eNow for the detail. The kit was provided by Drumhire (www.drumhire.com) who supplied both a Gretsch and a DW Collector Series kit. We combined the best of both kits using the DW kick drum with Gretsch toms, Pete brought in the same original Ludwig 400 snare that was used on many famous Costello recordings. We also used a 1970’s Ludwig Black Beauty snare drum on a couple of tracks.\u003c\/p\u003e\n\u003cp count=\"7\"\u003e‘70s New Wave Drops’ album was recorded at Miloco’s The Square, a quirky studio in the heart of Hoxton Square, Shoreditch, using an SSL G Series console with Telefunken and Calrec mic pre’s. The kit was mic’d up with 12 microphones including Coles Ribbons, Neumann U47 FETs and AKG C28 valve mics. All of the tracks were recorded on to a 16 track 2” analogue tape machine.\u003c\/p\u003e\n\u003cp count=\"8\"\u003eBased around an SSL G Series console and a fantastic collection of outboard, Miloco’s Engine Room was the obvious choice for mixing. EAR valve EQs, Manley Vari-Mu Compressors and Calrec PQ1161 EQs all feature prominently in the mix.\u003c\/p\u003e\n\u003cp count=\"9\"\u003eAll thirteen tracks can be purchased as as multi-tracks (unmixed), stems (mixed) or drum loop packs. The Multi-tracks (which are just the 4 mic positions) come as full length live multi-tracks and song construction loops. These packs include a tempo map and OMF file to export into other DAW. We also provide patches for Pro Tools, Logic, Cubase, Reason, Reaper, Studio One and Ableton Live and the audio comes as 24 Bit WAVs. The Multi-track Song Loops are locked to the beat and cut into song structures such as Intro, verse, chorus, middle 8, bridge and Outro.\u003c\/p\u003e\n\u003cp count=\"10\"\u003eThe Stems and mix packs which have all the separate drum mics, percussion and reverb as separate stems come as full length 24 bit WAVs and these also come with a tempo map. The Stem and Mix packs also include the locked to the beat song construction loops (but mixed versions).\u003c\/p\u003e\n\u003cp count=\"11\"\u003eThe loop packs contain live 4 bar loops in each component stem and a folder of grooves and fills which are 2 bar loops locked to the beat. We have included as many useful loops that we can get from each drum track. The loops come formatted as 24 bit WAVs, Apple Loops (24 bit and 16 bit) and Rex 2 Files.\u003c\/p\u003e\n\u003cp count=\"12\"\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5e8b50beecb2a1c34f8b4569\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp count=\"1\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e1: \u003cb\u003eSNWD 167 NEW WAVE 03\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid Tempo Funk groove based on Pete Thomas' drum track for 'I Don't Want To Go To Chelsea' by Elvis Costello. A medium tempo funky track with different verse and chorus grooves and various fills dotted around. This track was inspired by Mitch Mitchell's licks on Jimi Hendrix's track ‘Fire'.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 167\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e2: \u003cb\u003eSNWD 158 NEW WAVE 09\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA 90's trainbeat groove Pete played on 'Whiskey Trail' by Los Lobos. A shuffle on the snare and a swung hi-hat.The chorus switches to shuffle snare and swung ride with builds and accents.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 158\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e3: \u003cb\u003eSNWD 150 NEW WAVE 02\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUrgent New Wave track based on Pete's drum track for 'Radio radio' by Elvis Costello. An urgent upper mid tempo with 4rs in the chorus and lots of fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 150\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e4: \u003cb\u003eSNWD 148 NEW WAVE 05\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eBased on Pete's drum track on ‘Lipstick Vogue’ by Elvis Costello. A furious beat and 'Sandy Nelson' type solo.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 148\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e5: \u003cb\u003eSNWD 143 NEW WAVE 06\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eA rocking pop track based on Pete's drums on ‘Oliver's Army' by Elvis Costello. Upper mid tempo with lots of roll led fills.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 143\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e6: \u003cb\u003eSNWD 140 NEW WAVE 07\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePounding tom rock intro and bass drum led track as featured on ‘Peace, Love and Understanding' by Elvis Costello.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e140\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e7: \u003cb\u003eSNWD 138 NEW WAVE 04\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRocking sound of thumping the toms and snare based on the track 'Pump it Up' by Elvis Costello and the Attractions.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e138\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e8: \u003cb\u003eSNWD 130 NEW WAVE 01\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e'This years Girl' by Elvis Costello. Based on the 'Ticket to ride' groove by the Beatles. A jerky mid tempo groove.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo: \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e130\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e9: \u003cb\u003eSNWD 110 COUNTRY 13\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFast, straight country shuffle which Pete Thomas uses a lot with his country band Jacksh*t.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 110\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e10: \u003cb\u003eSNWD 109 NEW WAVE 10\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eUnusual hi-hat pattern and funk groove based on Pete's drum track for 'New Lace Sleeves' by Elvis Costello.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 109\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e11: \u003cb\u003eSNWD 100 NEW WAVE 11\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eNew mid tempo funky jungle tom groove, similar to 'Bedlam' by Elvis Costello.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e12: \u003cb\u003eSNWD 95 NEW WAVE 08\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eRagamuffin\/New Orleans snare\/hat beat based on Pete's drum track 'Dream in Blue' from Los Lobos's ‘Kiko’ album.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 100\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e13: \u003cb\u003eSNWD 160 COUNTRY 12\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eMid Tempo brushes country rock groove.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eTempo:\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003e 160\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitrack Session","offer_id":33207431594116,"sku":"DDA6245NWMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mix Files","offer_id":33207431659652,"sku":"DDA6245NWSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":33207431725188,"sku":"DDA6245NWLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/59c1dee6e1c43167cb539034d1c19ed21061fc6d.jpg?v=1585912926"},{"product_id":"paul-stone-indie-n-rock","title":"Paul Stone: Indie N Rock","description":"\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eAbout Paul Stone \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003ePaul Stone is a professional drummer living in London, UK. Since studying Music \u0026amp; Music Technology at Brunel University College, Paul has gone on to record, tour and play with a diverse range of musical artists\/acts such as: Tom Baxter, IAMX, Red Racer, Moke, Micheal Malarkey, Senser, James Dean Bradfield, Mexicolas, Soho Dolls, Ryan Davies and Entronaut.  Paul proudly endorses Ludwig drums and Vater drumsticks.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003c!-- split --\u003e\n\u003cwidgetic-embed id=\"5e8f2a1cecb2a12f138b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eAbout the pack: \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003ci class=\"\"\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eWith tempos ranging from 65-163bpm Paul takes us on an incredible journey spanning the 60s to present day of many of the beats that have influenced him and countless others. Influences in these killer grooves range from rock legends such as Hendrix, Zeppelin and Aerosmith to the funky beats  of  the Beastie Boys, Stone Roses and Chill Peppers right up to Deftones and Tame impala. Spanned over a huge 2.5gb of data this truly is a comprehensive collection of all things indie and rock, all 100% royalty free and   meticulously recorded in 44.1k \/24 bit at London's legendary The Pool studios\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003ePauls Ludwig drums were recorded thorough the Pools huge collection of vintage Neve and Api preamps, each nuance captured by a selection of mic’s by Neumann, Royer, AKG, Shure and Sennheiser. We truly enjoyed producing this collection in the knowledge of it being far from just another run of the mill loop pack, we truly believe these beats will add that extra special edge to your productions.\u003c\/div\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":33308367716484,"sku":"DDA9135PSMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops and Hits Pack","offer_id":33308367749252,"sku":"DDA9135PSLH","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/PaulStone.jpg?v=1690295107"},{"product_id":"funky-conga-drops","title":"Funky Conga Drops","description":"\u003cp\u003e\u003cspan\u003eFunky Conga Drops is a collection of over 50 loops \u003c\/span\u003epristinely recorded by some of the finest conga players in the world, produced by the legendary Mike Pelanconi (aka Prince Fatty).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded on location during Mike's road trip from LA to Sao Paulo stopping off in Havana on the way, this pack features some of the finest percussionists the America's have to offer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith tempos ranging from 75BPM to a conga-melting 169BPM, there are loops for every genre from disco to soul to old school funk to Latin.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe all know the Prince Fatty sound by now. His futuristic take on old \u003c\/span\u003e\u003cspan\u003eschool reggae, soul and hip hop versions – served up in a contemporary \u003c\/span\u003e\u003cspan\u003estyle that’s uniquely his and full of character – is already well \u003c\/span\u003e\u003cspan\u003eknown on the international club and festival circuit. It's music for \u003c\/span\u003e\u003cspan\u003eour times and popular with a wide demographic thanks to a discography \u003c\/span\u003e\u003cspan\u003edrawn from several continents, and that includes diverse talents such \u003c\/span\u003e\u003cspan\u003eas Lily Allen, Hollie Cook, Jovi Rockwell, Fatlip from the Pharcyde, \u003c\/span\u003e\u003cspan\u003eJamaican stars Big Youth, Gregory Isaacs and Marcia Griffiths, Manu \u003c\/span\u003e\u003cspan\u003eChao and the hip-hop Godfathers The Last Poets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eA lover of analog techniques and recording live Mike Pelanconi learnt \u003c\/span\u003e\u003cspan\u003ehis craft the traditional tape op way as a teenager, this was not to \u003c\/span\u003e\u003cspan\u003elast too long and was soon working with the likes of Rebel MC and the \u003c\/span\u003e\u003cspan\u003eearly jungle scene alongside the groovers at Acid Jazz before leaving \u003c\/span\u003e\u003cspan\u003efor Los Angeles and hip-hop label Delicious Vinyl thanks to the Brand \u003c\/span\u003e\u003cspan\u003eNew Heavies. In LA the experience of working with the likes of hip hop \u003c\/span\u003e\u003cspan\u003eproducer JDilla, singers like Saidah Garret (Michael Jackson and \u003c\/span\u003e\u003cspan\u003eQuincy Jones) and sharing a studio with Rick Rubin proved invaluable \u003c\/span\u003e\u003cspan\u003eexperience and learning.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003e“The one thing in common they all had was the love of a good drum \u003c\/span\u003e\u003cspan\u003esound and a passion for drum breaks, but you had to be fast”\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eOn returning to the UK it was Mike's fat drum sound and analog style \u003c\/span\u003e\u003cspan\u003ethat got him working with Blur's Graham Coxon for two albums until \u003c\/span\u003e\u003cspan\u003eassuming the mantle of Prince Fatty in 2007, after creating the name \u003c\/span\u003e\u003cspan\u003efor a Stussy project. There would be a run of albums after signing \u003c\/span\u003e\u003cspan\u003ewith Mr. Bongo, featuring himself and other artists such as Mungos \u003c\/span\u003e\u003cspan\u003eHiFi, The Skints, Mad Professor, Manu Chao, Mungo's Hi-Fi, classic \u003c\/span\u003e\u003cspan\u003ereggae singer Little Roy, who had a surprise hit with an album of \u003c\/span\u003e\u003cspan\u003eNirvana covers and international break thru thanks to Breaking Bad \u003c\/span\u003e\u003cspan\u003eusing Horseman’s Shimmy Shimmy Ya.\u003c\/span\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cspan\u003eFatty's fond of saying that music has no borders but he has an \u003c\/span\u003e\u003cspan\u003eadventurous spirit himself. Since leaving Brighton he's spent lengthy \u003c\/span\u003e\u003cspan\u003eperiods in Los Angeles writing, building a new mix studio in Thailand \u003c\/span\u003e\u003cspan\u003eand recording in Brazil all at the same time. Recent collaborations \u003c\/span\u003e\u003cspan\u003einclude mixing the latest Skints album and producing The Role Of \u003c\/span\u003e\u003cspan\u003eMonkey Man album for Delicious Vinyl featuring his latest discovery \u003c\/span\u003e\u003cspan\u003eBrazil’s premier MC Monkey Jhayam.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\nMP3 Samples\n\u003cwidgetic-embed id=\"5ebc1a3fecb2a19c288b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e\u003cspan\u003eThe Multitracks Pack contains the full length individual .wav audio files for each mic used during the recording. Typically this would be Conga Right and Left, a pair of ribbon mics on the whole set up, and separate mics for Shakers, Tambourines and Blocks (depending on what's in the loop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Loops Pack contains several loops per tempo both mixed and with no FX, allowing you to mix up the different breaks, loops and fills across the whole loop, all in full quality .wav format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Jam Pack contains the full length stereo .wav file of each loop, with and without FX, allowing you to jam along to 3+ minutes of conga per tempo without having to loop anything or mix the multitracks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Drumdrops Samples","offers":[{"title":"Multitracks Pack","offer_id":33805019447428,"sku":"DDA1525CDMP","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":33805019480196,"sku":"DDA1525CDLP","price":19.95,"currency_code":"GBP","in_stock":true},{"title":"Jam Pack","offer_id":33805019512964,"sku":"DDA1525CDJP","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/FunkyConga.jpg?v=1689775928"},{"product_id":"organic-trap","title":"Organic Trap","description":"\u003cp\u003eOrganic Trap is a collection of 45 tracks across 19 tempos guaranteed to give your tracks a unique and contemporary edge. With its origins in the 90s, Trap hit the mainstream in the 2010s, with artists such as Drake, A$AP Ferg, Post Malone, Travis Scott, Migos and loads more. Characterised by complex rhythms, tuned kicks, triple time hats and snappy snares, our Organic Trap pack is a supreme collection of trap drum loops and grooves. \u003c\/p\u003e\n\u003cp\u003eOrganic Trap was recorded at the legendary The Pool Studios in London through its vintage Neve desk with mics from Neumann, AKG,  Coles and AEA. Engineer Billy Halliday (Frank Ocean, James Blake, Sampha, Duke Dumont) was at the helm, with legendary drummer CJ Evans behind the \u003ca href=\"https:\/\/www.drum-drops.com\/collections\/drum-samples\/products\/modern-funk-kit\"\u003eModern Funk Kit\u003c\/a\u003e we have available as a sample pack.\u003c\/p\u003e\n\u003cp\u003eCJ Evans is a professional freelance drummer\/percussionist from south-east London who has extensively recorded, gigged and toured across the UK, Europe, Russia, and USA performing at prestigious venues and arenas alongside the likes of Deep Purple, Status Quo, Daughtry, Three Doors Down, LifeHouse, BuckCherry, Flyleaf, Justin Hawkins (The Darkness), Paul Weller, Shinedown, Grouplove, Young Guns, Portishead, John Newman, Bombay Bicycle Club and AWOLNATION. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e MP3 Samples \u003cwidgetic-embed id=\"5eda0197ecb2a1ea5e8b4567\" resize=\"fill-width\" width=\"900\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every groove, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, snare and overhead mics, along with both an unmixed and mixed stereo track. Perfect if you want some control over the mixing process, but need a bit of a starting point.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains both processed and unprocessed stereo mixes of all the tracks, broken down into seperate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":33977635045508,"sku":"DDA1153OTMT","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":33977635078276,"sku":"DDA1153OTSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":33977635111044,"sku":"DDA1153OTLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/Organictrap2.2.jpg?v=1689779369"},{"product_id":"neo-soul","title":"Neo Soul","description":"\u003cp\u003eNeo Soul is a collection of 42 loops across 22 tempos of super-contemporary drum grooves taking influence from the founders of Neo Soul, such as Dangelo,  Questlove and Maxwell right up to Chris Dave,  Anderson Paak, Nate Smith and Tom Misch.\u003c\/p\u003e\n\u003cp\u003eWe enlisted the incredibly talented drummer George Cook for this pack, he's played for, amongst many others, \u003cspan\u003eThe Japanese House, Collard and Calum Scott. He has recorded on albums for Eminem, Birdy, Marika Hackman, Jamie N Commons, X Ambassadors, Bruno Major and Rag N Bone Man.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNeo Soul was recorded by Billy Halliday (Frank Ocean, James Blake, Sampha, Duke Dumont)at Miloco's Livingston Studio 2 through their Custom Series 75 by Neve desk using only the finest mics from Neumann, Coles, AKG and AEA. Livingston Studio 2 is the perfect space for this kind of drum sound, with its snappy and tight sounding live spaces and massive array of high-end analogue gear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs ever this pack is all fully live and organic, with strictly zero quantising to ensure the feel and groove is fully retained to give your tracks that extra special feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrum Kit Spec\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYamaha Club Custom kick 20”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLudwig Vistalite Toms 13\/16”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHayman Toms 12\/16”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLudwig 400 14x5 snare\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLudwig Acrolite 14x5 snare\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLudwig Vistalite snare 14x6.5 Snr\u003c\/p\u003e\n\u003cp\u003ePremier 1960’s Royal 14x4 snare\u003c\/p\u003e\n\u003cp\u003eZildjian K light Constantinople 22”  \u003c\/p\u003e\n\u003cp\u003eZildjian K Dark Medium 22”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZildjian K special dry 21”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZildjian Crash of Doom 20”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZilidian A custom sizzle Ride 20”\u003c\/p\u003e\n\u003cp\u003eZildjian 16” Avedis Hats\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZildjian 15” special dry hats\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZildjian 14” Constantinople hats\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePaiste 10” PST stack\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePaiste 14” PST stack\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cstrong\u003eMP3 Samples\u003c\/strong\u003e \u003cwidgetic-embed id=\"5efcb3ccecb2a1ce538b4567\" resize=\"fixed-height\" width=\"750\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every groove, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, snare and overhead mics, along with both an unmixed and mixed stereo track. Perfect if you want some control over the mixing process, but need a bit of a starting point.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains both processed and unprocessed stereo mixes of all the tracks, broken down into seperate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":34081607417988,"sku":"DDA1246NSMT","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":34081607450756,"sku":"DDA1246NSSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":34081607483524,"sku":"DDA1246NSLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/NeoSoulv2.jpg?v=1689779075"},{"product_id":"northern-soul","title":"Northern Soul","description":"\u003cdiv class=\"\"\u003eNorthern Soul is a lovingly created collection of 37 grooves across 21 tempos guaranteed to evoke the spirit of Chicago and Detroit via Wigan Casino. Inspired by artists such as Edwin Starr, \u003cspan class=\"\"\u003eGloria Jones, Kim Weston and The Temptations and by labels such as \u003c\/span\u003e\u003cspan class=\"\"\u003eVee Jay Records, Chess Records and Brunswick Records, this collection of beats will give your tracks that authentic insistent sound of Northern Soul.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eRecorded at Miloco's Livingston Studio 1 in London by engineer Billy Halliday, featuring session drumming legend Steve Taylor.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eDrum Tech Spec: \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eLudwig super classic (70s) kit \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eToms: 12x8 +16x16 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eKick: 22x14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eRemo Ambassador heads - tuned very open\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e3 x wood shell 5\" snares\u003c\/div\u003e\n\u003cp\u003e\u003c!-- split --\u003e MP3 Samples\u003c\/p\u003e\n\u003cwidgetic-embed id=\"5f1eb087ecb2a123438b456e\" resize=\"fixed-height\" width=\"700\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every groove, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, snare and overhead mics, along with both an unmixed and mixed stereo track. Perfect if you want some control over the mixing process, but need a bit of a starting point.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains both processed and unprocessed stereo mixes of all the tracks, broken down into seperate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":34144180142212,"sku":"DDA1018NSMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":34144180174980,"sku":"DDA1018NSSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":34144180207748,"sku":"DDA1018NSLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/northernsoulv2.jpg?v=1689777002"},{"product_id":"krautrock","title":"Krautrock","description":"\u003cp\u003e\u003cspan\u003eWe at Drumdrops HQ have been long time fans of the hypnotic groove of Krautrock. When we met with legendary drummer and producer Ben Hillier a few months back to discuss this project we were all incredibly excited about bringing grooves inspired by legends such as Jaki Liebezeit and bands such as Can, Neu, Tangerine Dream and Faust to our catalogue. Cited and adapted by artists as diverse as Bowie, ENO, Q-Tip, The Horrors and the Foals the Motorik beat of Krautrock continues to inspire many years after 70s origins. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis pack was recorded and played by the two Bens at their Agricultural Audio Studio, the drums were recorded using vintage German microphones through their vintage 60s Studer desk, they pack really gives you the true authentic Krautrock sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"s2\"\u003eWe’ve used a hybrid kit with lots of damping And p\u003c\/span\u003elaced screens around the kit to reduce any room sound bleeding onto the close mics to emulate the clear and bright dry sound heard on many classic Krautrock recordings. The kit was recorded mainly through 1970s Studer 089 console but with a couple of extras from Tonelux and Telefunken\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eBD - Slingerland 24x14 (Niles era)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eSn- Slingerland SoundKing 14x5 chrome over brass (1960’s)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eToms - Gretsch Broadcaster 13x8 and 16x15 (1950’s)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eHiHats - Paiste formula 602 14”\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eRide - Sabian HH 20” medium ride\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eCrash - Sabian HHX  16”\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eMic setup:\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eOheads - CMV563 w.M7 capsules, Telefunken 776 Pres\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eBD - Crowley and Tripp El Diablo and AKG D25, Studer 089\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eSn - Beyerdynamic M201, Studer 089\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eHiHat - AMC D44, Studer 089\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eToms - Aston Starlight, Studer 089\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eClose Room - Aea R88, RPQ2 \u0026amp; Studer 089\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eFar Room - Earthworks TC20, Tonelux MP1a\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBen Hillier’s creative and experimental approach to production has seen him turn Moroccan palaces and curtain warehouses alike into studios. His work on BLUR’s incredible Think Tank lead to Ben producing brilliant albums for DOVES, CLINIC and ELBOW. Following his production of DEPECHE MODE's Sounds Of The Universe record, Ben turned his hand to mixing, working on records for EDITORS and THE MAGIC NUMBERS, as well as VILLAGERS' stunning debut, the Mercury and Q Award nominated Becoming A Jackal, and two albums for GRAHAM COXON\u003c\/p\u003e\n\u003cp\u003eWorking from his studio Sussex-based Agricultural Audio, Ben co-created the highly-praised, Aim Award -winning and Mercury Prize-nominated third album ‘ Holiday Destination ‘ for NADINE SHAH which he also co-wrote and played on. In between touring with NADINE SHAH over the couple of years, he has found time to mix albums for JOSH T. PEARSON and PETER PERRETT and produce albums for SETH LAKEMAN, for TOM FLEMING and tracks for GANG OF FOUR.   Currently putting the finishing touches to a 4th album for NADINE SHAH, he’s also finding time to work on a new album for JUANITA STEIN.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBen Hampson cut his professional teeth at the renowned residential studio “Jacobs,” Working his way up from tea boy to engineer.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2006 he went freelance, working under producers such as Jack Knife Lee, Hugh Padgham, Ken Thomas and Paul Stacey, and with acts such as Noel Gallagher, Editors and Bloc Party.\u003c\/p\u003e\n\u003cp\u003eIn the last 5 years Ben has gone on to focus more on production, mixing, playing and composing, with an emphasis on philosophy, aesthetic and arrangement. Recent work includes Blood Red Shoes, Laura Mary-Carter, Nadine Shah and Seth Lakeman. He engineered on a 2018 Mercury prize nominated album and has had his composition and production work nominated for national tv\/sync awards.\u003c\/p\u003e\n\u003cp\u003eBen also designed, built and runs his own recording studio, “Agricultural Audio,” with Ben Hillier; produces the annual, collaborative, “AA Sessions” and runs the label “Tinderbox.”\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cwidgetic-embed id=\"5f521cf7ecb2a162448b456b\" resize=\"fill-width\" width=\"800\" height=\"300\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e\n\u003cp\u003eMP3 Samples\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":34225956257924,"sku":"DDA9232KRMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":34225956290692,"sku":"DDA9232KRSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":34225956323460,"sku":"DDA9232KRLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/Krautrockv2.jpg?v=1689777572"},{"product_id":"beats-breaks-3","title":"Beats \u0026 Breaks 3","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eFollowing on from our Beats and Breaks albums with Adam Betts, we're proud to present the next instalment in the series. With 19 tracks over tempos ranging rom 122-160bpm these organic grooves will give your tracks that energy and feel that just can't be achieved by programming. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eWe enlisted the incredibly talented drummer George Cook for this pack, he's played for, amongst many others, The Japanese House, Collard and Calum Scott. He has recorded on albums for Eminem, Birdy, Marika Hackman, Jamie N Commons, X Ambassadors, Bruno Major and Rag N Bone Man.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eThe pack was lovingly recorded at Ben Hillier’s Agricultural Audio Studios in Lewes, UK by engineer Dan Crook who has worked with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eNadine Shah, Gang of Four and Josh T Pearson.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003c!-- split --\u003e \u003cspan data-mce-fragment=\"1\" class=\"\"\u003eMP3 Samples\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cwidgetic id=\"5f881bd1ecb2a169148b4567\" resize=\"fill-width\" width=\"700\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every groove, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, snare and overhead mics, along with both an unmixed and mixed stereo track. Perfect if you want some control over the mixing process, but need a bit of a starting point.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains both processed and unprocessed stereo mixes of all the tracks, broken down into seperate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":34314752065668,"sku":"DDA1133BB3MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":34314752098436,"sku":"DDA1133BB3SM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":34314752131204,"sku":"DDA1133BB3LP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/BeatsnBreaks3_7cccd602-f175-4819-b3a1-20677db322a3.jpg?v=1689352416"},{"product_id":"alt-americana","title":"Alt Americana","description":"\u003cp\u003eWith 20 grooves across 18 tempos Alt Americana is an encyclopaedic journey of grooves from early influences such as The Band, Gram Parsons and Van Morrison right up to modernity of the Kings of Leon, White Stripes and The Raconteurs. Beautifully recorded by Julian Kindred at his world class private studio, this collection ranging of beats with tempos ranging from 77-164bpm will give your tracks that authentic live feel and swing that will truly elevate them to the next level. We truly hope you enjoy this pack as much as we all loved making it.\u003c\/p\u003e\n\u003cp\u003eJulian Kindred is a Canadian musician and Grammy award-winning producer\/engineer whose entry into recording began on Nashville’s Music Row in the early 90s. Honing his craft in many of the city’s iconic studios, he worked with a long list of its legendary musicians and producers. A musical Anglophile, he moved to London in 2002, setting up his own recording \u0026amp; mixing studio, Nonsuch Park, where he continues to work and write on several projects. He’s worked with numerous artists including Ellie Goulding, Aimee Mann, Nao, Hammock, Max Cooper \u0026amp; BT, as well as working on sessions for legends such as Little Richard \u0026amp; Steve Winwood. Dan See is a UK-based session drummer with a wide range of recording, writing and live experience. Currently he is working with Lianne La Havas as part of her live band and can be heard on her MOBO nominated self-titled album Lianne La Havas. Dan is also working live with Laura Marling as well as appearing on her Grammy nominated album Song For Our Daughter. Other work includes working, recording and touring with Sir Tom Jones, Jamie Woon, Nick Mulvey, Nao, Lexxx, Kevin Killen and Ethan Johns.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e MP3 Samples\u003c\/p\u003e\n\u003cwidgetic id=\"6024073becb2a16d2d8b4567\" resize=\"fill-width\" width=\"700\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u0026amp; Mixes \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. With this pack we have also included a full length mixed stereo wav for each groove, so you have a mix ready to use for each tempo.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003cbr\u003e\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks \u0026 Mixes","offer_id":34531191685252,"sku":"DDA9118AAMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":34531191718020,"sku":"DDA9118AALP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/AltAmericana.jpg?v=1689347907"},{"product_id":"neo-soul-2","title":"Neo Soul Vol. 2","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHot on the heels fo our super successful Neo Soul pack Drumdrops is proud to present Neo Soul Vol 2, consisting of almost 300 loops across 18 tempos ranging from 59-115BPM\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eNeo Soul is an extensive journey through all things Neo taking in influence from abstract hip hop to modern funk. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeautifully recorded and produced by Julian Kindred at his world\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eclass private studio, this collection will give your tracks that \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eauthentic live feel and swing that will truly elevate them to the \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003enext level. We truly hope you enjoy this pack as much as we all \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eloved making it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJulian Kindred is a Canadian musician and Grammy award-winning producer\/engineer whose entry into recording began on Nashville’s Music Row in the early 90s. Honing his craft in many of the city’s iconic studios, he worked with a long list of its legendary musicians and producers. A musical Anglophile, he moved to London in 2002, setting up his own recording \u0026amp; mixing studio, Nonsuch Park, where he continues to work and write on several projects. He’s worked with numerous artists including Ellie Goulding, Aimee Mann, Nao, Hammock, Max Cooper \u0026amp; BT, as well as working on sessions for legends such as Little Richard \u0026amp; Steve Winwood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDan See is a UK-based session drummer with a wide range of recording, writing and live experience. Currently he is working with Lianne La Havas as part of her live band and can be heard on her MOBO nominated self-titled album Lianne La Havas. Dan is also working live with Laura Marling as well as appearing on her Grammy nominated album Song For Our Daughter.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOther work includes working, recording and touring with Sir Tom Jones, Jamie Woon, Nick Mulvey, Nao, Lexxx, Kevin Killen and Ethan Johns.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\nMP3 Samples\n\u003cwidgetic id=\"60702db8ecb2a159228b4567\" resize=\"fill-width\" width=\"750\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u0026amp; Mixes \u003c\/strong\u003epack contains full length multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. With this pack we have also included a full length mixed stereo wav for each groove, so you have a mix ready to use for each tempo.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks \u0026 Mixes","offer_id":39303817887876,"sku":"DDA3276NS2MS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":39303817920644,"sku":"DDA3276NS2LP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/NeoSoul2_46457faf-e625-4fb9-9842-751f070623e2.jpg?v=1689348358"},{"product_id":"philly-soul-grooves","title":"Philly Soul Grooves","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith over 300 loops and tempos ranging from 64- 123bpm Philly Soul Grooves\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eis an encyclopaedic journey through salsoul, funk and disco taking influence from the kings ’n’ queens of the Philly sound from Gamble and Huff to MFSB to Loleatta Holloway. Beautifully recorded by Julian Kindred\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eat his world class private studio featuring legendary drummer Dan See, this collection of beats will give your tracks that authentic live feel and swing that will truly elevate them to the next level. We truly hope you enjoy this pack as much as we all loved making it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJulian Kindred is a Canadian musician and Grammy award-winning producer\/engineer whose entry into recording began on Nashville’s Music Row in the early 90s. Honing his craft in many of the city’s iconic studios, he worked with a long list of its legendary musicians and producers. A musical Anglophile, he moved to London in 2002, setting up his own recording \u0026amp; mixing studio, Nonsuch Park, where he continues to work and write on several projects. He’s worked with numerous artists including Ellie Goulding, Aimee Mann, Nao, Hammock, Max Cooper \u0026amp; BT, as well as working on sessions for legends such as Little Richard \u0026amp; Steve Winwood. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDan See is a UK-based session drummer with a wide range of recording, writing and live experience. Currently he is working with Lianne La Havas as part of her live band and can be heard on her MOBO nominated self-titled album Lianne La Havas. Dan is also working live with Laura Marling as well as appearing on her Grammy nominated album Song For Our Daughter. Other work includes working, recording and touring with Sir Tom Jones, Jamie Woon, Nick Mulvey, Nao, Lexxx, Kevin Killen and Ethan Johns.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e MP3 Samples\n\u003cwidgetic id=\"60a53cbfecb2a1b95f8b4567\" resize=\"fill-width\" width=\"700\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u0026amp; Mixes \u003c\/strong\u003epack contains full length multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. With this pack we have also included a full length mixed stereo wav for each groove, so you have a mix ready to use for each tempo.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks \u0026 Mixes","offer_id":39353977798788,"sku":"DDA0998PSMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":39353977831556,"sku":"DDA0998PSLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/PhillySoul.jpg?v=1689345820"},{"product_id":"contemporary-r-b","title":"Contemporary R\u0026B","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith 20 tracks across 14 tempos Contemporary R\u0026amp;B is an encyclopaedic journey of uptown funky grooves taking influence from Beyonce to Rihanna to Drake to Bruno Mars right up to Anderson Paak and Lizzo, Beautifully recorded by Julian Kindred at his world class private studio, this collection ranging of beats with tempos ranging from 70-105 bpm will give your tracks that authentic live feel and swing that will truly elevate them to the next level. We truly hope you enjoy this pack as much as we all loved making it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbout the Artists:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJulian Kindred is a Canadian musician and Grammy award-winning producer\/engineer whose entry into recording began on Nashville’s Music Row in the early 90s. Honing his craft in many of the city’s iconic studios, he worked with a long list of its legendary musicians and producers. A musical Anglophile, he moved to London in 2002, setting up his own recording \u0026amp; mixing studio, Nonsuch Park, where he continues to work and write on several projects. He’s worked with numerous artists including Ellie Goulding, Aimee Mann, Nao, Hammock, Max Cooper \u0026amp; BT, as well as working on sessions for legends such as Little Richard \u0026amp; Steve Winwood.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDan See is a UK-based session drummer with a wide range of recording, writing and live experience. Currently he is working with Lianne La Havas as part of her live band and can be heard on her MOBO nominated self-titled album Lianne La Havas. Dan is also working live with Laura Marling as well as appearing on her Grammy nominated album Song For Our Daughter. Other work includes working, recording and touring with Sir Tom Jones, Jamie Woon, Nick Mulvey, Nao, Lexxx, Kevin Killen and Ethan Johns.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003eMP3 Samples\u003c\/p\u003e\n\u003cwidgetic id=\"61361498ecb2a12f498b4567\" resize=\"fill-width\" width=\"500\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u0026amp; Mixes \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. With this pack we have also included a full length mixed stereo wav for each groove, so you have a mix ready to use for each tempo.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks \u0026 Mixes","offer_id":39536310222980,"sku":"DDA1899CRBMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":39536310255748,"sku":"DDA1899CRBLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/files\/contemporaryr_b2_45bfb6af-7a16-496d-a9c8-069cf0704e30.jpg?v=1689346723"},{"product_id":"glam-rock","title":"Glam Rock","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAre two drummers better than one, let’s find out! Glam Rock is a rocking double drumming journey of all things Glam Rock from drummer\/producers Ben Hillier and Ben Hampson. Truly unique as a sample pack, these 20 tracks consist of two drummers playing simultaneously, all beautifully captured by the incredible Ben Hillier (Blur, Depeche Mode, Nadine Shah).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking influence from the kings of Glam, from Bowie to Bolan and The NY Dolls right up to today’s Glamster’s such as MCR and Palaye Royale. A huge palette of over 240 grooves with tempo’s ranging from 86 to 168 bpm makes this pack a sure fire way to add that authentic glam flamboyance. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis was lovingly recorded at Ben Hillier's Agricultural Audio studio in Sussex (UK) through his vast collection of vintage mics, preamps, outboard and other assorted rarities. \u003c\/p\u003e\n\u003c!-- split --\u003e MP3 Samples \u003cwidgetic adaptive=\"414\" autoscale=\"on\" height=\"350\" width=\"500\" resize=\"fill-width\" id=\"618961a5ecb2a11d448b4570\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitrack Sessions\u003c\/strong\u003e contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitrack Sessions","offer_id":39698483773572,"sku":"DDA0014GRMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems and Mixes","offer_id":39698483806340,"sku":"DDA0014GRSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":39698483839108,"sku":"DDA0014GRLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/Glam.jpg?v=1636373988"},{"product_id":"jazz-funk-breaks","title":"Jazz Funk Breaks","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJazz Funk Breaks is a beautifully recorded compilation of over 270 funky grooves with tempos ranging from 60-135bpm. Taking influence from Blue Note classics from Miles Davis to Donald Byrd right up to the jazz funk revivalists and Acid Jazz. Jazz Funk Breaks was recorded at The Pool in London by Billy Halliday using a vast collection of vintage 50s\/60s drums, cymbals and mics is guaranteed to give your tracks the real funk deal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe enlisted the incredibly talented drummer George Cook for this pack, he's played for, amongst many others, The Japanese House, Collard and Calum Scott. He has recorded on albums for Eminem, Birdy, Marika Hackman, Jamie N Commons, X Ambassadors, Bruno Major and Rag N Bone Man. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMP3 Samples\u003c\/p\u003e\n\u003cwidgetic id=\"61f7f46cecb2a109448b4567\" resize=\"fill-width\" width=\"750\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eMultitracks \u0026amp; Mixes \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit. With this pack we have also included a full length mixed stereo wav for each groove, so you have a mix ready to use for each tempo.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks \u0026 Mixes","offer_id":40013279985796,"sku":"DDA1099JFBMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":40013280018564,"sku":"DDA1099JFBLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/JFB2.jpg?v=1643630478"},{"product_id":"70s-session-superstar","title":"70s Session Superstar","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e70s Session Superstar is a collection of over 300 grooves \u0026amp; loops from the incredible drummer Steve Taylor, recorded at the legendary Livingston Studios in London. The kit used is a beautiful Ludwig Classic, with 10, 12, 13, and 16-inch toms, a 22-inch kick, and tightly tuned Maple Birch and Yamaha Custom snares.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe skins are all Remo pinstripes on the tops and emperor clears on the bottoms, for that classic Steve Gadd 70s sound. All tuned to perfection and mic'ed up at Livingston using their incredible gear list, including a pair of valve Neumann U67s, plus U87s, D19s, 421s, and everything you'd ever expect around a kit designed to deliver that super-smooth, clean, and meticulous sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTight drums, plenty of reverb, and perfectly balanced levels deliver a drum sound worthy of any 70s Session Superstar.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e MP3 Samples\u003c\/p\u003e\n\u003cp\u003e\u003cwidgetic id=\"61f811a4ecb2a1cc508b4567\" resize=\"fill-width\" width=\"750\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e The \u003cstrong\u003eMultitracks \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Stems \u0026 Mixes","offer_id":40013322518660,"sku":"DDA2298SSSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":40013322551428,"sku":"DDA2298SSLP","price":19.95,"currency_code":"GBP","in_stock":true},{"title":"Multitracks","offer_id":40013322584196,"sku":"DDA2298SSMS","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/70sSessionalbum.jpg?v=1643633511"},{"product_id":"ayo-salawu-drums","title":"Ayo Salawu Drums","description":"\u003cp data-mce-fragment=\"1\"\u003eAs the drummer for Kokoroko, Oscar Jerome and Julia Biel, Ayo Salawu describes his drumming style as a fusion of the various genres he was exposed to from growing up and performing in so many different parts of the world. From playing along to gospel music on pots and pans, then moving to Nigeria and being exposed to genres such as afrobeat and reggae, and finally moving to the uk and coming across genres such as hiphop, funk and jazz. He especially takes influence from bands\/artists such as Earth Wind and Fire, Kool and The Gang, and Michael Jackson.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded at the world-renowned Livingston Studios, the pack attempts to capture what Ayo considers his signature playing style, and includes performances in the worlds of jungle, hip-hop, funk and afrobeat. In terms of recording ethos we tried to capture a dry and true-to-life drum sound whilst blending in a variety of parallel effects sends, as well as ambient and crush mics to shape the sound to suit the different performance styles.\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\nMP3 Samples\n\u003cwidgetic id=\"62616cfcecb2a105678b4567\" resize=\"fill-width\" width=\"750\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks","offer_id":40362742579332,"sku":"DDA1929ASMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems \u0026 Mixes","offer_id":40362742612100,"sku":"DDA1929ASSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":40362742644868,"sku":"DDA1929ASLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/DrumdropsAyoSalawuDrums.jpg?v=1650550842"},{"product_id":"80s-pop","title":"80s Pop","description":"\u003cp data-mce-fragment=\"1\"\u003e80s Pop is an incredible collection of 40+ drum tracks over 19 temps influenced by the giants of 80s pop and indie music. For this album we took over London’s famous The Pool studio with the incredible talented CJ Evans. He brought along a hybrid Premier and Tama kit, plus a selection of snares from Tama, Ludwig and Slingerland, plus Sabian hardware complete with Jingles on the Flat Hats - one shots of everything are available in the album. The kit was miced up using The Pool’s amazing mic list, and run through the vintage Neve desk with engineer Billy Halliday at the helm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking influence from the likes of Simple Minds, Grace Jones, Peter Gabriel, Spandau Ballet and many more superstars of the 1980s, this album covers a range of shoulder-pad-wearing superstars. Gated reverbs, banging snares, funky grooves and dance-inducing beats are abound, taking you right back to the early days of the pop revolution.\u003c\/p\u003e\n\u003c!-- split --\u003e\nMP3 Samples\n\u003cwidgetic id=\"63161ba7ecb2a188748b4567\" resize=\"fill-width\" width=\"750\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks \u003c\/strong\u003epack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks","offer_id":40884498858116,"sku":"DDA3256EPMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems \u0026 Mixes","offer_id":40884498890884,"sku":"DDA3256EPSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":40884498923652,"sku":"DDA3256EPLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/80sPop.jpg?v=1662037942"},{"product_id":"brad-webb-jazz-grooves","title":"Brad Webb Jazz Grooves","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHaving played with the likes of Amy Winehouse, Jamie Cullum and Hamish Stewart, Brad Webb is one of the UK’s most formidable jazz and pop drummers. We were absolutely delighted to team up with Brad to create a brand new jazz collection based around accessible jazz grooves that will perfectly slot into any session.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking inspiration from some of his favourite jazz drummers such as Brian Blade, Elvin Jones \u0026amp; Ed Thigpen, and with a range of tempos from 80-151bpm the Brad Webb Jazz Grooves album has something to suit everyone. Brad used his beautiful 1960s Gretsch Round Badge kit with a selection of vintage cymbals, all recorded to the highest possible standard at London’s Livingston Studios, which has played host to some incredible jazz sessions in recent years including Ezra Collective, Kokoroko and Sons of Kemet, while Livingston regular Luke Farnell was on engineering duties.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e MP3 Samples\u003c\/p\u003e\n\u003cp\u003e\u003cwidgetic adaptive=\"414\" autoscale=\"on\" height=\"350\" width=\"500\" resize=\"fill-width\" id=\"637ce6a9ecb2a179768b4567\"\u003e\u003c\/widgetic\u003e The \u003cstrong\u003eMultitracks\u003c\/strong\u003e pack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks","offer_id":41180543254660,"sku":"DDA2602BWMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems \u0026 Mixes","offer_id":41180543287428,"sku":"DDA2602BWLP","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":41180543320196,"sku":"DDA2602BWSM","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/BradWebb.jpg?v=1669115358"},{"product_id":"the-break-crate","title":"The Break Crate","description":"The Break Crate is a fantastic collection of breaks, breakbeat and hip-hop drum tracks, for which we teamed up with a true heavyweight of the U.K. Jazz and Hip Hop scene, Rich Spaven. Known for his sniper-accurate touch and mastery of metric modulation, Rich has landed gigs with a score of legendary artists including Guru of Gang Starr, Flying Lotus, Alfa Mist, Loyle Corner and Jordan Rakei.\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Rich’s sound has been described as “a nod to the past while keeping an ear toward the future” partly down to his choice of kit elements: crisp snares, round\/jazzy toms, punchy kicks, and a selection of dry cymbals and percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at London’s Livingston Studios, engineering came from Giles Barrett of Lightship 95 Studio, who has worked on a number of projects with Rich, and was the ideal man to go about capturing Rich’s signature sound. Giles kept it old school by using a selection of the vintage mics available at the studio, and chose to run everything through Livingston’s 72 Channel SSL 4000+ G Series, creating a sonic picture that was natural, crisp and full of vibe.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e MP3 Samples \u003cwidgetic adaptive=\"414\" autoscale=\"on\" height=\"350\" width=\"750\" resize=\"fill-width\" id=\"63b6db28ecb2a1446c8b4567\"\u003e\u003c\/widgetic\u003e\n\u003cp\u003eThe \u003cstrong\u003eMultitracks\u003c\/strong\u003e pack contains full length unmixed multitracks of every track, with separate wavs for  the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks","offer_id":41254748881028,"sku":"DDA8734TBCMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems \u0026 Mixes","offer_id":41254748913796,"sku":"DDA8734TBCLP","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":41254748946564,"sku":"DDA8734TBCSM","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/breakcrate.jpg?v=1672928041"},{"product_id":"brad-webb-studio-beats","title":"Brad Webb Studio Beats","description":"\u003cp\u003e\u003cspan\u003eBrad Webb returns for his second release on Drumdrops, and we are over the moon to welcome him back. For this album we focused on Brad’s session work in order to create an album of versatile, beautifully performed and genuinely useful rock and pop drum tracks. Throughout his career Brad has played on songs for the likes of Take That, Louis Dunford, Amy Macdonald and Jamie Cullum as well as being a go to drummer for producers such as Jim Abbiss and plenty more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith tempos ranging from 88-159BPM, Brad has used all his session experience to deliver a pack that can be used on any pop or rock track. Using his amazing Gretsch Broadkaster kit with a variety of snares and vintage cymbals, this pack was recorded at London’s Livingston Studios with engineer Luke Farnell. We made the most Livingston’s incredible mic locker, racks full of vintage equipment and impressive 72-channel SSL console. It’s a studio that’s had a huge array of rock and pop artists through the doors over 30+ years, so was the perfect setting for the ultimate studio drum album.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- split --\u003e \nMP3 Samples\n \u003cwidgetic id=\"64889b39ecb2a1456c8b4567\" resize=\"fill-width\" width=\"500\" height=\"350\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic\u003e\nThe \u003cstrong\u003eMultitracks\u003c\/strong\u003e pack contains full length unmixed multitracks of every track, with separate wavs for all the different mics used on the kit. This pack is great if you want full control over the sound over the kit.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStems and Mixes\u003c\/strong\u003e pack contains stems of typically the kick, kit and room mics, along with both a professionally mixed stereo track. Perfect if you want some control over the mixing process, along with a full length professionally mixed drum track ready to go.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLoops Pack\u003c\/strong\u003e contains stereo mixes of all the tracks, broken down into separate grooves and fills. These are ready-to-go loops perfect for loading straight into your track without any need for mixing or processing.\u003c\/p\u003e","brand":"Drumdrops","offers":[{"title":"Multitracks","offer_id":41388459098244,"sku":"DDA9825SBMS","price":29.95,"currency_code":"GBP","in_stock":true},{"title":"Stems \u0026 Mixes","offer_id":41388459131012,"sku":"DDA9825SBSM","price":24.95,"currency_code":"GBP","in_stock":true},{"title":"Loops Pack","offer_id":41388459163780,"sku":"DDA9825SBLP","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/products\/BradWebbStudioBeats.jpg?v=1681311471"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0369\/1017\/0244\/collections\/bg-26.jpg?v=1585321875","url":"https:\/\/www.drum-drops.com\/collections\/drum-tracks\/dance+folk-rock+krautrock+vintage+trap.oembed","provider":"DrumDrops","version":"1.0","type":"link"}